Anne Harwell's Holiday Interior Cards

Usually around mid November I start to think about my Christmas theme for the year. When I say theme, for me, it's usually mostly about what wrapping paper and gift cards I am going to use and which ribbons I will use to re-thread all of my mismatched Christmas ornaments which I have been collecting since my husband and I got married.

This time each year I love pulling out my collection of Christmas decorations as they always bring back so many happy memories especially the little ornament one of my girlfriends gave me when Harry was born. I also have ornaments I have found overseas in special places like Venice, Paris, Hawaii, San Francisco etc. etc. I'm always on the lookout for special Christmas decorations!!

Bird Ornaments available from Black & Spiro

Bunny Ornament available from Black & Spiro

To keep my collection growing I like to buy 2-3 new decorations a year. We are selling these two gorgeous decorations {above} at Black & Spiro this year and I have decided to add some of these to my collection at home. One day I will pass on my collection to Harry and hopefully he will get as much joy out of it as I do and maybe he too will carry on the tradition with his children by adding a few new ornaments each year.

Our 2006 Christmas Tree

This Christmas I am challenging myself to try to be a little less extravagant and a little more creative. Therefore another way to meet this challenge is to do some baking. I thought I might look for some vintage tins and then use them to package up some home made biscuits to give to my family & friends.

What are your plans this Christmas??

I never thought I would say this, but thanks to designers like Susie Mendive of SUM I am actually ecstatic wallpaper has made such a solid comeback. This is gen-u-ine excitement. My parents coated our home with wallpaper in the early 80’s, and it wasn’t pretty. It was so bad I remember as a little girl trying to peel it off to hint to my parents that they needed to do something with the walls. Now, times are different and I want to paper my walls myself!

Wallpaper actually gets me all riled up so I apologize in advice for my lengthy list of questions with Susie Mendive. Enjoy!

I know a bit about your background…a graphic designer with a graduate degree from North Carolina then to LA then to NY as art director with stila cosmetics…but I think there are some holes, especially in how you transitioned from branding cosmetics to designing modern wallpaper. Tell us more! How did SUM come together?

It happened very organically. I very much wanted to design and produce my own product and call all the shots. It just made sense at that point in my career. There is a lot of hard work involved and it can be consuming but I like taking it one step at the time.

Tell us about the name, SUM. How did you come up with this?

My husband and I were in Tokyo and it just hit me, Su is from Susie and M from Mendive but more than that it was the idea of a total home concept…SUM of all parts. A total approach to design and living.

The female silhouettes of your Floral Femme Fatale prints are an amazing graphic. They have a significant presence let alone bring movement, style, femininity, character and a sense of a couture-ness to a room. I would guess that your time with stila cosmetics may have carried over into the inspiration for these designs, is this right or was it something else?

Yes, that’s right. The silhouettes are something I started with at stila. They have a very universal quality and allow you to project your own thoughts on to them. I am always more intrigued by what is left out of an image or illustration.

Many of the modern wallpapers we see are meant to be an explosive replacement for traditional wall art which I find very refreshing and exciting, but also a bit of a challenge! I love the colors and graphics of the Vespertine Wallpaper in Twilight but am not sure I could pull it off in my space (maybe the black option would be better for me). What tips do you have for creating a harmonizing space when using bold/graphic wallpapers?

It isn’t as difficult as it might seem. I think Vespertine Twilight would be great in a powder room, kids room or a small kitchen. It uses bold colors but you can paper a single wall if you are unsure and pick an accent color from the pattern for rest of the room. Items like lampshades or rugs will help unify the scheme and wood and chrome or bronze elements will add a little luxe to the mix. I try to stay away from a too done, matchy matchy look or it seems like a set rather than a lived in space.

Was it a challenge to create a line of wallpapers that are made in the USA, constructed of recyclable paper and hand screen printed with water-based, non varsol inks? I can’t begin to image how long your screen printing stations must be!

Too long for a Manhattan Apartment! I actually use a company out in California who share the same values as I do about the environment. They have been hand screening wallpaper for over 20 years and converted to water based inks about 5 years ago. We try our best to maintain the highest quality product and still be kind to mother nature.

