Upon the event that you are in West Hollywood this Saturday, put on your swankiest designer walking gear (ha!) and head to the 11th Annual Art & Design Walk. This is the must-do event on the calendar of style conscious Angelenos and is staged along Melrose Avenue and Robertson and Beverly Boulevards—the favorite shopping destinations for LA’s celebrity and design elite.

The skinny:

what: 11th Annual Avenues of Art & Design Art Walk, a mile long open house of over 300 fashion boutiques, interior design/furniture showrooms, fine art/antique galleries and restaurants. Over 90 events, including exclusive receptions, personal appearances, food and entertainment hosted by individual showrooms, shopping discounts and other special surprises.

where: Along Melrose Avenue, and Robertson and Beverly Boulevards

when: Saturday, May 31, 2008. 4:00 p.m. to 8:00 p.m.

how much? Free! Meters on the Avenues will not be enforced during the event.

For the full scoop check out the Avenues of Art & Design website.

From Julie:

For the uninitiated, Piet Hein Eek is a Dutch designer celebrated for his use of scrap materials in creating compellingly naive, yet somehow refined and sophisticated, furniture. The prolific designer has added children’s pieces such as bunkbeds, high chairs, and wardrobes to his repertoire:

Back in January 2006, we wrote a post entitled Eight Questions to Ask Before Hiring an Interior Designer. The eight questions were part of an article in Home magazine and we linked to the magazine.

We like to link to an article and highlight several questions in our post, rather
than list all the questions. That way people go to the linked site and we both benefit from the traffic. One of our frustrations looking back at some of our posts is that not all articles are archived. If you click on the link above, you land on the magazine’s website, but it’s the June 2008 issue and the “Eight Questions…are gone!

It’s been awhile, so, because of inflation, we’ve come up with our own eleven questions:

1. Do I like the designer? Can I spend a lot of time with him/her? Good communication is a must. Working with an interior designer involves some give and take. You will share ideas, and the designer will contribute insights and advice based on his or her talents, knowledge and experience. Depending on the scope of the project, you could be working with your designer a couple of weeks to many, many months.

2. Do I get that he/she is trying to understand me by asking a lot of questions? The key to success is really getting to know you in the early stages and how you and your family use your home and your interests.

3. Does the scale of my project really warrant an interior designer? Even if you think you could accomplish the redesign, do you have the time and inclination? You need to be realistic about how much money you are willing to spend. Include in this estimate the cost of all raw materials, new furniture, labor for installations, and possibly a designer.

4. How do you charge for your time? Designers may charge by the hour, which can be anywhere from $35 to $300, and these costs can quickly mount up. Others may offer a free first consultation, and then quote you a flat fee on the basis of your discussions. Some may charge for the first meeting in advance and then a fee for the whole project based on the estimated hours. Some may bill you for hours used each month. Some may bill each month a level amount. Some may get a designer discount and pass some or all the savings on to you. Whatever the basis on which your interior decorator is paid, make sure you both agree on the budget.

5. Can we accomplish the redesign and stay within my budget?

6. I can’t decide if I like the design. Do I still have to pay for it? “Yes! When you decide to hire an interior design firm, you have decided to trust the design recommendations of that firm.�

7. Are you available for conversation about changes and fine tuning? A good designer knowing you may present you with several options and give you the choice of one or the other. ASID recommends: “Minimize changes to your plan. Each part of the design will affect the whole. Changes or special requests can require any number of adjustments that will add time and expenses to your project.

8. My friend doesn’t like your ideas. Why shouldn’t I listen to her/him? If you have to ask this question you should probably have hired your friend.

9. Can I go to the local Design Center? With or without you? Of course, just let them know that you are working with a designer and his/her name.

10. What if a piece of furniture comes damaged? The furniture store should inspect the furniture when it arrives. The designer should also inspect the furniture before it goes to the client. If something is missed or it breaks when it is used, the designer and the furniture store will work together with the vendor to resolve any problem.

11. How long does it take to receive things, once they are ordered? Here’s a guideline (though individual vendors may vary):
Upholstered Furniture: 10-16 weeks depending on vendor.
Casegoods – Chests, bookcases, tables, hutches, etc.: 8-12 weeks depending on vendor.
Window Treatments: 6-8 weeks depending on size of job
Accessories, Lamps, Art Prints, Silk Flowers/Plants: 4-6 weeks or less.
Rugs: If machine made, 2-4 weeks. If hand knotted, 3-4 months
Wallpaper/Fabrics: 3-5 days.

