I have a loft-like space (a large living/bedroom above the garage) near the Chesapeake Bay. The room has high vaulted ceilings (about 10 feet, though of course the peak is higher), lots of windows, and board and batten extending to 7 feet on the walls. The space has windows on all sides, so gets plenty of light. There is a desk/bookcase unit that divides the space into living and sleeping areas. The furnishings are going to be low and modern.

The space, under construction

In terms of color, I was thinking of a soft grey/blue for the 7ft board & batten section of the walls (something along the lines of Boothbay Gray from Benjamin Moore) and a deeper color above that extending up across the ceiling (perhaps Benjamin Moore's Hale Navy). The color would extend throughout the space (only the bathroom will be different). I will also need an accent color for the central bookcase/desk and the trim.

Alternatively, if we decide not to paint the ceiling, perhaps the Hale Navy for the central bookcase/desk. I would love some more color options for the walls, trim, and central architectural component.

Is this a workable scheme? Or would a dark ceiling feel too oppressive? Do you have any color suggestions? -Sarah

image source

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For a nautical theme that isn't too cheesy, she could pair blue gray walls with crisp white trim and cheery red accents.

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Isn't it amazing how people who were once celebrities can fade into obscurity? The same thing can be said for celebrity decorators, especially William Pahlmann. Okay, so perhaps he's not an obscure designer, but he does not have the name recognition of Dorothy Draper or Elsie de Wolfe. If this were 1950, we would all be talking about Pahlmann. After all, he was one of the most famous decorators of the 1940s through the 1960s.

Pahlmann, who was educated at Parsons in the late 1920s, first gained notoriety after designing a mirrored bed for the first Mrs. William Paley (this according to Legendary Decorators of the Twentieth Century by Mark Hampton). Getting her seal of approval was the impetus he needed to go onward and upward, eventually landing him the job of head of the decorating and antiques department at Lord and Taylor. Pahlmann became known for his model rooms for the department store- rooms which garnered attention by the press and brought flocks of customers to the store. After a brief hiatus during World War II (serving in the Air Force), Pahlmann returned to New York where he set up his own decorating firm. He even had his own syndicated newspaper column titled "A Matter of Taste".

Pahlmann's interiors after WWII are quite evocative of the post-war era. While Pahlmann was quite capable of designing in the traditional style, much of his work celebrates mid-century modernism. Pahlmann was a champion of modern materials, including rubber flooring and rayon and other synthetic fabrics. The exotic also played a role in his interiors. Artifacts and objects of various cultures and countries mixed freely, lending his rooms a sort of well-traveled look. And let's not overlook Pahlmann's love of color. There was nothing primary about his chosen color schemes. In fact, in his book The Pahlmann Book of Interior Design, he wrote about various color combinations that he had used thus far in his career. These included cerulean, lime, magenta pink and white as well as deep sage, ripe persimmon and French blue.

Pahlmann was so well-regarded in the design world that when a young Albert Hadley first ventured to New York seeking a job as a designer, he sought out a meeting with his design idol. Hadley describes Pahlmann as "a man of great charm with a flamboyant personality and certainly he was not shy about anything."* Pahlmann encouraged Hadley to enroll at Parsons School of Design, just as he had.

While many of Pahlmann's room may seem a bit dated today, don't you think it's worth revisiting the career of this late, great decorator?

(Pahlmann's work is featured in the upcoming Acanthus Press release New York Interior Design, 1935-1985. Another "lost" designer whose work I greatly admire is George Stacey. I'll be writing about him soon!)



A great example of Pahlmann's fearless use of color. This bedroom's colors were inspired by a vineyard.


The mod floor in this living room was rubber! The mix is a bit unexpected: modern furniture with a Victorian sofa and Spanish altar candlesticks mixed with French candle sconces.


This was Pahlmann's own living room. I love the gunmetal gray walls and the robin's egg blue leather chair. According to Mark Hampton, the cabinet is actually a snakeskin Victrola.


I couldn't resist this image of an Empire-style tented room. Pahlmann admired Napoleon and Malmaison- might this have influenced the design scheme of this room?


Pahlmann designed this living room for Mrs. Walter Hoving in 1948. In my opinion, this room is one of Pahlmann's more elegant designs. Much of his later work seemed to be more casual, much in keeping with the times.