I always appreciate getting a glimpse into a designer’s work space and adore the photos of your loft on hgtv. Any difficulties to living/working in the same space?

I don’t actually live in that apartment anymore but still do the live/work thing. For me work and life are not separate. Living is by design. I have an enormous bedroom now (with a door this time!) and carved out two spaces with a beautiful, white modular folding screen. I then built in a storage/desk unit and of course wallpapered the space in Underwater Bamboo Pink. The whole color scheme came from the wallpaper so its silver and soft pink. It got a little too girly so I peppered it with earthy accents of walnut wood. The whole space feels very glamorous but warm and grounded…what’s more inspiring than that.

If you could paper someone’s walls, whose would you choose and which design might you use?

Frida Khalo
Diane von Furstenberg
Bjork
an Obama White House

…all custom designs of course!

I crave an opportunity to experiment with wallpaper, but I also fear it because: 1.) Of the expansive range of possibilities 2.) It is wallpaper and I don’t trust myself to be able to successfully apply it to my walls. But, I want to try so badly! What do you suggest for someone who is venturing into this arena for the first time…especially if the possibilities are as customizable as your wallpapers?

I think all the options available actually make it easier to find something that will work with your existing decor or serve as a jumping off point for a revamp. I understand the fear of installing yourself, many of my clients feel similarly. Wallpaper is really not that hard to put up and there are so many DIY sites out there with step by step instructions… in the end there is very little guesswork. I hung my very first Femme Fatale strike offs so I could learn how to do it and see how the paper performed, not the easiest, but definitely not hard. Having said that, if you are still hesitant, hire a painter or wallpaper installer. Many professional painters have experience hanging papers and the necessary tools in their arsenal. The most important thing is to be bold and experiment! Most of my clients are like you, saw it in a magazine and wanted to try it for themselves. All of them have been thrilled with the results. And remember nothing in this life is permanent!

How do you get out of a creative rut? What most inspires you?

Travel, travel, travel. It is the single most inspiring thing I can do. Floral Femme came together after a trip to Shanghai, Animalia after spending time in Holland. Places seep into me and become creative output.

What is next for SUM?

More wallpapers! I have one in the design stages that looks like painted canvas on the wall and another that is very male. I don’t see a lot out there for the boys so I thought it the perfect thing to design. SUM is now available in Utrecht, the Netherlands at Springers Wonen, in Malmo, Sweden at Tapetorama and we are looking to expand further in Europe and of course stateside. We are also moving into Fabrics and are looking to add other designers under our moniker… more parts to SUM total.

Thanks, Susie!

View all of Susie Mendive’s SUM wallpaper collection on DP.

Photograph: Alain Levitt
Makeup: Melissa Silver

On to another book review...

I have posted a few articles about my anticipation of the release of Regency Redux by Emily Eerdmans. And now that I've received my advance copy, all I can say is "instant classic". I'm actually suffering a bit of those post-reading doldrums- you know, that down feeling you get when you've finished a book that was pure joy to read. No matter because I might just read it again this week!

Eerdmans begins her book by giving the reader a brief history of the English Regency and French Empire styles- an important starting point as the 20th century interpretations of Regency are based on these two similar styles. Then, it's on to explore all of the different sub-genres of 20th century Regency. There's Neoclassical Moderne, Vogue Regency, Hollywood Regency, and Decorator Regency. I'm being a bit vague here as I don't want to spoil it for you, but let me just say that each distinct style is explored in great detail- and with copious amounts of scrumptious photographs (meaning... I want the furniture and interiors featured in this book.)

Also, the gang's all here, with Draper, Fowler, McMillen, Maugham, Arbus, Leleu, and others being prominently featured. And as the Regency look played such an important role in Hollywood cinema of the 1930s and 40s, there are scores and scores of movie stills that are a delight to see.

Now, I must say that I was prone to like this book as 1930s and 40s design suits my aesthetic. But no matter what your style is, if you're interested in classical, modern, traditional, stylized, theatrical or sophisticated interiors, then you too just might find this book to be as captivating as I did. Regency Redux is a must-have for any design library.


A still from the 1932 movie Transatlantic, which won an Oscar for art direction. The look here is referred to as "Deco Greco".


