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Q&A with Susie Mendive of SUM Wallpaper
00/00/0000, 00:00 | Original Site: Hatch: The Design Public® Blo
I never thought I would say this, but thanks to designers like Susie Mendive of SUM I am actually ecstatic wallpaper has made such a solid comeback. This is gen-u-ine excitement. My parents coated our home with wallpaper in the early 80’s, and it wasn’t pretty. It was so bad I remember as a little girl trying to peel it off to hint to my parents that they needed to do something with the walls. Now, times are different and I want to paper my walls myself!
Wallpaper actually gets me all riled up so I apologize in advice for my lengthy list of questions with Susie Mendive. Enjoy!
I know a bit about your background…a graphic designer with a graduate degree from North Carolina then to LA then to NY as art director with stila cosmetics…but I think there are some holes, especially in how you transitioned from branding cosmetics to designing modern wallpaper. Tell us more! How did SUM come together?
It happened very organically. I very much wanted to design and produce my own product and call all the shots. It just made sense at that point in my career. There is a lot of hard work involved and it can be consuming but I like taking it one step at the time.
Tell us about the name, SUM. How did you come up with this?
My husband and I were in Tokyo and it just hit me, Su is from Susie and M from Mendive but more than that it was the idea of a total home concept…SUM of all parts. A total approach to design and living.
The female silhouettes of your Floral Femme Fatale prints are an amazing graphic. They have a significant presence let alone bring movement, style, femininity, character and a sense of a couture-ness to a room. I would guess that your time with stila cosmetics may have carried over into the inspiration for these designs, is this right or was it something else?
Yes, that’s right. The silhouettes are something I started with at stila. They have a very universal quality and allow you to project your own thoughts on to them. I am always more intrigued by what is left out of an image or illustration.
Many of the modern wallpapers we see are meant to be an explosive replacement for traditional wall art which I find very refreshing and exciting, but also a bit of a challenge! I love the colors and graphics of the Vespertine Wallpaper in Twilight but am not sure I could pull it off in my space (maybe the black option would be better for me). What tips do you have for creating a harmonizing space when using bold/graphic wallpapers?
It isn’t as difficult as it might seem. I think Vespertine Twilight would be great in a powder room, kids room or a small kitchen. It uses bold colors but you can paper a single wall if you are unsure and pick an accent color from the pattern for rest of the room. Items like lampshades or rugs will help unify the scheme and wood and chrome or bronze elements will add a little luxe to the mix. I try to stay away from a too done, matchy matchy look or it seems like a set rather than a lived in space.
Was it a challenge to create a line of wallpapers that are made in the USA, constructed of recyclable paper and hand screen printed with water-based, non varsol inks? I can’t begin to image how long your screen printing stations must be!
Too long for a Manhattan Apartment! I actually use a company out in California who share the same values as I do about the environment. They have been hand screening wallpaper for over 20 years and converted to water based inks about 5 years ago. We try our best to maintain the highest quality product and still be kind to mother nature.
I always appreciate getting a glimpse into a designer’s work space and adore the photos of your loft on hgtv. Any difficulties to living/working in the same space?
I don’t actually live in that apartment anymore but still do the live/work thing. For me work and life are not separate. Living is by design. I have an enormous bedroom now (with a door this time!) and carved out two spaces with a beautiful, white modular folding screen. I then built in a storage/desk unit and of course wallpapered the space in Underwater Bamboo Pink. The whole color scheme came from the wallpaper so its silver and soft pink. It got a little too girly so I peppered it with earthy accents of walnut wood. The whole space feels very glamorous but warm and grounded…what’s more inspiring than that.
If you could paper someone’s walls, whose would you choose and which design might you use?
Frida Khalo
Diane von Furstenberg
Bjork
an Obama White House
…all custom designs of course!
I crave an opportunity to experiment with wallpaper, but I also fear it because: 1.) Of the expansive range of possibilities 2.) It is wallpaper and I don’t trust myself to be able to successfully apply it to my walls. But, I want to try so badly! What do you suggest for someone who is venturing into this arena for the first time…especially if the possibilities are as customizable as your wallpapers?
I think all the options available actually make it easier to find something that will work with your existing decor or serve as a jumping off point for a revamp. I understand the fear of installing yourself, many of my clients feel similarly. Wallpaper is really not that hard to put up and there are so many DIY sites out there with step by step instructions… in the end there is very little guesswork. I hung my very first Femme Fatale strike offs so I could learn how to do it and see how the paper performed, not the easiest, but definitely not hard. Having said that, if you are still hesitant, hire a painter or wallpaper installer. Many professional painters have experience hanging papers and the necessary tools in their arsenal. The most important thing is to be bold and experiment! Most of my clients are like you, saw it in a magazine and wanted to try it for themselves. All of them have been thrilled with the results. And remember nothing in this life is permanent!
