I've been doing a bit of research on Mary Delany, the artist whose floral collages so inspired Sybil Connolly. It appears that Delany too was a fascinating and creative woman.

Born in England in 1700, Mary Granville Pendarves Delany was known for her wit, her charm, and her intellect. Like many well-bred ladies of the day, Delany became skilled in both needlework and shellwork, the latter becoming extremely popular in the 18th c. This detail-oriented type work, coupled with her knowledge of Botany, would hold Delany in good stead as she began creating her floral paper collages in the 1770s. As the story goes, one day Delany noticed the similarity between the color of a vibrant geranium and that of a red piece of paper. Delany began to cut the paper into petals and thus created her first "paper mosaick" (her term for her collage work). Until her eyesight failed her in 1782, Delany was prolific with her paper work. Her collection of work, which she called her "Herbal" or Hortus Siccus, was inspired by the numerous plants and flowers that her friends gave her. Or perhaps I should say that her friends were inspired by her work- King George III and Queen Charlotte so admired her work that they supposedly instructed the botanists at Kew Gardens to send Mrs. Delany floral specimens. At the time of her death in 1788, Delany's Hortus Siccus was comprised of ten albums of her work. These albums were later given to the British Museum in 1897.

You'll notice that her collages were pasted onto black paper (I can't confirm whether all of her work was as such, but it seems that most of it was). Occasionally Delany would embellish her work with watercolors, especially if she was having difficulty in achieving the accurate colors. This, however, did not seem to be the rule. Delany was able to source colorful papers, and she was also known to dye her own if particular colors were not available.

On the front sides of her work, Delany tended to include both the scientific and common names of the botanical subjects. You'll also notice that she usually made a cut-out of her initials- MD- on either the bottom right or left corners. From an artistic standpoint, I think it's incredible how detailed the flowers are. Most of her works incorporated hundreds of pieces of cut paper. But what seemed to astonish and impress botanists of that period was the accuracy with which she rendered the flowers. Delany was meticulous about rendering even the smallest detail- veins, stamens, etc.

Unfortunately, images of her work are hard to come by, but I was able to find a few on the web. If you would like to read more about Delany, there is a book that was published a few years ago by one of her descendants- Mrs. Delany: Her Life and Her Flowers. I've just ordered it from Amazon, so I'll let you know if it's a worthwhile book.



Winter Cherry, or Physalis, c. 1772-88 (image from the British Museum)


Bay Leaved (Passiflora laurifolia), c. 1777. There are over 230 paper petals in the bloom of the flower. (Image from the British Museum)


Asphodil Lilly (Crinum Zeylanicum), c. 1778 (image courtesy of the British Museum)


Sea Daffodil (Pancratium maritinum)


A stem of a stock, c. 1781 (part of the Royal Collection)

From Julie:

Fernlund + Logan—a New York City firm that counts design god Ted Muehling among its clients—creates a thoroughly mod interior within a classic Manhattan townhouse, mixing classics (a Le Corbusier LC4 chaise) with future classics (Jasper Morrison Glo-Ball lights and a Marcel Wanders New Antiques table). Candelabras and a ghoulish crucifix over the mantle add an edgy note. Photos by Herman Verne.

Below: Recreate the look with the Le Corbusier LC4 Chaise Longue in natural canvas with black leather headrest and matte black enamel steel base; $2,585 at Design Within Reach.

Below L: Felted Wool Stones, $298 for small, $495 for medium, and $595 for large at Viva Terra. Below R: Gray Ludde Sheepskin, similar to the one draped on the Le Corbusier chaise; $39.99 at Ikea.

Below: Marcel Wanders New Antiques table for Cappellini; $2,529 at Unica Home.

Below: The Moroccan Zig-Zag Rug, handknotted in ivory and chocolate wool, starts at $1,825 for the 9-by-12-foot size at Williams-Sonoma Home.

