Alright ready. I know, I know. I always seem to be on semi-permanent hiatus from my blog. Well I got ton of things on my mind, namely getting my website updated. I believe, as of today, the index page is still announcing the NSS in May 2008. Nice. I should point out that on page 90 of Craft Inc, I wrote that you should "Update your site frequently with news or new products." And clearly, I am leading by example. I also tell people to always have their business cards on them, yet I am always writing my contact information on the backsides of other people's business cards when I meet them. I'm awesome like that.

Ironically, next week you'll find me on as a guest blogger on design*sponge. Obviously, have the time and energy to blog, just not on my own blog.

As for the above cookbook, "The Abundant Table: Recipes from the Bishop's Ranch Kitchen", which I illustrated, is finally out. So far I've made the pancakes (hey, I'm starting off easy) and they are delicious! I can't wait to try out the rest of their healthy recipes. And I have to say that Laura Crookston Deleot, the graphic designer, did a wonderful job! Such a pleasure working with her. Here are a couple of images from the book:

(the inside cover)

(introductory section)

If you're looking for me this week, I'm guest blogging the whole week on design*sponge--and writing more posts there than I have in the past three months combined I might add!

Also, I've gotten some inquiries on this: if you're wondering where to buy Craft Inc. because it's apparently sold out at Chronicle Books and Amazon, here are some other retailers that currently still have them in stock (for now): Reform School and Fred Flare.

I also don't know when they are expecting to receive more books but I'm sure it will be soon!

i’m a sucker for a zig zag line (i’m always lusting after a full-sized version of this rug) and these new towels at williams sonoma home are calling me. i really love the persimmon/pumpkin combination (very fall) but the blues are perfectly summery as well. click here to check them out ($36 each).

ps: penelope green at the nytimes wrote a great article/at home with piece with faythe levine of handmade nation. it’s always inspiring to read about people like faythe in big mainstream news. click here to check it out.

this morning while i was holding ms. jackson in my lap and waiting for her soft paws to dry, i flipped through the new williams sonoma catalog and pretended that she was really interested in hearing my opinion on everything inside. she clearly wasn’t, but i thought this faux bois chair was fun. i wish it had cuter legs (i’d like this kind) but the fabric is pretty fun. click here to check it out.

i think all of my blogging colleagues received this email today so i’m assuming we all jumped at this story about new works from allan the gallant, formerly known as itte studio. based in barcelona, allan the gallant is a pattern studio that is now producing some fantastic textiles, patterns and wallpaper. all of the images jumped right off the screen for me and just begged to be posted so i’m going to let the images to do the talking. all i know is i want my house covered head to toe in that wallpaper above. how fantastic is that? click here for more information on allan the gallant.

it’s our third week focusing on australia and our latest regional roundup focuses on brisbane, australia’s third most populous city. today’s line up stars tiel seivl-keevers {tsk-tsk}, mel robson, jason grant {inkahoots}, tiffany shafran, and alex tebb. we’ll be back tomorrow with our final australian roundup so be sure to check back, but in the meantime, click here to check out today’s designers (there are many more below the fold). [thanks again to all the fabulous designers! all the roundups can be found here.] -anne

[aussie porcelain above by mel robson. check out her feature below]

Tsk-tsk

1. Where are you from? Where do you live now?
I’m from Australia. I have lived in many different cities here, but I’m currently living in Brisbane, Queensland.

2. Describe your work
Most of my work is illustrative. I create original artworks or limited edition prints for children and grown ups. I’m exploring a range of themes including matryoshka dolls, birds, flora and fauna.
My works are mostly small in scale so I can finish them!

3. How is your work influenced by where you live?
I live in a warmer climate so the outdoor lifestyle does influence my work. I pay attention to the wildlife around me, particularly the birds and I enjoy the colours of where I live. Brisbane is a very light and sunny place.  I’m very close to the ocean and some of Australia’s best beaches, but it is the trees and hills that I feel closest to. I often pick up leaves and pods on walks and take them home to study.

4. Where do you go in Australia when you want to feel inspired?
Melbourne. It is home away from home for me. I lived there on several occasions and it is so full of life. Art, craft, design, good food. But locally I enjoy being in a park near the river, or going to a few suburbs here that have hidden shopping treasures. Also the gallery of modern art has a continual range of exhibitions and displays catered for all ages. It is such an amazing space.

