it’s been a busy week here at d*s and today ac and i are heading off to savannah for a much needed break and a little wedding-location scouting. i’ll be blogging from savannah on monday and tuesday so stay tuned for some photos of the places we’re checking out while down in georgia. in the meantime, i’ll be posting a link to the good morning america segment i filmed as soon as it’s up, along with the date and time it will air on tv! i better run and finish packing so i’ll see you all on monday from sunny savannah. until then, here’s a summary of this week’s highlights. [image above: graham and brown wallpaper: $60 per roll at design public]

• thank you to TIME magazine for including d*s in their “the design 100″ list for design!
• d*s under $100 roundups at domino: decorating essentials and eco-friendly home products
• this weekend: the first ever brooklyn flea and the d*s collective
• 2008 d*s reader survey and alena hennessy print prizes!
• new york magazine shop-a-matic: design*sponge 100-product roundup
• new sneak peek: skinny laminx
• new before and afters: chair love (6 chair makeovers), natalie’s lamp, joanna and marc-peter’s amsterdam home
• new diy projects: subscription card art, bridget’s wood veneer lamp, kate’s leaning shelf
• new city guide: dublin design guide
• new in the kitchen with: mod green pod beet risotto
• new d*s guest blog: elka from popsugar
• interior inspiration: wonderful white
• interior inspiration: alma and nancy’s joshua tree home
• new: porcelain paper plates by virginia sin
• new: orla kiely stationery
• new: cave dwellers print by rachell sumpter
• new: textiles from anna drastik
• new: karen karlstrom pillows
• packaging by palatal collective
• wedding invites: white lettering on dark brown
• eco-friendly: bedding from plover organic

san francisco-based designer lisa neimeth just released a beautiful new collection of homemade “diner” plates. available in a wide range of rich, earthy colors (i love the deep orange hue), lisa’s diner plates are available at stores across the country, or via email at lisa’s site. want a little more lisa in your life? click here to check out lisa’s home and converted chicken coop studio.

i just wanted to thank elka for her incredible guest blog posts this week. her final post today belongs to the beautiful home of alma and nancy, artists based in joshua tree. there’s only one word to describe their home: spectacular. click here to check out their home photos and read elka’s interview with them.

today’s second before and after is a great example of what a little paint and fabric can do. natalie hansen of steamed artichoke studio sent in this great lamp makeover project that cost her only $12! she found the lamp base and lampshade at a thrift store in san francisco and then spray-painted the base and wire with high-gloss white paint and covered the lampshade with amy butler fabric and ribbon from peapod fabrics. all it was required was paint, a hot glue gun, spray mount and a little elbow grease. thanks to natalie for sharing!

[have a before and after furniture or home makeover you’d like to share? just shoot me an email with your photos right here.]

The editors considered all items in the "art of making" which include architecture, interior décor, home furnishings and gadgets.

Back in January 2006, we wrote a post entitled Eight Questions to Ask Before Hiring an Interior Designer. The eight questions were part of an article in Home magazine and we linked to the magazine.

We like to link to an article and highlight several questions in our post, rather
than list all the questions. That way people go to the linked site and we both benefit from the traffic. One of our frustrations looking back at some of our posts is that not all articles are archived. If you click on the link above, you land on the magazine’s website, but it’s the June 2008 issue and the “Eight Questions…are gone!

It’s been awhile, so, because of inflation, we’ve come up with our own eleven questions:

1. Do I like the designer? Can I spend a lot of time with him/her? Good communication is a must. Working with an interior designer involves some give and take. You will share ideas, and the designer will contribute insights and advice based on his or her talents, knowledge and experience. Depending on the scope of the project, you could be working with your designer a couple of weeks to many, many months.

2. Do I get that he/she is trying to understand me by asking a lot of questions? The key to success is really getting to know you in the early stages and how you and your family use your home and your interests.

3. Does the scale of my project really warrant an interior designer? Even if you think you could accomplish the redesign, do you have the time and inclination? You need to be realistic about how much money you are willing to spend. Include in this estimate the cost of all raw materials, new furniture, labor for installations, and possibly a designer.

4. How do you charge for your time? Designers may charge by the hour, which can be anywhere from $35 to $300, and these costs can quickly mount up. Others may offer a free first consultation, and then quote you a flat fee on the basis of your discussions. Some may charge for the first meeting in advance and then a fee for the whole project based on the estimated hours. Some may bill you for hours used each month. Some may bill each month a level amount. Some may get a designer discount and pass some or all the savings on to you. Whatever the basis on which your interior decorator is paid, make sure you both agree on the budget.

5. Can we accomplish the redesign and stay within my budget?

6. I can’t decide if I like the design. Do I still have to pay for it? “Yes! When you decide to hire an interior design firm, you have decided to trust the design recommendations of that firm.�

7. Are you available for conversation about changes and fine tuning? A good designer knowing you may present you with several options and give you the choice of one or the other. ASID recommends: “Minimize changes to your plan. Each part of the design will affect the whole. Changes or special requests can require any number of adjustments that will add time and expenses to your project.