Another still, this time from the 1935 movie No More Ladies (appropriately named as Joan Crawford starred in it!). Eerdmans makes note of the Regency swags and the Neo-Grec furniture in this room.


Can you tell I'm a sucker for old movies??? Here is an image from the 1945 movie Week-end at the Waldorf. Wouldn't you have liked to attend this staged cocktail party??


The Palm Beach resident of Mrs. Hugh Walker Mercer, designed by Ruby Ross Wood. Wood is one of my all-time favorite decorators (and she was a Georgia girl too!).


A room designed by McMillen for Millicent Rogers... a match made in heaven. Note the Neoclassical details in the room.

you’ve got to love a city whose motto is “keep austin weird.” full of flavor (i’m talking amazing tex mex), color and character, austin is a city that seriously has it all. it also has one of the best vintage/design scenes full of incredible shops like uncommon objects and room service vintage - and these places keep popping up all over the roundup for austin inspiration (check out the d*s austin guide here for more great shopping). so without further ado, today’s talented roundup: joel mozersky (the designer behind the real world: austin house!), d’ette cole {etta industry}, melissa gable {one creative girl}, jennifer braham {brink design} and jaime jo fisher {jewelry}. in case you missed it don’t forget to check out the regional roundup: austin- part 1, and stay tuned next week for our third and final installment! [thanks, designers!] -anne

CLICK HERE for the full post or just click “read more” below.

One.Eleven.Design

1. Where are you from? Where do you live now?
I grew up in San Antonio, Texas, but Austin has been my home for 22 years.

2. Describe your work.
I design residential and commercial spaces, such as restaurants, bars, retail stores, and hair salons. I also designed tour busses for the Dixie Chicks and the house for “The Real World-Austin.” I would describe my work as modern interpretations of classic design influences and eras. I’m much more interested with the history of decoration, and the relevance it has today, than what is happening “right now.” I think overtly contemporary design tends to look dated quickly and takes itself too seriously. I like my spaces to have a wink- a sense of humor and, most importantly, a soul.

3. How is your work influenced by where you live?
Austin has become very cosmopolitan in the past 10 years, but what is great about it’s growth is pretension is frowned upon. Austinites see right through it. It is an exciting place to be creatively- how can you move design forward, but maintain a foothold on what makes our city unique?

4. Where do you go in Austin when you want to feel inspired?
Uncommon Objects, Mercury Design Studio, Uptown Modern, and Room Service Vintage- I always find something I love at these stores, and they inspire my work tremendously.

5. How would you describe the Austin design scene?
We have an incredible creative community- architects, interior designers, artists, and craftsmen- who are a pretty tightly knit group. We also have clients who understand what makes a city great and unique is its culture of small businesses, and who support local talent.

6. If you could go anywhere where would you go?
There are so many places I haven’t been, but I would love to go to Thailand.

Click here for more of Joel’s work.

Etta Industry

1.  Where are you from? Where do you live now?
[From] Houston, Texas. [Now]  Austin ~ deep in the heart of Texas.

2.   Describe your work.
Working as an art director/designer/artist in a variety of mediums and arenas, my work combines a never ending love of color, a strong design sense, an eclectic aesthetic with a driving spirit of curiosity and wonder.

3.  How is your work influenced by where you live?
I think Texas is a really interesting combination of bold frontier independence, rich
cultural influences of Mexico and a vast landscape.  This region of Texas seems a
creative wellspring because Austin is an overgrown college town that embraces/
encourages diversity and individuality.

4.  Where do you go in Austin when you want to feel inspired?
Outside, it’s lovely here, sometimes kinda hot, but a lovely heat.

5.  How would you describe the Austin design scene?
I think it’s in its ‘tween’ stage, it’s just starting to stretch and grow and come into it’s own identity.

6.  If you could go anywhere where would you go?
Excluding time travel, if we’re talking places that I’ve never experienced, I’d like to see, eat and smell Cinque Terre.  If we’re talking favorite places, hands down that’d be Uzes, France.

Click here for more of D’Ette’s work.