How do you get out of a creative rut? What most inspires you?
Travel, travel, travel. It is the single most inspiring thing I can do. Floral Femme came together after a trip to Shanghai, Animalia after spending time in Holland. Places seep into me and become creative output.
What is next for SUM?
More wallpapers! I have one in the design stages that looks like painted canvas on the wall and another that is very male. I don’t see a lot out there for the boys so I thought it the perfect thing to design. SUM is now available in Utrecht, the Netherlands at Springers Wonen, in Malmo, Sweden at Tapetorama and we are looking to expand further in Europe and of course stateside. We are also moving into Fabrics and are looking to add other designers under our moniker… more parts to SUM total.
Thanks, Susie!
View all of Susie Mendive’s SUM wallpaper collection on DP.
Photograph: Alain Levitt
Makeup: Melissa Silver
regional roundup: austin - part 2
00/00/0000, 00:00 | Original Site: Design*Sponge
you’ve got to love a city whose motto is “keep austin weird.” full of flavor (i’m talking amazing tex mex), color and character, austin is a city that seriously has it all. it also has one of the best vintage/design scenes full of incredible shops like uncommon objects and room service vintage - and these places keep popping up all over the roundup for austin inspiration (check out the d*s austin guide here for more great shopping). so without further ado, today’s talented roundup: joel mozersky (the designer behind the real world: austin house!), d’ette cole {etta industry}, melissa gable {one creative girl}, jennifer braham {brink design} and jaime jo fisher {jewelry}. in case you missed it don’t forget to check out the regional roundup: austin- part 1, and stay tuned next week for our third and final installment! [thanks, designers!] -anne
CLICK HERE for the full post or just click “read more” below.
1. Where are you from? Where do you live now?
I grew up in San Antonio, Texas, but Austin has been my home for 22 years.
2. Describe your work.
I design residential and commercial spaces, such as restaurants, bars, retail stores, and hair salons. I also designed tour busses for the Dixie Chicks and the house for “The Real World-Austin.” I would describe my work as modern interpretations of classic design influences and eras. I’m much more interested with the history of decoration, and the relevance it has today, than what is happening “right now.” I think overtly contemporary design tends to look dated quickly and takes itself too seriously. I like my spaces to have a wink- a sense of humor and, most importantly, a soul.
3. How is your work influenced by where you live?
Austin has become very cosmopolitan in the past 10 years, but what is great about it’s growth is pretension is frowned upon. Austinites see right through it. It is an exciting place to be creatively- how can you move design forward, but maintain a foothold on what makes our city unique?
4. Where do you go in Austin when you want to feel inspired?
Uncommon Objects, Mercury Design Studio, Uptown Modern, and Room Service Vintage- I always find something I love at these stores, and they inspire my work tremendously.
5. How would you describe the Austin design scene?
We have an incredible creative community- architects, interior designers, artists, and craftsmen- who are a pretty tightly knit group. We also have clients who understand what makes a city great and unique is its culture of small businesses, and who support local talent.
6. If you could go anywhere where would you go?
There are so many places I haven’t been, but I would love to go to Thailand.
Click here for more of Joel’s work.
1. Where are you from? Where do you live now?
[From] Houston, Texas. [Now]Â Austin ~ deep in the heart of Texas.
2.  Describe your work.
Working as an art director/designer/artist in a variety of mediums and arenas, my work combines a never ending love of color, a strong design sense, an eclectic aesthetic with a driving spirit of curiosity and wonder.
3. How is your work influenced by where you live?
I think Texas is a really interesting combination of bold frontier independence, rich
cultural influences of Mexico and a vast landscape. This region of Texas seems a
creative wellspring because Austin is an overgrown college town that embraces/
encourages diversity and individuality.
4. Where do you go in Austin when you want to feel inspired?
Outside, it’s lovely here, sometimes kinda hot, but a lovely heat.
5. How would you describe the Austin design scene?
I think it’s in its ‘tween’ stage, it’s just starting to stretch and grow and come into it’s own identity.
6. If you could go anywhere where would you go?
Excluding time travel, if we’re talking places that I’ve never experienced, I’d like to see, eat and smell Cinque Terre. If we’re talking favorite places, hands down that’d be Uzes, France.