Below L: Designed in 1962 by brothers Achille Castiglione and Pier Giacomo Castiglione, the Toio Floor Lamp was inspired by a car headlamp; $1,212 at Design Within Reach. Below R: Jasper Morrison’s large Glo-Ball Basic 2 Table Lamp by Flos is $872 at Lumens; Glo-Ball Basic 1 Table Lamp, a smaller version, is $596 at Lumens.

Below: The formidable (and formidably priced) Dorian Table by Dominique Matthieu features curvy lacquered legs and a heavy glass top; $10,500 at Conran USA; available in black or red.

Below: Beech Black Enamel Bentwood Chairs; $79 each at Kurt Peterson.

There is certainly a lot going on design-wise in California right now. So much so that it's becoming difficult to stay on top of things out there. First off in Los Angeles, those gurus of fabulous furniture David Serrano and Robert Willson of Downtown have started a new venture- Outside Downtown. The shop's aesthetic is warmer and a bit more casual- perfect for beach or country houses. Think lighter finishes and stain resistant fabrics. This is definitely my idea of relaxed glamour (All images at top are shots from Outside Downtown.)

And further up north in San Francisco is designer Kendall Wilkinson. I always make sure to stop by her shop on my twice yearly trips to San Fran. Wilkinson is set to launch her Home collection which will include a bright blue leather tufted chair (which I believe is similar to those she featured in her show house room a few years ago) and a glass and lucite table- very glam. Wilkinson also has a wallpaper and fabric line in the works. I'd say she is definitely a designer to watch.

So... have you booked your trip to California yet?


A vignette of Wilkinson's shop


The soon to be famous blue leather tufted chair, inspired by one designed by Albert Hadley


Another shop vignette


Part of Wilkinson's new Home collection- a glass top table with a lucite base.

Remember this?

Well, Crate and Barrel has this:

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Remember my post on the late Gene Hovis- the man whose gorgeous home and envy-inducing linen and silver collection piqued my fascination? Well, he popped up again, this time in the Tiffany Gourmet Cookbook. (Not that this is news or anything. The book was published in 1992.)

Hovis' library/dining room was the setting for this elegant meal. I know, I know- I've read where many are tired of the library cum dining room concept. But don't you kind of fall in love all over again with the idea when you see how smashing Hovis' dining room looks? Good books, good food, and a beautifully appointed room. Really, what could be better?

The menu consisted of Crown Roast of Lamb with brussel sprouts, deviled carrots, and pan-fried shredded potatoes, served on Tiffany's "Yellow Bird" faience platter. Hovis also included a yummy looking tomato aspic with shrimp and crawfish nestled on a Tiffany ribbed silver tray. (And please, don't knock the tomato aspic- it's really good. I swear!).

The dessert course- coffee profiteroles with chocolate sauce- is laid out in front of a 19th century French hand-blocked paper screen- yes, I am coveting this. And wouldn't you be pleased to take tea or coffee served from this Louis XIV service from Tiffany's?

So my question is- do any of you still entertain like this? And if so, how often? I love formal entertaining but don't do it often enough. I think Mr. Hovis has inspired me to do so.

(You might also be interested in Gene Hovis' Uptown Down Home Cookbook. Truth be told, the dust jacket is not the most elegant looking thing, but the recipes look really good. A lot of classic, tried and true recipes as well as some Southern favorites. If I can find the time, I'll test out a few and let you know!)

Posted by Bluelines

Happy Independence Day. Have a festive, fun holiday wherever you are...

Eat, drink, and sing as loud as you want.

In Albert Park, Australia, architect Matt Gibson came up with a great design for George Residential, with a a classic Victorian workers cottage look on the front and a contemporary terrace at the back end. Combined as a metaphorical bridge of history between the front and the rear, the house has a minimalist design with a huge livingroom with an LCD to spend some quality time, a beautiful wooden kitchen with well defined shapes and all the needed utensils and a concealed fold away door that makes the connection with the back terrace. Both the colors and the materials seem to bond really well to creating a warm modern home. I’d really wish to know how much they spent to have George Residential like that! - via Momoy

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George Residential by Matt Gibson