One Creative Girl

1. Where are you from? Where do you live now?
I grew up in a big, old house in Columbus, New Jersey - surrounded by trees and fields and dairy farms, a mile from the “world famous” Columbus Farmer’s Market (and flea market). After graduating from Moore College of Art and Design in Philadelphia, Pennsylvania, I moved to Austin looking to be “wowed” by a new city (and I was).

2. Describe your work
A colorful, quirky, mish-mash of vintage images, found objects and stuff I like, dissected and arranged One Creative Girl style.

3. How is your work influenced by where you live?
Austin is a very colorful and off-beat place with lots of art and design and plenty of places to hike and swim and stay grounded  - it’s a pretty great place to live and play, dream and create.

4. Where do you go in Austin when you want to feel inspired?
I love to roam my favorite shop -  Uncommon Objects - it is cram packed with vintage goodness and always gives my brain a good jump start. In addition to that, a long creekside hike to connect with my froggy friends also works.

5. How would you describe the Austin design scene?
Encouraging and supportive - i have lots of friends who find Austin to be a great place for a creative lifestyle. There are yearly studio tours in several different neighborhoods and it always amazes me when i see just how many artists are here creating fabulous stuff!

6. If you could go anywhere where would you go?
I would love to live and create in Mexico. It is such a colorful and dynamic culture, I think it would be a perfect environment for me. Whenever I visit, it is so hard to leave. I have been searching for a way to live between Austin and Mexico for a while now and am sure it won’t be long before I find it!

Click for Melissa’s website, blog and etsy shop.

Brink Creative

1. Where are you from? Where do you live now?
Until age 13: Pennsylvania. Ages 13-18 Los Angeles. Age 21: Santa Fe. Ages 13-30: The Bay Area: Santa Clara, San Francisco, Berkeley. I live in Austin now. South Austin.

2. Describe your work.
A product of intuition and channeling my clients. Assemblage of everything I absorb. Reflections of when, where, why…either the solution, posing the question, regardless, always a combination of as many emotions evocable. Japanese : retro : contemporary : interactive 2d : hand made pixels…lush, love : life : contemporary : familiar : redefined : color that shifts energy. As much as possible by hand and then the fascinating life the artwork takes on as it’s digitized and moves throughout it’s many applications.

I stay open to the discoveries in “mistakes”.

I still measure equidistant areas from left to right and top to bottom when treating typography…respecting my traditional design education, but hand made patterns may have a loop or twirly thing out of whack. Don’t stop the press! Instead, magnify and celebrate. Keeping craft alive. Attention to detail and allowing the process to allow the product to develop. Pushing and pulling these poles while staying committed to the task. Inspirational design that serves it’s function, has a strong foundation and expansive possibilities.

3. How is your work influenced by where you live? 4. Where do you go in Austin when you want to feel inspired? 5. How would you describe the Austin design scene?
Austin is a city in flux…more so than most. Just when I’ve seen the major transformations in the town in just a year and the resulting dichotomies are tense: Fluidity and resistance; sloooow and fast paced; limited with a whole world of possibilities…hence a culture that attracts and continually stimulates artists of many a genre. Here’s a way in which allowing the ever evolving process to flow while keeping a standard and integrity. The work comes from the constant combination of this tension. It’s exciting, sometimes painful, but always rewarding in an amazing end design, lesson and developed relationship with all the players involved (me, the client, printers, writer, programmers, sign vendors…all the people it takes to get the job done well).

In Austin, we’ve had a poor rap about our art/design scene and I feel that’s quickly changing. I push push push to help set a higher standard. Many push to keep the original Texan/Mexican spirit alive. That combined with an influx of people from everywhere is dynamic and keeps me designing around the clock. I lived in San Francisco and LA…I love both places, but I feel as though the gold (for me) has been found. Here, there are new discoveries abound!

A city undefined, although I hear many trying. The subjectivity of it all spurs interesting conversation and certainly influences my work as I push push push myself to levels beyond what I thought possible. I think I do the same to my clients. Much to some of their dismay…it’s never easy giving birth!

Physically, my word is influenced by found materials and I do my best sketching at my favorite restaurant. Now I prefer to go alone…hmm, I can’t believe I just admitted that. To feel inspired, I go to beautiful stores (preferably second-hand), my full flat files, my growing library and I hang out with my brilliant artist friends.