Click here for more of D’Ette’s work.
1. Where are you from? Where do you live now?
I grew up in a big, old house in Columbus, New Jersey - surrounded by trees and fields and dairy farms, a mile from the “world famous” Columbus Farmer’s Market (and flea market). After graduating from Moore College of Art and Design in Philadelphia, Pennsylvania, I moved to Austin looking to be “wowed” by a new city (and I was).

2. Describe your work
A colorful, quirky, mish-mash of vintage images, found objects and stuff I like, dissected and arranged One Creative Girl style.
3. How is your work influenced by where you live?
Austin is a very colorful and off-beat place with lots of art and design and plenty of places to hike and swim and stay grounded - it’s a pretty great place to live and play, dream and create.
4. Where do you go in Austin when you want to feel inspired?
I love to roam my favorite shop -Â Uncommon Objects - it is cram packed with vintage goodness and always gives my brain a good jump start. In addition to that, a long creekside hike to connect with my froggy friends also works.
5. How would you describe the Austin design scene?
Encouraging and supportive - i have lots of friends who find Austin to be a great place for a creative lifestyle. There are yearly studio tours in several different neighborhoods and it always amazes me when i see just how many artists are here creating fabulous stuff!
6. If you could go anywhere where would you go?
I would love to live and create in Mexico. It is such a colorful and dynamic culture, I think it would be a perfect environment for me. Whenever I visit, it is so hard to leave. I have been searching for a way to live between Austin and Mexico for a while now and am sure it won’t be long before I find it!
Click for Melissa’s website, blog and etsy shop.
1. Where are you from? Where do you live now?
Until age 13: Pennsylvania. Ages 13-18 Los Angeles. Age 21: Santa Fe. Ages 13-30: The Bay Area: Santa Clara, San Francisco, Berkeley. I live in Austin now. South Austin.

2. Describe your work.
A product of intuition and channeling my clients. Assemblage of everything I absorb. Reflections of when, where, why…either the solution, posing the question, regardless, always a combination of as many emotions evocable. Japanese : retro : contemporary : interactive 2d : hand made pixels…lush, love : life : contemporary : familiar : redefined : color that shifts energy. As much as possible by hand and then the fascinating life the artwork takes on as it’s digitized and moves throughout it’s many applications.
I stay open to the discoveries in “mistakes”.
I still measure equidistant areas from left to right and top to bottom when treating typography…respecting my traditional design education, but hand made patterns may have a loop or twirly thing out of whack. Don’t stop the press! Instead, magnify and celebrate. Keeping craft alive. Attention to detail and allowing the process to allow the product to develop. Pushing and pulling these poles while staying committed to the task. Inspirational design that serves it’s function, has a strong foundation and expansive possibilities.
3. How is your work influenced by where you live? 4. Where do you go in Austin when you want to feel inspired? 5. How would you describe the Austin design scene?
Austin is a city in flux…more so than most. Just when I’ve seen the major transformations in the town in just a year and the resulting dichotomies are tense: Fluidity and resistance; sloooow and fast paced; limited with a whole world of possibilities…hence a culture that attracts and continually stimulates artists of many a genre. Here’s a way in which allowing the ever evolving process to flow while keeping a standard and integrity. The work comes from the constant combination of this tension. It’s exciting, sometimes painful, but always rewarding in an amazing end design, lesson and developed relationship with all the players involved (me, the client, printers, writer, programmers, sign vendors…all the people it takes to get the job done well).
In Austin, we’ve had a poor rap about our art/design scene and I feel that’s quickly changing. I push push push to help set a higher standard. Many push to keep the original Texan/Mexican spirit alive. That combined with an influx of people from everywhere is dynamic and keeps me designing around the clock. I lived in San Francisco and LA…I love both places, but I feel as though the gold (for me) has been found. Here, there are new discoveries abound!
A city undefined, although I hear many trying. The subjectivity of it all spurs interesting conversation and certainly influences my work as I push push push myself to levels beyond what I thought possible. I think I do the same to my clients. Much to some of their dismay…it’s never easy giving birth!
Physically, my word is influenced by found materials and I do my best sketching at my favorite restaurant. Now I prefer to go alone…hmm, I can’t believe I just admitted that. To feel inspired, I go to beautiful stores (preferably second-hand), my full flat files, my growing library and I hang out with my brilliant artist friends.