Several websites contributed to this list of questions and their answers:

Apartment Therapy LA Good Questions: Hiring an Interior Designer
ASID Working with a Designer
Nancy Werneken Interior Design Frequently Asked Questions
Lynle Ellis Designs Before You Hire an Interior Designer
NWSID Why Hire an Interior Designer?
CCIDC Frequently Asked Questions About Certified Interior Designers
Directory M articles Interior Decorator

Bev & Mike
Landfair Furniture + Design Gallery

Isn't it amazing how people who were once celebrities can fade into obscurity? The same thing can be said for celebrity decorators, especially William Pahlmann. Okay, so perhaps he's not an obscure designer, but he does not have the name recognition of Dorothy Draper or Elsie de Wolfe. If this were 1950, we would all be talking about Pahlmann. After all, he was one of the most famous decorators of the 1940s through the 1960s.

Pahlmann, who was educated at Parsons in the late 1920s, first gained notoriety after designing a mirrored bed for the first Mrs. William Paley (this according to Legendary Decorators of the Twentieth Century by Mark Hampton). Getting her seal of approval was the impetus he needed to go onward and upward, eventually landing him the job of head of the decorating and antiques department at Lord and Taylor. Pahlmann became known for his model rooms for the department store- rooms which garnered attention by the press and brought flocks of customers to the store. After a brief hiatus during World War II (serving in the Air Force), Pahlmann returned to New York where he set up his own decorating firm. He even had his own syndicated newspaper column titled "A Matter of Taste".

Pahlmann's interiors after WWII are quite evocative of the post-war era. While Pahlmann was quite capable of designing in the traditional style, much of his work celebrates mid-century modernism. Pahlmann was a champion of modern materials, including rubber flooring and rayon and other synthetic fabrics. The exotic also played a role in his interiors. Artifacts and objects of various cultures and countries mixed freely, lending his rooms a sort of well-traveled look. And let's not overlook Pahlmann's love of color. There was nothing primary about his chosen color schemes. In fact, in his book The Pahlmann Book of Interior Design, he wrote about various color combinations that he had used thus far in his career. These included cerulean, lime, magenta pink and white as well as deep sage, ripe persimmon and French blue.

Pahlmann was so well-regarded in the design world that when a young Albert Hadley first ventured to New York seeking a job as a designer, he sought out a meeting with his design idol. Hadley describes Pahlmann as "a man of great charm with a flamboyant personality and certainly he was not shy about anything."* Pahlmann encouraged Hadley to enroll at Parsons School of Design, just as he had.

While many of Pahlmann's room may seem a bit dated today, don't you think it's worth revisiting the career of this late, great decorator?

(Pahlmann's work is featured in the upcoming Acanthus Press release New York Interior Design, 1935-1985. Another "lost" designer whose work I greatly admire is George Stacey. I'll be writing about him soon!)



A great example of Pahlmann's fearless use of color. This bedroom's colors were inspired by a vineyard.


The mod floor in this living room was rubber! The mix is a bit unexpected: modern furniture with a Victorian sofa and Spanish altar candlesticks mixed with French candle sconces.


This was Pahlmann's own living room. I love the gunmetal gray walls and the robin's egg blue leather chair. According to Mark Hampton, the cabinet is actually a snakeskin Victrola.


I couldn't resist this image of an Empire-style tented room. Pahlmann admired Napoleon and Malmaison- might this have influenced the design scheme of this room?


Pahlmann designed this living room for Mrs. Walter Hoving in 1948. In my opinion, this room is one of Pahlmann's more elegant designs. Much of his later work seemed to be more casual, much in keeping with the times.

(*Hadley quote from Albert Hadley: The Story of America's Preeminent Interior Designer)

Visiting Jennifer and Justin Leonard’s garden in Portland yesterday, it occurred to me that this renovated garden is so inviting partly because it offers so many delightful places to sit.

It seems that when you are a celebrity you know everything, or at least media shows that you know everything and you can do anything easily. For example recently actor Brad Pitt has signed on as the designer of a luxury eco-friendly hotel with Zabeel Properties, that will be built Dubai. The project, which aims to be an “environmentally sustainable” 800-room luxury property, will include Pitt as a designer working with GRAFT. “Whilst acting is my career, architecture is my passion” said Brad in a statement. Now I know that an architect has to study hard for about 6 or 7 years in college, to be able to create something, and  I really hope Brad isn’t the lead architect on this thing. It’ll probably collapse whilst they’re working on it. Finally I think that the company that started this project got Brad Pitt involved in this project for a big boost of publicity and not really for his designer services. What do you think ? Via Telegraph and People.