6. If you could go anywhere where would you go?

If I could anywhere: 1. I’d go back to my mom’s garden. A penny for every beetle I picked off the green beans. I’d make $3 a day sometimes! 2. In a hammock during the fall at dusk. My lifestyle doesn’t allow much sleep. 3. Camping with my significant other with nothing but a t-shirt, jeans, my toothbrush, water and my dogs.

Click here for more of Jennifer’s work.

Jaime Jo Fisher

1. Where are you from? Where do you live now?
I grew up in a small town in southern Illinois just east of St. Louis.  I currently live with my husband, Chris Campbell and our dog and cat, Brinkley and Tula in Austin, Texas. I work full time in my home studio making jewelry that I sell thru my website, galleries and a few juried art festivals.

2. Describe your work.
I make jewelry and sculptural boxes with sterling silver, mineral stones and a wide array of found, vintage or repurposed materials.  These commonly overlooked and typically discarded materials can be a piece of broken windshield glass, a fragment of plastic from a doll shoe, a found pebble or shell, or even a tiny stuffed pillow sewn from the plastic of a thrifted rain poncho. Many people who see my work for the first time assume the stones are all resin, enamel or beach glass and seem pleasantly surprised when I tell them it’s plastic from a bundle of rubber grapes or the sculptural box they see actually houses and displays a wearable ring.

3. How is your work influenced by where you live?
I have been living in Austin for over 2.5 years. Living in this progressive city directly influences my work.  Austin is about nostalgia, the DIY approach and green living including recycling and conservation. This is evident in the design, fashion and craft of local artists.  This idea is very much in keeping with my work as well.

4. Where do you go in Austin when you want to feel inspired?
Austin has a plethora of great thrift stores, from the high-end vintage stores to the more hardcore, not for the faint of heart, to scavenge about digging for potential new goods to incorporate in my work.  I am always looking on the ground, in thrift stores & flea markets as well as online. I enjoy finding things that will seem slightly bizarre when used in my jewelry, some of the more unexpected being bristles from a toothbrush and dryer lint from my lint trap. There is also a really great bead store in Austin, called Bead It, where I get some amazing vintage plastic and glass pieces that appear in my work as well.

5. How would you describe the Austin design scene?
I am part of an organization made up of an amazing group of women that live and work in Austin called Handmade Austin Women. The weekend show is a fun filled family event that offers some exquisitely designed and handmade items including paintings, pottery, jewelry, handmade clothing, hats & bags as well as some 2d & 3d collage work.   Another event on the art scene is the East Austin Studio Tour. My husband, who is a potter, and I turn our garage into a temporary gallery space for a weekend during the tour to show our work along with over 200 other studios that reside in East Austin.

When feeling uninspired or less than motivated, you may find me at any number of art galleries in Austin, at a friends studio to chat up their current work, at Book People or Domy flipping thru their amazing book collections, taking a Bikram Yoga class at Yogagroove, window shopping at a local vintage shop or digging around at a local thrift store.

6. If you could go anywhere where would you go?
If I could go anywhere my heart desired I would plan a road trip with my husband, with a tiny “fixer upper� trailer in tow, and discovery the sites one city at a time.

Click here for more of Jaime’s work.

today’s city guide belongs to wilmington, north carolina and comes to us courtesy of ellie snow of mint. ellie grew up in wilmington and has been living in the triangle area of north carolina ever since. she’s currently a graphic design at flywheel design in durham and is thrilled to share her favorite hometown spots. wilmington is known as “wilmywood” to some, because of the numerous tv shows and movie that shoot there, so if you’re in town keep your eyes open- you never know who you’ll bump into (i’ll never forget hearing from friends in wilmington who got to see the dawson’s creek cast for years). click here to view the full guide or just click “read more” below. thanks, ellie!

Nestled between the Cape Fear River and the Atlantic Ocean, Wilmington is often called the Port City; although many fondly refer to it as “Wilmywood” in honor of local motion picture and TV studio Screen Gems. (Think Dawson’s Creek, or the recent Nights in Rodanthe). Wilmington was settled nearly 300 years ago, and today visitors can stroll tree lined streets past century-old homes, then drive less than twenty minutes to find themselves amo