5. How would you describe the Australian design scene?
I think here we are influenced so much by so many different cultures and countries. We then somehow take bits of pieces from that, combine them with our surroundings and it becomes quite unique to anything else. There are so many good Australian designers who have emerged over the last 10 years and I really get a sense that a lot more quality design is about to bloom..

6. If you could go anywhere where would you go?
Today, somewhere a little warmer like Fiji! But I really am keen to go to Japan. The history, design and food really interests me.

Check out more of Tiel’s work here and her blog here.

Mel Robson

1. Where are you from? Where do you live now?
I grew up in a little town called Murwillumbah (which means place of many possums!!), but I now live in Brisbane (right in the middle of the east coast of Australia) and have been based here on and off for the last 15 years or so.

2. Describe your work
I make objects from porcelain. I design and hand make ranges of functional and decorative objects for the home, as well as limited edition and one-off exhibition works. I use a lot of text and imagery on my pieces which I draw from a whole array of sources - old letters, wallpaper, photographs, maps, recipes, sewing patterns, excerpts from old books and magazines etc. I take lots of old things and work them in to new ones.

3. How is your work influenced by where you live?
I’m probably influenced more by the built environment rather than the natural environment - the architecture, the buildings and houses. Brisbane has grown a lot in the last decade and is a real mish mash of old and new. This doesn’t always work so well but there are little pockets where the old and the new sit comfortably, even beautifully, together.  I like this. Its something I try to achieve in my own work – weaving together the past and the present, integrating them.

4. Where do you go in Australia when you want to feel inspired?
I find that I get most of my best ideas while I’m walking. I like to go hiking, so our national parks are pretty inspiring for me. There is nothing like wandering along deserted trails for clearing the mind and making space for new ideas. At the moment though I walk mostly around my local area, which is an old area of Brisbane filled with charming houses and shops full of character (and characters)!

5. How would you describe the Australian design scene?
I think Australian designers have a good sense of humour and often approach design with a sense of playfulness and wit. We are good at sarcasm and laughing at ourselves and I think this is often reflected in the work of our artists, craftspeople and designers.

6. If you could go anywhere where would you go?
Hmmmmm…..where wouldn’t I go?! I’d like to spend more time in Europe, particularly the Scandinavian countries.

More of Mel’s work here, and her website (under construction) here.

Inkahoots

1. Where are you from? Where do you live now?
I was born in New Zealand and now live in sunny Brisbane, Australia.

2. Describe your work
I’m part of design group Inkahoots that includes Robyn McDonald, Ben Mangan, Joel Booy and Kate Booy. Rather than privilege market agendas of commodification, the studio promotes visual communication as an important tool of cultural critique and transformation. The work is visually adventurous with a strong typographic focus, and aims to be daring and searching, not for the sake of newness, but to give expression to a changing society.

3. How is your work influenced by where you live?
For a long time Brisbane was a politically oppressive and culturally conservative place you needed to escape. So it bred a resilient underground oppositional culture that continues to influence the city. The rainforests, bush, and beaches around Brisbane are incredible. And the scale and pace of the city makes it both a great place for work and play, and for playful work.

4. Where do you go in Australia when you want to feel inspired?
I’m not so comfortable with the idea of chasing inspiration.

5. How would you describe the Australian design scene?
If it were a super hero it would be one of those characters with random control over their super-human powers.

6. If you could go anywhere where would you go?
Satori.

Click here for more by Inkahoots.

 
for the past few weeks we’ve been exploring the major design hubs in australia. but as with anywhere, there are those incredibly talented artists and designers who are able to make a name for themselves from off the beaten track. today’s final regional roundup: australia covers everywhere in between. and while these features have been focusing on the contemporary design scene, aboriginal art - a history that covers 40,000 years - continues to make it’s mark on australia, and is something i still hope to explore (talk about patterns! . . . luckily, one of the best collections is at the kluge-ruhe aboriginal art collection at my beloved university of virginia, of all places). but that’s the beauty of these roundups - they’re a starting point to discover a place, begin a conversation and in a world that is constantly changing and each can be revisited. it’s been nearly three months since i started on this piece - which features over 40 designers - and it’s still only brushing the surface. so please continue the dialogue in the comments, sharing your new discoveries, favorite aussie designers, inspiration and observations. in case you missed any, you can find all the posts here. and to view this full post (and many more designers) just click here. [an incredible thank you to everyone who participated!!!] -anne

