I used to love shopping for stationery… But I swear the cash registers at Target and Trader Joe’s are the only places I check out in person anymore, mostly due to my 3-foot shopping companion, whose idea of fun is removing absolutely every product from the shelves. Trust me, this type of behavior is not conducive to picking out a belated birthday card. Then a few months ago, my favorite stationery designer Cheree Berry told me about Redstamp.com, an online boutique that truly mimics the go-to neighborhood stationery shop?where the owners source all the best current designers (Cheree, of course, plus Thomas Paul, Snow & Graham, Egg Press, Russell + Hazel, Night Owl Paper Goods and dozens more), and will actually talk to you in person if you have pressing questions (no 1-800 number here).

As busy moms and business women, the owners Erin and Renee understand that service is as important as style, and that’s where Redstamp soars in my book. You just can’t top their “send for you” service, where an anonymous someone with impeccable penmanship will hand-write, hand-address, and mail your cards for you. Definitely worth an extra $5 if that belated birthday card is at risk of hitting way-beyond-belated status. ? Megan K.

Bright ideas we gathered from your comments.

1) Microfiber is a good choice for people with cats. Pencils let us know that while her Sleepytime Rocker is a big hit with the cat, cleaning it isn’t a big issue: “Can?t wait to rock a baby in it, but so far the cat really is enjoying it — and her abundant Maine Coon fur doesn?t stick to the microfiber upholstery.” See where else we clicked last week.

2) You can find toothbrushes that not only are colorful and recycled, they look like they’ll fit in most holders! Inez weighed in on the toothbrush storage post with a link to these toothbrushes by Alan Stuart. Too cool.

3) We’re not the only ones who can’t leave Target with just one thing. Okay — we pretty much knew that already, but we did recognize ourselves in Becky’s comment: “I?m off to Target with the intention of spending $10, but I know I won?t leave until my cart is full. I?ll wind up with an array of unrelated items, like milk, a Jovavitch-Hawk skirt that makes me look really fat, a ‘fiendish’ platinum soduku book, some slutty looking shoes I?ll never end up wearing, some men?s pajama pants, a funny garden gnome, cat litter, a Victoria Hagan mirror, a Converse shirt I am way too old to get away with, a DVD, toilet paper, and a pink garden hose!” Thank you, readers, for always making us laugh. And check out that $10 hot pink garden hose here.

4) There are a lot of earth-friendly cat litters out there. (That sometimes dogs love a little too much, too). Susan Y says, “I used World?s Best, Swheat Scoop, Feline Pine, and right now I?m testing the litter called ‘Space’ which they sell at Trader Joe?s. World?s Best and Swheat Scoop were good, but I have a dog that LOVED to eat the litter. I?m still unsure about Space because they are made of full silica pellets, so they don?t have dust, but I?m not sure how biodegradable they are. Anyone have info?” See the Feline Fresh post here.

5) Some husbands have really interesting hobbies. Quite a few readers were excited by Angela’s family foray into beekeeping, and some of you have wanted to try it out yourselves. But only mod*mom had this to say: “I would freak out with all those bees. My husband is a falconer + it took a long time for me to like having a bird on my glove. I’m not as relaxed as he is.” Click to learn more about Angela and Chad’s new beekeeping venture.

Alright. Since Lisa's told me that she's "tired of looking at the computer wires" on the previous post (and really, so am I)--I've finally put together a new post. Things have been super busy lately and because of all the work I've been producing over the past month and half, it's given me some carpal tunnel issues. Great. So I've had to limit my computer work, like blog posting.

But anyway, I got this book called Pattern Magic Vol. 2 a few months ago. While I don't plan on making any of these pieces (I don't know how to sew and the wearability of some of the pieces are totally questionable--like the bottom image), I was intrigued by the sculptural and architectural forms of the clothes. Really beautiful pieces.