6. If you could go anywhere where would you go?
If I could anywhere: 1. I’d go back to my mom’s garden. A penny for every beetle I picked off the green beans. I’d make $3 a day sometimes! 2. In a hammock during the fall at dusk. My lifestyle doesn’t allow much sleep. 3. Camping with my significant other with nothing but a t-shirt, jeans, my toothbrush, water and my dogs.
Click here for more of Jennifer’s work.

Jaime Jo Fisher
1. Where are you from? Where do you live now?
I grew up in a small town in southern Illinois just east of St. Louis. I currently live with my husband, Chris Campbell and our dog and cat, Brinkley and Tula in Austin, Texas. I work full time in my home studio making jewelry that I sell thru my website, galleries and a few juried art festivals.

2. Describe your work.
I make jewelry and sculptural boxes with sterling silver, mineral stones and a wide array of found, vintage or repurposed materials. These commonly overlooked and typically discarded materials can be a piece of broken windshield glass, a fragment of plastic from a doll shoe, a found pebble or shell, or even a tiny stuffed pillow sewn from the plastic of a thrifted rain poncho. Many people who see my work for the first time assume the stones are all resin, enamel or beach glass and seem pleasantly surprised when I tell them it’s plastic from a bundle of rubber grapes or the sculptural box they see actually houses and displays a wearable ring.
3. How is your work influenced by where you live?
I have been living in Austin for over 2.5 years. Living in this progressive city directly influences my work. Austin is about nostalgia, the DIY approach and green living including recycling and conservation. This is evident in the design, fashion and craft of local artists. This idea is very much in keeping with my work as well.
4. Where do you go in Austin when you want to feel inspired?
Austin has a plethora of great thrift stores, from the high-end vintage stores to the more hardcore, not for the faint of heart, to scavenge about digging for potential new goods to incorporate in my work. I am always looking on the ground, in thrift stores & flea markets as well as online. I enjoy finding things that will seem slightly bizarre when used in my jewelry, some of the more unexpected being bristles from a toothbrush and dryer lint from my lint trap. There is also a really great bead store in Austin, called Bead It, where I get some amazing vintage plastic and glass pieces that appear in my work as well.
5. How would you describe the Austin design scene?
I am part of an organization made up of an amazing group of women that live and work in Austin called Handmade Austin Women. The weekend show is a fun filled family event that offers some exquisitely designed and handmade items including paintings, pottery, jewelry, handmade clothing, hats & bags as well as some 2d & 3d collage work.  Another event on the art scene is the East Austin Studio Tour. My husband, who is a potter, and I turn our garage into a temporary gallery space for a weekend during the tour to show our work along with over 200 other studios that reside in East Austin.
When feeling uninspired or less than motivated, you may find me at any number of art galleries in Austin, at a friends studio to chat up their current work, at Book People or Domy flipping thru their amazing book collections, taking a Bikram Yoga class at Yogagroove, window shopping at a local vintage shop or digging around at a local thrift store.
6. If you could go anywhere where would you go?
If I could go anywhere my heart desired I would plan a road trip with my husband, with a tiny “fixer upper” trailer in tow, and discovery the sites one city at a time.
Click here for more of Jaime’s work.
Oasis of Balance, a Beautiful Bathroom Vanity from Joerger
00/00/0000, 00:00 | Original Site: Home Design| Decorating Home | Interior Design | Furniture InspirationFor those of you who would like to create a modern and high-quality living environment in their bathroom, here is something you might want to take a look. Called “Oasis of Balance” this bathroom vanity design by Joerger is characterized by three dimensions that create the perfect balance : function, form and fascination. The most interesting part of this design is the black washing area that gives you a sense of quality and style. For those of you who are interested in this piece you can find it here.



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68. Chair Flaire
00/00/0000, 00:00 | Original Site: let your creativity .... FLOW
i saw this image on design corner and had myself a good laugh. the point behind this hilarious chair pad is to transform your generic seating environment into a very modern blast from the past, with prints from antique chairs to classic Eames chairs at an affordable price. "If ya can’t afford an Eames, just make it like you have one."
the creator of this chair pad Chenhhui Su states "it not only transforms our generic seating objects, but also creates personal spaces in the public environment. It changes the environment immediately and temporarily, which in turn brings us an instant pleasure in daily life."
i couldn't agree with him more!
i personally love chairs. they serve so many purposes, from being a functional object to visually captivating objects, conversation starters. but most importantly, chairs can immediately transform a space. taking old, antique chairs and transforming them into beautiful, modern peices of art is what i love to do. here are a few of my favorite chair images.