[aboriginal painting by roslyn ann kemp, above]

Magic Jelly

1. Where are you from? Where do you live now? 
Born & bred right here in Adelaide, South Australia.

2. Describe your work 
Most important to me is to communicate & connect.  I’ve just started a project called The Paper Chase, trading art for paper, it’s all about collaboration & communication.  I try to make my work as accessible as possible.  I like to use low-tech equipment (Gocco for instance) & commonplace materials, & to lavish care & attention on the forgotten, overlooked & discarded.  I tend to work on a small scale, firstly, because I’m a finicky fuss-budget obsessed with detail, but also because I want my work to be intimate & personal rather than to shout at you from across the room.  I hope a little bit of wit & levity creeps in there somewhere too.

3. How is your work influenced by where you live?
I often trawl the local secondhand markets for bits & pieces to use in my work, & take lots of photos, particularly of signage & architecture.  In fact, I’m combining my interest in architecture & ephemera at the moment by building a house out of paper, loosely based on a lovely row of late-Victorian terrace houses on the seafront near where I live.

4. Where do you go in Australia when you want to feel inspired? 
Anywhere that’s out of the house!  Every spring I start feeling restless & want to take a trip to Sydney.

5. How would you describe the Australian design scene? 
I really can’t say as I don’t feel that I’m a part of it - I’m a total hermit!  It’s a small market, that’s for sure - especially in Adelaide - & I tend to sell more internationally & do more commissions for overseas clients.  I think the Australian scene is growing though.

6. If you could go anywhere where would you go? 
I’m planning a visit to the US in a few months’ time to take a road trip along the West Coast.  Now, if you have a time machine handy, where I’d really like to go is back to the mid-20th century so I can go wild amassing huge quantities of ephemera & toys, & taking lots of photos.

Click here for more work by Karena and visit the Magic Jelly Etsy shop here.

Bison Home

1. Where are you from? Where do you live now?
I am From Grenfell NSW (population 2000 ). My family came on the Sirius…the first Fleet of White Settlers/Convicts who came to Australia in 1788. I currently live in Canberra and my studio is in a rural location (Pialligo) surrounded by plant nurseries and vineyards.

2. Describe your work
My work…best described as a ceramics designer. I am drawn to simple, classic forms and I produce a large range (140 profiles and 30 colours) of dinnerware and decorator pieces. I’m a former archaeologist and ancient historian who became tired of excavating broken pots in Syria … so I taught myself how to make them instead! We create forms which reflect the relationship between beauty…and practicality. I am fortunate to have a wonderful team of craftspeople who support me in crafting our Fine Australian Stoneware Collections.

3. How is your work influenced by where you live?
As a person who was training to be an academic… I was captivated by the evolution of design in Classical History…and the amazingly poignant social contexts behind ceramic vessels. To unearth a piece of pottery…over 2000 years old with a fingerprint in it sends chills up your spine. I also went to School in Malmo Sweden and the colours and subtlety of Scandinavian seasons and design…obviously filter through my palette and shapes.

4. Where do you go in Australia when you want to feel inspired?
I absolutely love The Great Ocean Road in Victoria. Crusing along the stark coastline in a car or just spending time at our family Beachhouse near Portsea. Simple, unpretentious…and better still…uncomplicated.

5. How would you describe the Australian design scene?
Australia is changing rapidly in terms of global visibility and credibility. I always find it ironic though that within our own country people find it hard to conceptualize that viable design and manufacture can occur outside of Sydney and Melbourne. People look somewhat bemused when you tell them your studio is in Canberra (Our capital is better known for the Greenhouse gasses which come out of the Parliament Buildings!) That being said I see numerous whimsical and elegant works from talented artists/designers emerging…particularly working with textiles.

6. If you could go anywhere where would you go? If I could travel anywhere and spend time it would be south America…Belize in particular. The fusion of Jungle (with panthers) Mayan Pyramids and Amish/Mennonite settlers….sounds so disparate you’d have to get inspiration!

Click here for more from Bison Home.