I just got this book, Core Memory: A Visual Survey of Vintage Computers. It's really visually inspiring (and supremely nerdy), but I love seeing the organization of wires, switches, and buttons! Who knows...I just might make a trip out to visit the Computer History Museum in Silicon Valley to see all these computer dinosaurs.

Here are a few new objects for our design drinking games. “Take a swig” everytime you see one of the following:

A Globe Collection:

Not-so-casually-tossed Hermes boxes (”casually tossed” Hermes boxes count too). Do stylists just keep a bunch of these in their cars for photo shoots?:

Gaining on the Tom Ford book and The Cabinet of Natural Curiousities, it’s the Tony Duquette book! Also in this picture, another trend, putting an entire shrub into a vase.

Tortoise shells, real and faux. By the way, picture number two is chock full of extra points, so look carefully:

Zebra rugs. Because these are so ubiquitous, to be fair, let’s say the magazine or blog post has to have at least three of them in order to count (I really love both of these rooms by the way, especially the first one):

Photographs in order from top to bottom:

• Southern Accents

• Metropolitan Home

• Metropolitan Home

• Elle Decor

• Domino

• House Beautiful

• Southern Accents

Sorry this post is so late.  I had so much to tell you from the weekend break that I lost track of time today!  How was everyone’s weekend? Mine was mixed - on the sad news front, my iPod bit the dust. It is so outdated that it’s hard to even find on the website - it looks like an antique compared to all of the new ones!

•On happier notes, Sex and the City is worth the price of admission just for the fashion. What did you all think of

(SLIGHT SPOILER ALERT: DON’T READ THE NEXT FEW PARAGRAPH IF YOU HAVEN’T SEEN IT YET AND WANT IT ALL TO BE FRESH)

Carrie’s apartment makeover? It seemed like good Apartment Therapy philosophy to me - clearing out Aidan’s heavy chair (it was literally weighing down the room), getting some bright new color and prints (I loved the blue), getting rid of the wedding gifts, clearing out so many books and magazines (something I am completely unable to do), arranging all the artwork on the walls instead of leaning it up against the walls. I also enjoyed all of Patricia Fields’ color combos on the clothes - the raspberry pink and red; red and purple; taxicab yellow, black, and white, et. al.

OK SPOILER OVER!

•I’d like to thank my blogger pal Holly over at decor8 for inviting me to dish about design reality television shows. A few of them are gearing up to start this month, like Design Star and Top Design. Holly let me introduce myself to her readers by introducing my block in the Virginia-Highland neighborhood in the city of Atlanta. After journeying out to the ‘burbs for the flick last night, I appreciate my ‘hood all the more!

•Thanks to my neighbor Lily for inviting me over to see her amazing home. Lily saw the blog post I wrote and invited me to come see the inside. I cannot wait, and I’ll be sure to share the experience with you here as soon as I do!

•Thanks to commenter Charlie for giving me the heads up on another fire station renovation (the first post on this topic is here). Engine No. 44 Firehouse is completely renovated and available for the low-low price of $6,375,000. This was one of, if not the first, fire station renovations, originally bought and used in 1959 by an artist couple. Built in 1910, the firehouse included a stable for the horses that pulled their fire wagon. Check out all the photos of this remarkable property here.

• Thanks to Elle Decor magazine for all of the chic inspiration over the years.  I am so happy that I finally own So Chic: Glamorous Lives, Stylish Spaces. Now  I can throw out my copy of the magazine with SJP’s Hamptons house in it.  The magazines I save are starting to overtake my house.  This book deserves its own post, so I’ll try to tell you more about it later this week.

Images:

•Sex and the City image from sexandthecitymovie.com

•Firehouse 44 photos from Firehouse44.com.  Be sure to check out the rest of the renovation photos on their site!

•So Chic photo by William Waldron as seen on from Amazon.com,

I have a loft-like space (a large living/bedroom above the garage) near the Chesapeake Bay. The room has high vaulted ceilings (about 10 feet, though of course the peak is higher), lots of windows, and board and batten extending to 7 feet on the walls. The space has windows on all sides, so gets plenty of light. There is a desk/bookcase unit that divides the space into living and sleeping areas. The furnishings are going to be low and modern.