image from fresh home

image by madison mag
image by homes & garden
Stella McCartney for LeSportsac
00/00/0000, 00:00 | Original Site: Belle VivirUpcoming Pittsburgh Exhibit
00/00/0000, 00:00 | Original Site: Design Mind
Click photo to enlarge
"Laughingstock: Humor in Art & Craft"
Exhibition: November 15, 2008 - December 23, 2008
Pittsburgh, PA
We explore how artists use irony, goofiness, satire, and sarcasm in their work. Can humor and satire stimulate laughter as well as serve as a vehicle to explore serious subjects, such as feminism, the natural environment, the excesses of consumer culture, religion, sexuality, social injustice, and war ? Can artwork be "funny" and critical at the same time? How does the artist's choice of materials affect the outcome so that the work is perceived as "funny"? What are the boundaries in humor and who gets to decide what these are? Are there topics we are not allowed to laugh about ?
Obama for change
00/00/0000, 00:00 | Original Site: red.house
: : hello friends : :I don't usually like to share my politically viewpoints on the blog. but it is election season, and a very important, historical election. since I can't vote, sharing my opinion is the only way that I can participate in this election. .Obama. is the natural choice for me. NOTHING else makes sense to me. maybe it's cause I'm European.....like the cab driver in Geneva told me two weeks ago;"if the election was going to be held in Europe today, there would be no question about who would win". OBAMA. The fact that it is not a clear cut choice in this country amazes and scares me. Most of all, Sarah Palin scares me. I want to share a brief quote from an email I received this morning.
Perhaps like us, as American women, you share the fear of what Ms.Palin and her professed beliefs and proven record could lead to for ourselves and for our present or future daughters. To date, she is against sex education, birth control, the pro-choice platform, environmental protection, alternative energy development, freedom of speech (as mayor she wanted to ban books and attempted to fire the librarian who stood against her), gun control, the separation of church and state, and polar bears. To say nothing of her complete lack of real preparation to become the second-most-powerful person on the planet.
You can view women's responses to this email on the blog womenagainstsarahpalin
The Obama buttons above are by New York Visual design shop Trollbäck. Email them and you might receive your set of free buttons. [via notcot]
Obama for change!
the greener things in life
00/00/0000, 00:00 | Original Site: red.house
http://www.storyofstuff.com/
i heart green. I have always tried to be environmentally conscious, maybe moving to the US from Sweden made me even more aware. habits that were part of the everyday in Sweden, didn't even seem to occur to people here in America. and we've all hear about global warming and gas prices every day now, and we all know that there are things that we can do to help. but sometimes you need a little kick in the butt. and that's what I got last week, when a .lovely lady. at work introduced me to this short video.it's called .the story of stuff.
you might have seen it already, but if you haven't, I encourage you to watch it and to share it with your friends and family. it's simple and easy to understand which makes the information accessible to everyone. it shocked me, but more importantly inspired me to do more. and in this case, doing more means using less.
I am sharing this with everyone because the environment and our current situation here on earth is a very important cause to me. and I have the power through this blog to influence others. so, I have made the decision to focus more of my blogging efforts towards .the greener things in life. as I set out to educate myself about greener options for my lifestyle, I look forward to sharing it with you.
below is a good list to start with. .10 things you can do. to save on energy and resources.
10 things you can do
00/00/0000, 00:00 | Original Site: red.house
10 Little and Big Things You Can Do
- Power down! A great deal of the resources we use and the waste we create is in the energy we consume. Look for opportunities in your life to significantly reduce energy use: drive less, fly less, turn off lights, buy local seasonal food (food takes energy to grow, package, store and transport), wear a sweater instead of turning up the heat, use a clothesline instead of a dryer, vacation closer to home, buy used or borrow things before buying new, recycle. All these things save energy and save you money. And, if you can switch to alternative energy by supporting a company that sells green energy to the grid or by installing solar panels on your home, bravo!
- Waste less. Per capita waste production in the U.S. just keeps growing. There are hundreds of opportunities each day to nurture a Zero Waste culture in your home, school, workplace, church, community. This takes developing new habits which soon become second nature. Use both sides of the paper, carry your own mugs and shopping bags, get printer cartridges refilled instead of replaced, compost food scraps, avoid bottled water and other over packaged products, upgrade computers rather than buying new ones, repair and mend rather than replace….the list is endless! The more we visibly engage in re-use over wasting, the more we cultivate a new cultural norm, or actually, reclaim an old one!