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today’s in the kitchen with is a special recipe that i was lucky enough to have land in my inbox this week. brooklyn based food photographer jessika creedon sent over these gorgeous photographs of a picnic she attended in prospect park and i was blown away by the special presentation of the food. rather than using plates or napkins, the hosts decided to use natural “containers” like lemons and avocados. top that off with jessika’s incredible photos and i was sold. so today the group behind the special picnic, sidedish, was kind enough to share one of their delicious picnic recipes with us- a summery chilled avocado soup. i could live off of avocados so this is one that’s definitely going into my regular repertoire. i just wanted to thank jessika (whose website can be viewed right here, and her flickr page right here) for sharing these photos, and to sidedish for sharing this incredible (and incredibly easy to make) recipe. CLICK HERE for the full recipe (and more photos from the picnic) or just click “read more” below.

about sidedish: sidedish is an ongoing experiment in staging uniquely engaging food experiences. at sidedish events, a rotating list of diners enjoys a full five course meal with an unrepeated, custom-made menu. sidedish dinners pivot around food, but go much farther, with each event exploring a particular theme. renee baumann and keren weiner, two alumni from the french culinary institute, are the heads and hands behind sidedish (with much organizational assistance from andrea montejo). photos and past menus from sidedish events can be seen at sidedish’s facebook page right here.

it’s rare that wayne pate at good shape design puts out a print that i don’t like. and this new eco-inspired reforestation now print (printed on 100% recycled paper with 10% of the proceeds going to the Trees For The Future Foundation) is a new favorite. combine that with this pink urns print and i’m ready to go. click here to check out wayne’s collection and shop online (the urns print is $30 and the reforestation now print is $35). to order the reforestation print (which will be in the shop soon) just shoot wayne an email right here.

ps: sorry, i’m all about the extra links today. i saw this cool photoproject mentioned on d.sharp journal via the lovely joanna goddard’s new blog on glamour.com. it’s all about what people look like before they go to bed. i was more interested in to see what people’s bedrooms look like of course. some of them have lovely colors- i love the green bedding towards the end and the green wall with stencils mid-way through. click here to check it out.

morning eye-candy: new plates from a series called “between us women” by lisa bengtsson. you may remember lisa’s wallpaper (here and here) but this new series was just launched at formex in stockholm. each image is representative of a woman in one’s family and each plate has a saying on the back associated with that member of the family. you can view more of lisa’s work right here.

i love calling cards- they seem like such a romantic notion in a time where almost everything is digital. d*s is an almost entirely paper-free company but the one place i splurge is on calling cards (mine are from brooklyn social cards), letter-writing stationery and cards. i use them sparingly but when i do, it feels so special. these colorful versions are from avis wampler of avie designs on etsy. there are tons of colorful options to choose from so click here to view the full collection.

ps: we’re about to do a video with david stark but the ny times just did a slideshow of his work that showcases exactly why we love him so much. they’ll sue the pants off of me if i run any images from the page so instead i’ll just strongly strongly suggest that you click here to view the slideshow. i love the way he uses spools and twine as decoration- it’s a MUST MUST read.

my parents just arrived from virginia beach so i’m off to indulge in some family fun and away-from-the-computer time. i hope you all have a fantastic weekend and i’ll see you on monday! until then, i wanted to leave you with a fantastic before & after from conn and john in hawaii (you might remember their gorgeous island sneak peek from june). conn and john found this old stainless steel medicine/dental tool cabinet years ago at the 26th street flea market in nyc. after picking it up for $35 it was stripped of its pale hospital green finish and kept a plain stainless steel. but as conn says “[when] we moved to maui the elements took over and my inspiration was to turn it into a rothko painting”. as luck would have it all three paints conn needed were on sale (2 for $4) so he sanded it down with steel wool, applied three coats of each color and voila! a $10 makeover. thanks to conn and john for sharing!

• anne’s regional roundup: brisbane and additional australian links and artists
• diy wednesdays: homegrown honey video
• new sneak peeks: spruce austin, jill malek, and uhuru design
• before & after: summer’s chair
• must see of the week: patterns from allan the gallant
• paper genius: zoe bradley’s paper sculptures at kate’s paperie
• furniture: new upholstered chairs at chairloom
• misc: new artwork (key prints) from dallas shaw, calling cards from avie designs, faux bois wingchair, zig zag towels, sculptural white lamps, new prints from good shape design
• new ceramics: ceramics from mudpuppy, ceramics from lisa bengtsson