The space, under construction

In terms of color, I was thinking of a soft grey/blue for the 7ft board & batten section of the walls (something along the lines of Boothbay Gray from Benjamin Moore) and a deeper color above that extending up across the ceiling (perhaps Benjamin Moore's Hale Navy). The color would extend throughout the space (only the bathroom will be different). I will also need an accent color for the central bookcase/desk and the trim.

Alternatively, if we decide not to paint the ceiling, perhaps the Hale Navy for the central bookcase/desk. I would love some more color options for the walls, trim, and central architectural component.

Is this a workable scheme? Or would a dark ceiling feel too oppressive? Do you have any color suggestions? -Sarah

image source

image source

For a nautical theme that isn't too cheesy, she could pair blue gray walls with crisp white trim and cheery red accents.

image source

Back in January 2006, we wrote a post entitled Eight Questions to Ask Before Hiring an Interior Designer. The eight questions were part of an article in Home magazine and we linked to the magazine.

We like to link to an article and highlight several questions in our post, rather
than list all the questions. That way people go to the linked site and we both benefit from the traffic. One of our frustrations looking back at some of our posts is that not all articles are archived. If you click on the link above, you land on the magazine’s website, but it’s the June 2008 issue and the “Eight Questions…are gone!

It’s been awhile, so, because of inflation, we’ve come up with our own eleven questions:

1. Do I like the designer? Can I spend a lot of time with him/her? Good communication is a must. Working with an interior designer involves some give and take. You will share ideas, and the designer will contribute insights and advice based on his or her talents, knowledge and experience. Depending on the scope of the project, you could be working with your designer a couple of weeks to many, many months.

2. Do I get that he/she is trying to understand me by asking a lot of questions? The key to success is really getting to know you in the early stages and how you and your family use your home and your interests.

3. Does the scale of my project really warrant an interior designer? Even if you think you could accomplish the redesign, do you have the time and inclination? You need to be realistic about how much money you are willing to spend. Include in this estimate the cost of all raw materials, new furniture, labor for installations, and possibly a designer.

4. How do you charge for your time? Designers may charge by the hour, which can be anywhere from $35 to $300, and these costs can quickly mount up. Others may offer a free first consultation, and then quote you a flat fee on the basis of your discussions. Some may charge for the first meeting in advance and then a fee for the whole project based on the estimated hours. Some may bill you for hours used each month. Some may bill each month a level amount. Some may get a designer discount and pass some or all the savings on to you. Whatever the basis on which your interior decorator is paid, make sure you both agree on the budget.

5. Can we accomplish the redesign and stay within my budget?

6. I can’t decide if I like the design. Do I still have to pay for it? “Yes! When you decide to hire an interior design firm, you have decided to trust the design recommendations of that firm.�

7. Are you available for conversation about changes and fine tuning? A good designer knowing you may present you with several options and give you the choice of one or the other. ASID recommends: “Minimize changes to your plan. Each part of the design will affect the whole. Changes or special requests can require any number of adjustments that will add time and expenses to your project.

8. My friend doesn’t like your ideas. Why shouldn’t I listen to her/him? If you have to ask this question you should probably have hired your friend.

9. Can I go to the local Design Center? With or without you? Of course, just let them know that you are working with a designer and his/her name.

10. What if a piece of furniture comes damaged? The furniture store should inspect the furniture when it arrives. The designer should also inspect the furniture before it goes to the client. If something is missed or it breaks when it is used, the designer and the furniture store will work together with the vendor to resolve any problem.