(*Hadley quote from Albert Hadley: The Story of America's Preeminent Interior Designer)

There is a design giant alive today who seems to get overlooked and sometimes even dissed by young designers and design enthusiasts. Many disregard his work as being too 1980s, too traditional, too English country looking, and too frou frou. And it's really a shame because this designer is truly quite talented. He has a remarkable sense of color and a keen understanding of what makes a room comfortable. His look is one that has changed little through the years- he honed his style as a young man and has stuck to it, perhaps with some tweaking over the years. Bottom line- his rooms are unabashedly pretty, and in my mind pretty is not a dirty word.

Who am I talking about? None other than Mario Buatta (a.k.a. Mario Buattachalotti-Sister Parish's pet name for him- and most famously "The Prince of Chintz"). The man has an impeccable design pedigree. He studied at Cooper Union and later at Parsons, studying under legendary teacher Stanley Barrows. He considered John Fowler a friend and mentor (one can see Fowler's influence in a Buatta room), and he also worked for Keith Irvine for a short time.

So why the disrespect? Perhaps his rooms are a bit conservative for some. Perhaps others don't like the amount of "stuff" in a Buatta room- at times, his rooms can be a bit over the top. And maybe some people can't stand Buatta's use of chintz (although maybe he is having the last laugh- after all, chintz's popularity is once again on the rise). But don't you agree that even if Buatta's look does not suit you, his rooms are incredibly inviting? Don't you just want enter one of his rooms and sit in comfortable chair and while away the hours reading a good book? Or what about relaxing in one of his nighttime rooms with a stiff drink and good friends?

I think what I am trying to say is that even if Buatta's traditional and at times maximalist look may not be hot or trendy right now, there are elements to his rooms that are timeless and stylish. But if you keep an open mind and look past the fabrics or furniture that may not be up your alley, you might just learn some important design lessons.

(I also would like to say I can't understand why no one has written a book on Buatta and his work. So many other designers have books devoted to their work, why not Buatta?)


How gorgeous are these Prussian-blue glazed walls? Alright, so the bow from which the painting is hanging may be a bit precious, but see how great that peach color looks against that shade of blue? I think this Buatta room is a lesson in rich color.


Buatta loves to design both daytime and nighttime rooms, of which this room is the latter. Nobody does a lacquered room better than Buatta. See how the gold frame looks so rich against the glossy walls? If you're a modernist at heart, just think how about a modern picture in a plain gold frame would look against the aubergine walls. Or what about a modern cream colored sofa in place of the traditional one above?


I know, I know- those of you who don't like florals might be apoplectic right now. However, look how effective the repetition of the floral print is. Think about whatever your favorite print is and then imagine it on walls, pillows, and chair and ottoman. I think that in this case, more is more!


Buatta decorated this bedroom in 1971. It's slightly dated, but look at that pink, that yellow, and the acid green. This color combination is bold and gutsy. No grooviness for Buatta; even back in the early 70s he was striving for sweet and pretty.


This shot of a Buatta room is one of my favorites. Take away the traditional pictures and pillows and insert some modern paintings and graphic pillows and I think you just might have a rather Miles Redd-esque room.

When a residence or business is blocked by clutter, emotional residue, incompletion, or actual furniture placement, a less than excellent quality of life is experienced.

• Keep a small overnight bag packed for you and your family and place it in your car’s trunk. If an unplanned getaway or you get an overnight invitation for your kids (or an emergency arises), you will have all essentials already in the car and ready to go.

• Let the light into your home. Put up sheer curtains or pleated shades that can be opened from the top or bottom so you can maximize the sunlight and immediately feel re-energized.

• Hang beautiful chimes from your deck, trees or house gutters for a melodious sound to relax and calm you. Always have a book on hand that you’ve always wanted to read and didn’t have time. The sound of the chimes will de-stress you and you will be learning from or enjoying a good book at the same time.

• Have your home and deck power washed. Then you can seal your deck for many hours of fun without damaging it.

it’s rare that wayne pate at good shape design puts out a print that i don’t like. and this new eco-inspired reforestation now print (printed on 100% recycled paper with 10% of the proceeds going to the Trees For The Future Foundation) is a new favorite. combine that with this pink urns print and i’m ready to go. click here to check out wayne’s collection and shop online (the urns print is $30 and the reforestation now print is $35). to order the reforestation print (which will be in the shop soon) just shoot wayne an email right here.

ps: sorry, i’m all about the extra links today. i saw this cool photoproject mentioned on d.sharp journal via the lovely joanna goddard’s new blog on glamour.com. it’s all about what people look like before they go to bed. i was more interested in to see what people’s bedrooms look like of course. some of them have lovely colors- i love the green bedding towards the end and the green wall with stencils mid-way through. click here to check it out.