- Talk to everyone about these issues. At school, your neighbors, in line at the supermarket, on the bus…A student once asked Cesar Chavez how he organized. He said, “First, I talk to one person. Then I talk to another person.” “No,” said the student, “how do you organize?” Chavez answered, “First I talk to one person. Then I talk to another person.” You get the point. Talking about these issues raises awareness, builds community and can inspire others to action.
- Make Your Voice Heard. Write letters to the editor and submit articles to local press. In the last two years, and especially with Al Gore winning the Nobel Peace Prize, the media has been forced to write about Climate Change. As individuals, we can influence the media to better represent other important issues as well. Letters to the editor are a great way to help newspaper readers make connections they might not make without your help. Also local papers are often willing to print book and film reviews, interviews and articles by community members. Let’s get the issues we care about in the news.
- DeTox your body, DeTox your home, and DeTox the Economy. Many of today’s consumer products – from children’s pajamas to lipstick – contain toxic chemical additives that simply aren’t necessary. Research online (for example, http://www.cosmeticsdatabase.com/) before you buy to be sure you’re not inadvertently introducing toxics into your home and body. Then tell your friends about toxics in consumer products. Together, ask the businesses why they’re using toxic chemicals without any warning labels. And ask your elected officials why they are permitting this practice. The European Union has adopted strong policies that require toxics to be removed from many products. So, while our electronic gadgets and cosmetics have toxics in them, people in Europe can buy the same things toxics-free. Let’s demand the same thing here. Getting the toxics out of production at the source is the best way to ensure they don’t get into any home and body.
- Unplug (the TV and internet) and Plug In (the community). The average person in the U.S. watches T.V. over 4 hours a day. Four hours per day filled with messages about stuff we should buy. That is four hours a day that could be spent with family, friends and in our community. On-line activism is a good start, but spending time in face-to-face civic or community activities strengthens the community and many studies show that a stronger community is a source of social and logistical support, greater security and happiness. A strong community is also critical to having a strong, active democracy.
- Park your car and walk…and when necessary MARCH! Car-centric land use policies and life styles lead to more greenhouse gas emissions, fossil fuel extraction, conversion of agricultural and wildlands to roads and parking lots. Driving less and walking more is good for the climate, the planet, your health, and your wallet. But sometimes we don’t have an option to leave the car home because of inadequate bike lanes or public transportation options. Then, we may need to march, to join with others to demand sustainable transportation options. Throughout U.S. history, peaceful non-violent marches have played a powerful role in raising awareness about issues, mobilizing people, and sending messages to decision makers.
- Change your lightbulbs…and then, change your paradigm. Changing lightbulbs is quick and easy. Energy efficient lightbulbs use 75% less energy and last 10 times longer than conventional ones. That's a no-brainer. But changing lightbulbs is just tinkering at the margins of a fundamentally flawed system unless we also change our paradigm. A paradigm is a collection of assumptions, concepts, beliefs, and values that together make up a community’s way of viewing reality. Our current paradigm dictates that more stuff is better, that infinite economic growth is desirable and possible, and that pollution is the price of progress. To really turn things around, we need to nurture a different paradigm based on the values of sustainability, justice, health, and community.
- Recycle your trash…and, recycle your elected officials. Recycling saves energy and reduces both waste and the pressure to harvest and mine new stuff. Unfortunately, many cities still don’t have adequate recycling systems in place. In that case you can usually find some recycling options in the phone book to start recycling while you’re pressuring your local government to support recycling city-wide. Also, many products – for example, most electronics - are designed not to be recycled or contain toxics so recycling is hazardous. In these cases, we need to lobby government to prohibit toxics in consumer products and to enact Extended Producer Responsibility (EPR) laws, as is happening in Europe. EPR is a policy which holds producers responsible for the entire lifecycle of their products, so that electronics company who use toxics in their products, have to take them back. That is a great incentive for them to get the toxics out!
- Buy Green, Buy Fair, Buy Local, Buy Used, and most importantly, Buy Less. Shopping is not the solution to the environmental problems we currently face because the real changes we need just aren’t for sale in even the greenest shop. But, when we do shop, we should ensure our dollars support businesses that protect the environment and worker rights. Look beyond vague claims on packages like “all natural” to find hard facts. Is it organic? Is it free of super-toxic PVC plastic? When you can, buy local products from local stores, which keeps more of our hard earned money in the community. Buying used items keeps them out of the trash and avoids the upstream waste created during extraction and production. But, buying less may be the best option of all. Less pollution. Less Waste. Less time working to pay for the stuff. Sometimes, less really is more.
graphics by .jennifer ashman.




