11. How long does it take to receive things, once they are ordered? Here’s a guideline (though individual vendors may vary):
Upholstered Furniture: 10-16 weeks depending on vendor.
Casegoods – Chests, bookcases, tables, hutches, etc.: 8-12 weeks depending on vendor.
Window Treatments: 6-8 weeks depending on size of job
Accessories, Lamps, Art Prints, Silk Flowers/Plants: 4-6 weeks or less.
Rugs: If machine made, 2-4 weeks. If hand knotted, 3-4 months
Wallpaper/Fabrics: 3-5 days.

Several websites contributed to this list of questions and their answers:

Apartment Therapy LA Good Questions: Hiring an Interior Designer
ASID Working with a Designer
Nancy Werneken Interior Design Frequently Asked Questions
Lynle Ellis Designs Before You Hire an Interior Designer
NWSID Why Hire an Interior Designer?
CCIDC Frequently Asked Questions About Certified Interior Designers
Directory M articles Interior Decorator

Bev & Mike
Landfair Furniture + Design Gallery

I'm not sure how many of you read World of Interiors, but the May issue has a great but brief article on the bathrooms of the Duke and Duchess of Windsor at their Bois de Boulogne home. Photos of both bathrooms as well as the rooms' contents were included in the Sotheby's auction catalogue from 1997. But beyond what was included in the catalogue, I knew little about these rooms.

In the article, writer Hugo Vickers (who has written a book on the famous couple) touches briefly on the Duke's bathroom, which was elegant but rather plain (Vickers writes that the Duke, who preferred showers to baths, had a "Psycho" like shower in his bathroom). But fortunately for us, Vickers focuses on the Duchess' charming bathroom.

I learned that Dmitri Bouchene, a Russian painter and set designer, painted the ceiling of the bathroom to give it a tent-like effect. If you look closely in one of the photos, you will see an oculus painted in the ceiling which reveals a cloudy blue sky beyond the tent. Bouchene also painted garlands of flowers on the walls, and even painted scenes on the walls of the loo (see the photo below of the figure who is blind-folded, giving the Duchess her privacy!). I was always curious about the gilt-framed small paintings that were hung around the bathtub. According to Vickers, these paintings are actually New Year's cards that Bouchene sent to the Windsors every year. Lucky for Vickers that he successfully bid on many of these cards at the 1997 auction.

Of course, we're all familiar with the Cecil Beaton painting of the Duchess, hung on the mirrored wall above the bathtub. And those purple towels? They're by Porthault and are monogrammed with Wallis' cypher "WW" (Wallis Windsor) as well as the royal ducal coronet. I remember seeing the towels, or at least the bath mat, in the auction catalogue; I wonder who the lucky bidder was?

But I think that the most amusing anecdote from the article was Vickers' reminiscence about his shock upon seeing that Wallis' toilet had a plastic seat! And Wallis evidently was not alone- Vickers claims that Diana Vreeland had one too. Quelle horreur!







(All images from World of Interiors, May 2008; photographer Fritz von der Schulenburg)

Isn't it amazing how people who were once celebrities can fade into obscurity? The same thing can be said for celebrity decorators, especially William Pahlmann. Okay, so perhaps he's not an obscure designer, but he does not have the name recognition of Dorothy Draper or Elsie de Wolfe. If this were 1950, we would all be talking about Pahlmann. After all, he was one of the most famous decorators of the 1940s through the 1960s.

Pahlmann, who was educated at Parsons in the late 1920s, first gained notoriety after designing a mirrored bed for the first Mrs. William Paley (this according to Legendary Decorators of the Twentieth Century by Mark Hampton). Getting her seal of approval was the impetus he needed to go onward and upward, eventually landing him the job of head of the decorating and antiques department at Lord and Taylor. Pahlmann became known for his model rooms for the department store- rooms which garnered attention by the press and brought flocks of customers to the store. After a brief hiatus during World War II (serving in the Air Force), Pahlmann returned to New York where he set up his own decorating firm. He even had his own syndicated newspaper column titled "A Matter of Taste".