It was hot in Marrakech.  Oh, very hot.  So she escaped to that town on the Moroccan coast, Essaouira, her favorite Summertime (and anytime) haunt. 

Now she was no longer a Spring chicken (sadly, so sadly).  And so she had stayed in quite a few guest houses and hotels in her time.  Some luxurious with down pillows and beautiful bath products and some......well, not much better than sleeping on the floor of the bus station (oh dear). 

But had she ever stayed anywhere - anywhere at all -  like Dar Beida?  No never.  It was organic and Moroccan and African and modern and high/lo all at the same time.  This was the sort of place that you could imagine yourself staying in, well, forever.  This little house on four floors was so lovely, that she promptly began thinking up all her best arguments to get the British owners to sell it to her.  (My, weren't they tired of Morocco yet?  What did they mean, No?)

It was all in the details, you see.  Now she couldn't possibly share them all in one batch.  But here's a few to start..........

A charming place to hang the house keys........Each key with a treasure from nature attached.

Two chairs in the entry where you could sit and gaze at.......

This darling little rustic steer display....The blogging girl was quite fond of cows, and this suited her to a tee.

There was an interior courtyard in the center of Dar Beida and African art placed here and there. (The girl had her very own body masks like the one in this image that she had collected in Tanzania, South Africa, and Kenya.)

Oh yes, please do perch on this little  stool and read from the enormous trove of interior design magazines...........Heaven!

This vintage African chair was covered entirely with tiny beads.  How very amazing. 

The chair was in this charming little bedroom.  The bed was covered with a fine wool vintage haik, worn by Moroccan women once upon a time.  (The girl had several of these horded for her shop.)

Oh the view from the roof terrace......She could smell the sea.  (And the girl had these very same mod chairs for the roof of Peacock Pavilions.  Could it be that Dar Beida had everything she liked?)

The girl sat and talked on the phone while checking her Blackberry.  She told everyone she might be staying in Essaouira for a good, long time...........Could she be a stowaway at Dar Beida?

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Dar Beida, Essaouira, rented only in its entirety (which is a good thing because you'll want it all for yourself...)

emma@castlesinthesand.com

mobile:  +212/67965386

Oh yes, of course, she loved Marrakech.  After all, this blog wasn't called My Essaouira was it?  But there really was something about this coastal town that made her want to sell everything and become a gypsy.  And Essaouira's multitude charms seemed to be thrown into high relief when staying at the beauteous Dar Beida.

Now she had given you a glimpse of Dar Beida's loveliness before.  But that was by no means all........There was more, you see.  Much more. 

Now that's really quite a fantastical chair -- very Ethnic Nautical, don't you think? (ahem, what do you mean that's not a genre?).  oooh, and with that curtain!

And somehow the chair paired with this preppy striped blanket (Habitat) and leather and raffia Tuareg carpet was just right.  And look at that beamed roof!

Dar Beida was a house for readers or perusers or simply flippers of pages.  The bookshelves were well stocked and the design magazines were abundant (including all those delicious, expensive mags from the UK) ..........Why ever leave? 

One of the bedrooms had a mezzanine all its own.  How very fun.  Did she mention that the owners had designed the fab felt rugs themselves? Sigh, these over-industrious creative types.....

A darling little salon with white leather poufs, African art, and one of the house's grotto like fireplaces........

Eeek, she could barely stand the fabulousness of this room, which was really an inner courtyard.   The swing (!),  the amazing signage, the fanciful candelabra, and that mod coffee table.  Really, living in a place like this could take ten years off of you, don't you think?

oh, all the quirky little details...........like these vintage toys displayed over a generous CD collection.

Real Saarinen, real Jacobsen, real Panton..........thrown together in the very most casual manner.  And don't even get her started on the oversized Tunisian birdcage found in the souk somehow (?!) .

And to the other side.........the cuisine, where one could cook, or in the blogging girl's case, pretend to cook..........

The blogging girl loved this.....oh, don't get all fidgety -- no animals were harmed for this montage:  they were all found in the Sahara desert.