Post from: Interior Design, Home & House Design, Furniture

There is a design giant alive today who seems to get overlooked and sometimes even dissed by young designers and design enthusiasts. Many disregard his work as being too 1980s, too traditional, too English country looking, and too frou frou. And it's really a shame because this designer is truly quite talented. He has a remarkable sense of color and a keen understanding of what makes a room comfortable. His look is one that has changed little through the years- he honed his style as a young man and has stuck to it, perhaps with some tweaking over the years. Bottom line- his rooms are unabashedly pretty, and in my mind pretty is not a dirty word.

Who am I talking about? None other than Mario Buatta (a.k.a. Mario Buattachalotti-Sister Parish's pet name for him- and most famously "The Prince of Chintz"). The man has an impeccable design pedigree. He studied at Cooper Union and later at Parsons, studying under legendary teacher Stanley Barrows. He considered John Fowler a friend and mentor (one can see Fowler's influence in a Buatta room), and he also worked for Keith Irvine for a short time.

So why the disrespect? Perhaps his rooms are a bit conservative for some. Perhaps others don't like the amount of "stuff" in a Buatta room- at times, his rooms can be a bit over the top. And maybe some people can't stand Buatta's use of chintz (although maybe he is having the last laugh- after all, chintz's popularity is once again on the rise). But don't you agree that even if Buatta's look does not suit you, his rooms are incredibly inviting? Don't you just want enter one of his rooms and sit in comfortable chair and while away the hours reading a good book? Or what about relaxing in one of his nighttime rooms with a stiff drink and good friends?

I think what I am trying to say is that even if Buatta's traditional and at times maximalist look may not be hot or trendy right now, there are elements to his rooms that are timeless and stylish. But if you keep an open mind and look past the fabrics or furniture that may not be up your alley, you might just learn some important design lessons.

(I also would like to say I can't understand why no one has written a book on Buatta and his work. So many other designers have books devoted to their work, why not Buatta?)


How gorgeous are these Prussian-blue glazed walls? Alright, so the bow from which the painting is hanging may be a bit precious, but see how great that peach color looks against that shade of blue? I think this Buatta room is a lesson in rich color.


Buatta loves to design both daytime and nighttime rooms, of which this room is the latter. Nobody does a lacquered room better than Buatta. See how the gold frame looks so rich against the glossy walls? If you're a modernist at heart, just think how about a modern picture in a plain gold frame would look against the aubergine walls. Or what about a modern cream colored sofa in place of the traditional one above?


I know, I know- those of you who don't like florals might be apoplectic right now. However, look how effective the repetition of the floral print is. Think about whatever your favorite print is and then imagine it on walls, pillows, and chair and ottoman. I think that in this case, more is more!


Buatta decorated this bedroom in 1971. It's slightly dated, but look at that pink, that yellow, and the acid green. This color combination is bold and gutsy. No grooviness for Buatta; even back in the early 70s he was striving for sweet and pretty.


This shot of a Buatta room is one of my favorites. Take away the traditional pictures and pillows and insert some modern paintings and graphic pillows and I think you just might have a rather Miles Redd-esque room.

...to establish an elegant alternative for urban dwellers. Made up of 23 luxurious town homes and flats, the development has the familiar feeling of tradition with modern-day conveniences.

(The) magazine called on renowned Atlanta interior designer Dan Carithers to oversee the home's interiors. A walk through the home is a visual feast of design finery, with everything from floors to ceiling provided by vendors like Stone Age Designs and Hickory Chair. Carithers' own furniture line by Sherrill Furniture is on display throughout the home

• Fabric, fabric, fabric: Carithers uses repetition of fabrics on linens, upholstery and walls.
• Seats for all sizes: Little ones like luxury, too. Throughout the home, child-size chairs were sprinkled among traditionally sized pieces.
• Button-tuft this: Carithers' use of button-tufted pieces gives the home an instant dose of comfort and glamour.

Successful designers have systems
What do you do when a call comes in? When you measure a room? When you hire a contractor? Do you have specific steps to follow for every part of your business? Or do you wing it? I used to! But I learned that "winging it" leads to chaos and confusion, and you certainly can't grow from there. Successful designers handle each part of their business the same way every time. They follow a system for everything. Systems lead to consistency, organization, and effectiveness.

Successful designers study marketing
Unfortunately, being a terrific designer doesn't necessarily make you successful. In order to succeed in business, we need to be super marketers. Successful designers are either great at marketing, or they hire people who are. The most lucrative design firms actually spend more time and energy on marketing than they do on studying design.