Pahlmann's interiors after WWII are quite evocative of the post-war era. While Pahlmann was quite capable of designing in the traditional style, much of his work celebrates mid-century modernism. Pahlmann was a champion of modern materials, including rubber flooring and rayon and other synthetic fabrics. The exotic also played a role in his interiors. Artifacts and objects of various cultures and countries mixed freely, lending his rooms a sort of well-traveled look. And let's not overlook Pahlmann's love of color. There was nothing primary about his chosen color schemes. In fact, in his book The Pahlmann Book of Interior Design, he wrote about various color combinations that he had used thus far in his career. These included cerulean, lime, magenta pink and white as well as deep sage, ripe persimmon and French blue.

Pahlmann was so well-regarded in the design world that when a young Albert Hadley first ventured to New York seeking a job as a designer, he sought out a meeting with his design idol. Hadley describes Pahlmann as "a man of great charm with a flamboyant personality and certainly he was not shy about anything."* Pahlmann encouraged Hadley to enroll at Parsons School of Design, just as he had.

While many of Pahlmann's room may seem a bit dated today, don't you think it's worth revisiting the career of this late, great decorator?

(Pahlmann's work is featured in the upcoming Acanthus Press release New York Interior Design, 1935-1985. Another "lost" designer whose work I greatly admire is George Stacey. I'll be writing about him soon!)



A great example of Pahlmann's fearless use of color. This bedroom's colors were inspired by a vineyard.


The mod floor in this living room was rubber! The mix is a bit unexpected: modern furniture with a Victorian sofa and Spanish altar candlesticks mixed with French candle sconces.


This was Pahlmann's own living room. I love the gunmetal gray walls and the robin's egg blue leather chair. According to Mark Hampton, the cabinet is actually a snakeskin Victrola.


I couldn't resist this image of an Empire-style tented room. Pahlmann admired Napoleon and Malmaison- might this have influenced the design scheme of this room?


Pahlmann designed this living room for Mrs. Walter Hoving in 1948. In my opinion, this room is one of Pahlmann's more elegant designs. Much of his later work seemed to be more casual, much in keeping with the times.

(*Hadley quote from Albert Hadley: The Story of America's Preeminent Interior Designer)

Posted by Lena

Volume Two of  "Lines & Shapes," a series of small books I co-curate with Maria Vettese, came out last week.

This book's theme is "block," and it's dedicated to projects created by our contributing artists. I find the projects so creative and absorbing, and hope that others will too.

But I'm especially fond of a section in the back of this book, where we show some of the artist's "favorite things." I thought I’d share images of these pages, which include favorite corners of the artist's homes and studios, and single objects which make them happy.

And here is one of my favorite things (not included in the book). It’s a framed bird print, purchased by my mom at Sears in the 1970s.

I really went gaga over legendary magazine editor Mary Jane Pool's apartment that was featured in the March Domino. I thought it was such a beautiful mix of graceful antiques, 20th century pieces, and gorgeous fabrics and wallpaper. So, while I was reading Tiffany Taste(aka Table Settings of the Rich and Famous) the other day, I came across a chapter on Ms. Pool and her style of entertaining.

According to the book, Ms. Pool has a fondness for all things Venetian (this is confirmed by the Domino article, which notes that Pool has a decent sized collection of 18th and 19th c. painted Venetian antiques). For a summer lunch, Ms. Pool would likely start with a salad of shredded celery, mushrooms, Gruyère, white truffles, and a vinaigrette of olive oil and balsamic vinegar. The main course might be a pasta gratinée of green tagliarini, béchamel, prosciutto, and tomato. For dessert? Chocolate twigs or truffles, grapes, or strawberries accompanied by mandarin orange tea. Oh, and no wine- "nothing dangerous"- with lunch, only San Pellegrino. After all, when you're an editor of a magazine, you have to stay on your toes!

What I enjoyed most were the photos of Pool's Sutton Place apartment circa 1986. Author John Loring wrote that Pool "knows as much as anyone about the domestic pleasures that make life sweet." I wholeheartedly agree.