Well.......she was off to sit on the terrace, under the ahem, Ethnic Nautical gazebo (that the owners had built themselves in a fit of over-achievement:))

Dar Beida, Essaouira, rented in its entirety

emma@castlesinthesand.com

mobile:  +212/67965386

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PS  Check out this (at the very bottom of the post) to see a vintage Moroccan wedding blanket displayed in situ in Allegra's home of  Beading Stars.

For those of you that have not yet seen this gorgeous hunk of crystal, let me fill you in: the incomparably witty, creative and hilarious design blogger Maison 21 has thrown down the glove. He has challenged all who dare to design a room around what has been described as the "Moscow Mafioso" chandelier. Now, at first glance, one might consider this to be a mite "over the top", a bit crass, a tiny bit Atlantic City Trump.

But there was something about it. It conjured up something I couldn't quite place. Something romantic and exotic. So when I commented on M21's blog saying I thought it would be sort of fantastic in the right setting, he called me out. And I am just not one to back down from a challenge...although perhaps in this case I might not recover.

OK, now do you see it? That's right...Dr. Zhivago. The ultimate Russian romance with icy onion domes. So there you have it. This is my inspiration.

So where to begin? I thought I would place this brilliant extravaganza of a chandelier in a Dining Room. I love the restrained eye of Axel Vervoordt. His use of natural elements like plastered walls and lime washed wood floors lend an air of relaxed formality. On the other hand I also can see the more tailored and modern sensibility of Vicente Wolf. I am somewhere in between here. Both are masters when it comes to using the soft greys and blues so often found in Northern European climates:

These rooms from "Axel Vervoordt, Timeless Interior" by Armelle Baron, Photos by Christian Barramon

"Learning to See" by Vicente Wolf

"Crossing Boundaries" by Vicente Wolf

I would start with wide plank, lime washed floors and use a plaster with integral grey/blue color for the walls. The ceiling would also be plaster in an ivory color. Perhaps there would be a simple fireplace mantle as in the Vervoordt photo above in aged marble.

(Oh! I just have to add that I would take the chandelier and re-plate the brass metal in zinc or something that would have that same flat grey color. Can I do that and still stay within the rules of the game?)

Add these chairs (love those feet. A little reminiscent of a wolves at the door.):

In a fabric like this cool blue linen velvet by Lee Jofa:

A painted trestle table used as a sideboard, in a Scandinavian style:

With an over scaled (read: huge) winter landscape by Kate Bright on the wall above it:

The table could be flanked by these urns on pedestals (sort of adds that touch of the Czar I think!):

Over the marble mantle, a little wild life:

Two cut glass mosaic mirrors on the walls flanking the fireplace:

In front of a wall of windows draped in an ivory wool, two of these hooded chairs would keep out the chill:

A glass side table from Oly Studio in between seems to be a sculpture of ice.

(OK....I really don't know where to get a plate like this....you would be surprised what came up with a Google search of Dr. Zhivago)

Posted by Jodi

I was recently preparing my house for a friend’s baby shower when I noticed the non-curtained French doors in the den provided a great view for guests to my not-so-neat bedroom.

It’s the kind of thing you don’t think of until the door bell is about to ring.

My quick fix: I took a few of my son Sammy’s paintings from our massive collection and taped them neatly with white artist’s tape to the back of the doors.

It was meant to be a temporary solution, but my husband and I love it. (We know we are biased.) I might even laminate the art so I can hang the masterpieces neatly with some tiny eyelets on cup hooks.

Since there is a lot of Sammy art where that came from, we often have “art shows� at our house. (His teacher told me that he “uses up more paper than anyone in the class.�) I was proud, even though I’m not sure it was meant as a compliment.

Our shows are installed in hallways, on doors, and strung on clotheslines under the mantle. One “piece� that is on permanent display over our mantle is a series of his first people drawings collaged and hung in one of Ikea’s “NYTTJA� frames.

They come in lots of colors and sizes. The one above is the large (19 ¾� x 27 ½�) orange one and it’s only $7.99! (One downside with the frame is the plexiglass starts to bow and sag after a while. I plan to replace it with glass.)

Collaging a bunch of your child’s artwork is a great way to capture a series and create a larger piece of art.

Now that my younger son, Lionel, is starting to draw himself, we may have to move to a place with more walls!

Photo by Scott Francis

Michael Schaible's stunning retreat on the North Shore of Mexico's Lake Chapala. Amazing.

Photo by Durston Saylor

The very glamorous New York apartment of the very glamorous Geoffrey Bradfield. It is worth a look just to see Mr. Bradfield in his pastel pink suit!

Photo by Mario