Successful designers are detail- oriented
This may seem obvious, but are you doing it? Successful designers take care with every detail of the business - from all aspects of office work to each element of design projects. This doesn't mean they do it all themselves (in fact, profitable design companies delegate a lot of the details.), but they always make sure that every part of their business - down to the smallest details - supports their exceptional image.

Unfortunately, he says, the execution of the design was not very good. Take the relationship -- or lack of it -- between the living room and adjoining TV/office space, which was accessed from a hall around the corner from the living room.

Trish Beaudet - Owner and Designer of Finishing Touches Interiors by Design, Inc.

D. Paul DeRouen - Bachelor of Architecture from the University of Louisiana at Lafayette. Profession: Architectural Designer

Matt Locke - Bachelor's degree in history from Princeton. Current Job: Designer

Michael Stribling - Interior design major from Wade College. Current Job: Interior Designer/Business Owner

Jennifer Bertrand - Bachelor of Arts in education with an emphasis in ceramics; master's degree in teaching and leadership from University of Kansas. Current Job: Interior Decorator/Owner of Bertrand Designs

Tracee Dore - Bachelor of Arts in interior design from the University of Kentucky. Current Job: Residential and Commercial Interior Designer and Builder/Renovator, Tracee Dore and Company

Jerome Scottie Miller - Master of Science in civil engineering from North Carolina A&T State University. Current Job: Regional Property Manager at Charlotte/Mecklenburg County Schools.

Mikey Verdugo - High school diploma from Hialeah High School. Current Job: Police Officer

Known for his spare interiors as well as his use of humble, natural materials, Jean-Michel Frank is one of those designers who is often credited by contemporary designers as being a major influence, yet he has remained a bit of an enigma. Perhaps this was due to his all-too brief career and life, having committed suicide in 1941. Or maybe it was because some critics labeled Frank a society decorator. Whatever the reason, critical study of Frank's career did not begin in earnest until the 1980s with a monograph written by Leopold Diego Sanchez. Unfortunately, this book is a bit scarce as well as cost-prohibitive. There is, however, a new work on the design legend that is not only quite comprehensive and informative but will probably prove to be yet another authoritative work on Frank.

Jean-Michel Frank: The Strange and Subtle Luxury of the Parisian Haute-Monde in the Art Deco Period (Rizzoli) initially took shape as the doctoral thesis of Pierre-Emmanuel Martin-Vivier, a historian and authority on twentieth-century applied arts. The book provides the reader with a biographical account of both Frank's life as well as an in-depth look at his career as a designer of both spaces and furniture. While Frank's success was certainly guided by his talent, it was also nudged along by Frank's fortuitous friendships with the French and European beau monde, something which is explored in the book.

But Frank certainly developed a style that was all his own, and this is really the heart of this book. Much attention is given to Frank interiors, including his work for Jean-Pierre Guerlain, Andre Meyer, Templeton Crocker, Cole Porter, and of course Charles and Marie-Laure de Noailles. Today, Frank seems to be recognized more for his furniture designs than his interiors, so the text and photographic record of Frank's tables, lamps, and chairs are a major asset of Jean-Michel Frank. Also, Frank's career was characterized by collaborations with other gifted designers and artists, most notably Adolphe Chanaux, Alberto Giacometti, Christian Berard, and Emilio Terry, and this work is given due diligence in the book.

I'll admit that I have not yet finished this book; I'm taking my time reading the text, and I find myself getting lost in the gorgeous black and white photos chronicling Frank's work. But so far, I do feel that I better understand the genius and the style of this sad artist, and for this alone I highly recommend this book.



The Sitting Room in the penthouse of Templeton Crocker, San Francisco, 1929. The walls and ceiling were covered in squares of parchment, while the armchairs were upholstered in white leather. One of the Parsons-style cocktail tables was covered in brown shagreen, while the other was sheathed in patina bronze.


The Music Room in Cole Porter's Paris apartment. Although Armand-Albert Rateau was responsible for the paneling (silver lacquer at that), Frank designed the furniture.


Image at top: A Fire Screen covered in straw marquetry, c. 1924. The cabinet at bottom was covered in parchment, c. 1931.


A set of parchment nesting tables and an X lamp made from terra cotta.