What a sumptuous mix of yellow satin curtains, yellow walls, and red satin(?) chairs. In fact, those chairs appear to be the same ones that were featured in Pool's Olympic Tower apartment, although at that time they were covered in orange cotton pique. The mirror is 18th c. Venetian. And notice the pedestal table, which Pool still owns today (see image of Pool at top). According to Tiffany Taste, the base is in the shape of a neoclassic Italian urn.


Another Venetian piece- this time an 18th c. painted commode. The tea service is Royal Berlin, and the silver Tiffany basket is filled with chocolate twigs.


Tiffany's classic "Chrysanthemum" flatware and "Nymphalidae" dessert plates adorn the table. Strawberries are nestled in a Tiffany sterling basket.

(Image at top of Pool- photographer Annie Schlechter)

There is a design giant alive today who seems to get overlooked and sometimes even dissed by young designers and design enthusiasts. Many disregard his work as being too 1980s, too traditional, too English country looking, and too frou frou. And it's really a shame because this designer is truly quite talented. He has a remarkable sense of color and a keen understanding of what makes a room comfortable. His look is one that has changed little through the years- he honed his style as a young man and has stuck to it, perhaps with some tweaking over the years. Bottom line- his rooms are unabashedly pretty, and in my mind pretty is not a dirty word.

Who am I talking about? None other than Mario Buatta (a.k.a. Mario Buattachalotti-Sister Parish's pet name for him- and most famously "The Prince of Chintz"). The man has an impeccable design pedigree. He studied at Cooper Union and later at Parsons, studying under legendary teacher Stanley Barrows. He considered John Fowler a friend and mentor (one can see Fowler's influence in a Buatta room), and he also worked for Keith Irvine for a short time.

So why the disrespect? Perhaps his rooms are a bit conservative for some. Perhaps others don't like the amount of "stuff" in a Buatta room- at times, his rooms can be a bit over the top. And maybe some people can't stand Buatta's use of chintz (although maybe he is having the last laugh- after all, chintz's popularity is once again on the rise). But don't you agree that even if Buatta's look does not suit you, his rooms are incredibly inviting? Don't you just want enter one of his rooms and sit in comfortable chair and while away the hours reading a good book? Or what about relaxing in one of his nighttime rooms with a stiff drink and good friends?

I think what I am trying to say is that even if Buatta's traditional and at times maximalist look may not be hot or trendy right now, there are elements to his rooms that are timeless and stylish. But if you keep an open mind and look past the fabrics or furniture that may not be up your alley, you might just learn some important design lessons.

(I also would like to say I can't understand why no one has written a book on Buatta and his work. So many other designers have books devoted to their work, why not Buatta?)


How gorgeous are these Prussian-blue glazed walls? Alright, so the bow from which the painting is hanging may be a bit precious, but see how great that peach color looks against that shade of blue? I think this Buatta room is a lesson in rich color.


Buatta loves to design both daytime and nighttime rooms, of which this room is the latter. Nobody does a lacquered room better than Buatta. See how the gold frame looks so rich against the glossy walls? If you're a modernist at heart, just think how about a modern picture in a plain gold frame would look against the aubergine walls. Or what about a modern cream colored sofa in place of the traditional one above?


I know, I know- those of you who don't like florals might be apoplectic right now. However, look how effective the repetition of the floral print is. Think about whatever your favorite print is and then imagine it on walls, pillows, and chair and ottoman. I think that in this case, more is more!


Buatta decorated this bedroom in 1971. It's slightly dated, but look at that pink, that yellow, and the acid green. This color combination is bold and gutsy. No grooviness for Buatta; even back in the early 70s he was striving for sweet and pretty.


This shot of a Buatta room is one of my favorites. Take away the traditional pictures and pillows and insert some modern paintings and graphic pillows and I think you just might have a rather Miles Redd-esque room.

When a residence or business is blocked by clutter, emotional r