I've recently become enamored with a designer whose work is no longer featured on the pages of shelter magazines. I read or hear very little about him these days, which probably adds to the mystique. I'm sure many of you are familiar with this designer, although to me his work is quite new. (Back in his heyday in the 1980s and 90s, I was preoccupied with homework and school activities, preventing me from focusing too terribly much on the design world.) Of course, the fact that he died almost 13 years ago is part of the reason why this designer's work is no longer at the forefront of our design consciousness, and it's really a shame because this designer- Richard Lowell Neas- created rooms that were stylish, sophisticated, beautiful, elegant, and timeless.

I first became familiar with Neas' name when I found out that he was responsible for Brunschwig & Fils' "Bibliothèque" wallpaper- one of my all-time favorite wallpaper designs. As Neas was an accomplished muralist and trompe l'oeil artist, it's no surprise that he would design such a charming print. Then I learned that Neas gradually made his way into a career as a decorator. And what decorating he did!

I've tried to collect a few images of his work, and in some ways it surprises me that I'm so taken with these very traditional rooms. While I am a traditionalist at heart, I do like to mix in some modern pieces- it's a bit like a design checks and balances system. I think that what has drawn me to his work is the fact that Neas created rooms that were completely livable. His New York projects seem to capture the spark that is so evocative of that city: urbane, sophisticated, and cosmopolitan. Yet there's nothing cold or stiff about these rooms. Neas imbued his projects with a softness and warmth that was so inviting. Perhaps it was the collection of unique and striking furniture and objets. Or maybe it was the mix of prints and patterns that was so pleasing to the eye. I actually believe it was a combination of all of the above.

I think Neas described the success of his rooms perfectly when he quoted his friend Annette de la Renta, "some of the most wonderful rooms are ones that seem as though all the objects were inherited from relatives with different styles and tastes- yet everything fits together magically." And this, to me, is the magic formula- and one that makes Neas' work so appealing.


An image of Neas' tiny Manhattan apartment. Note the trompe l'oeil swagged curtain at the top of the mirror. I just love this room.




Two photos of a Manhattan apartment that Neas designed around 1990.




I believe this dining room and bedroom were part of Neas' home in Charente, France. Neas certainly created environments that were appropriate for their surroundings.


A close-up shot of the "Bibliothèque" wallpaper.


Nina Campbell used "Bibliothèque" in her home.

Image at top: Richard Lowell Neas with a chicken at his home in France. (This image and those of his French home courtesy of House Beautiful, 2001. Images of the Manhattan project from HG, September 1990.)

Neas/de la Renta quote from the New York Times, "Home Design; Objects of Much Affection" by Carol Vogel, October 21, 1984.

It's Decorator Showhouse season again! Currently underway is one of the top showhouses in the country, the San Francisco Decorator Showcase. Benjamin Dhong, an interior designer who is designing for his very first showhouse, has created a really serene and elegant bathroom. Dhong was inspired by a trip through Sweden last summer where he saw rooms that were "a dazzling mix of high and low end furniture." Wanting to achieve a mix of traditional and contemporary, Dhong covered the walls in a very soothing, soft faux bois. But there's nothing rustic about this bathroom. I love the tailored shower curtain, table skirt, and curtain. And don't you just love the mirror and the smart little Saarinen stools? I think it's safe to say that Benjamin Dhong is definitely a designer to watch!

The Los Angeles Antiques Show is wrapping up today, and from everything I've heard it sounded like a stellar event. A friend of mine was kind enough to take photos of some exhibitors' booths, which I'm sharing with you today. Looks like we missed a great show!





All I can say is "Wow!" I love this booth designed by Joe Nye. So chic! And notice the stylish use of Nye's beloved carnations.






Those clever owners of Downtown are always ahead of the curve. This year they featured a few pieces by the late Mexican designer Arturo Pani. I believe they are reproducing Pani's designs, including the small scroll table in the second photo.



The very elegant booth of Hollyhock. Notice how the exquisite furniture takes center stage.

Much of my summer jewelry is heavy on the coral and turquoise beads- it's a great way to add some color to your wardrobe. And perhaps the same could be said for your lighting too. What about some turquoise and coral on your chandeliers and sconces? I think that the designs below by Los Angeles interior designer Marjorie Skouras are so striking, especially the turquoise bead chandelier. While Skouras' lighting line would be perfect for beach homes, I can actually see them working quite well in interiors in colder climates too. In addition to lighting, Skouras also designs accessories such as tiebacks, hardware, and candlesticks, not to mention furniture too. I've included a few of her pieces here as well as some photos from her design portfolio. Enjoy!


An eclectic room designed by Marjorie Skouras


Turquoise Empire Chandelier


Red Coral Sconce


Coral Tieback

Image at top: A Skouras designed room filled with pretty shades of pink, blue, and greens.