8. My friend doesn’t like your ideas. Why shouldn’t I listen to her/him? If you have to ask this question you should probably have hired your friend.

9. Can I go to the local Design Center? With or without you? Of course, just let them know that you are working with a designer and his/her name.

10. What if a piece of furniture comes damaged? The furniture store should inspect the furniture when it arrives. The designer should also inspect the furniture before it goes to the client. If something is missed or it breaks when it is used, the designer and the furniture store will work together with the vendor to resolve any problem.

11. How long does it take to receive things, once they are ordered? Here’s a guideline (though individual vendors may vary):
Upholstered Furniture: 10-16 weeks depending on vendor.
Casegoods – Chests, bookcases, tables, hutches, etc.: 8-12 weeks depending on vendor.
Window Treatments: 6-8 weeks depending on size of job
Accessories, Lamps, Art Prints, Silk Flowers/Plants: 4-6 weeks or less.
Rugs: If machine made, 2-4 weeks. If hand knotted, 3-4 months
Wallpaper/Fabrics: 3-5 days.

Several websites contributed to this list of questions and their answers:

Apartment Therapy LA Good Questions: Hiring an Interior Designer
ASID Working with a Designer
Nancy Werneken Interior Design Frequently Asked Questions
Lynle Ellis Designs Before You Hire an Interior Designer
NWSID Why Hire an Interior Designer?
CCIDC Frequently Asked Questions About Certified Interior Designers
Directory M articles Interior Decorator

Bev & Mike
Landfair Furniture + Design Gallery

...to establish an elegant alternative for urban dwellers. Made up of 23 luxurious town homes and flats, the development has the familiar feeling of tradition with modern-day conveniences.

(The) magazine called on renowned Atlanta interior designer Dan Carithers to oversee the home's interiors. A walk through the home is a visual feast of design finery, with everything from floors to ceiling provided by vendors like Stone Age Designs and Hickory Chair. Carithers' own furniture line by Sherrill Furniture is on display throughout the home

• Fabric, fabric, fabric: Carithers uses repetition of fabrics on linens, upholstery and walls.
• Seats for all sizes: Little ones like luxury, too. Throughout the home, child-size chairs were sprinkled among traditionally sized pieces.
• Button-tuft this: Carithers' use of button-tufted pieces gives the home an instant dose of comfort and glamour.

{foglie iron bed by tuscan hills}

{the cocoon hammock, by henry hall designs}

maybe i'll just go for both? :o) which would you choose?
hope you have a rejuvenating weekend!

I am absolutely in love with the beautiful blockprint motifs and the rich colours. If you love a specific print, you can also shop by print...wow, now that is awesome:-)

Do check out Saffron Marigold to bring in that Indian luxury & elegance into your homes...

(images from Saffron Marigold.com)

I've recently become enamored with a designer whose work is no longer featured on the pages of shelter magazines. I read or hear very little about him these days, which probably adds to the mystique. I'm sure many of you are familiar with this designer, although to me his work is quite new. (Back in his heyday in the 1980s and 90s, I was preoccupied with homework and school activities, preventing me from focusing too terribly much on the design world.) Of course, the fact that he died almost 13 years ago is part of the reason why this designer's work is no longer at the forefront of our design consciousness, and it's really a shame because this designer- Richard Lowell Neas- created rooms that were stylish, sophisticated, beautiful, elegant, and timeless.

I first became familiar with Neas' name when I found out that he was responsible for Brunschwig & Fils' "Bibliothèque" wallpaper- one of my all-time favorite wallpaper designs. As Neas was an accomplished muralist and trompe l'oeil artist, it's no surprise that he would design such a charming print. Then I learned that Neas gradually made his way into a career as a decorator. And what decorating he did!

I've tried to collect a few images of his work, and in some ways it surprises me that I'm so taken with these very traditional rooms. While I am a traditionalist at heart, I do like to mix in some modern pieces- it's a bit like a design checks and balances system. I think that what has drawn me to his work is the fact that Neas created rooms that were completely livable. His New York projects seem to capture the spark that is so evocative of that city: urbane, sophisticated, and cosmopolitan. Yet there's nothing cold or stiff about these rooms. Neas imbued his projects with a softness and warmth that was so inviting. Perhaps it was the collection of unique and striking furniture and objets. Or maybe it was the mix of prints and patterns that was so pleasing to the eye. I actually believe it was a combination of all of the above.

I think Neas described the success of his rooms perfectly when he quoted his friend Annette de la Renta, "some of the most wonderful rooms are ones that seem as though all the objects were inherited from relatives with different styles and tastes- yet everything fits together magically." And this, to me, is the magic formula- and one that makes Neas' work so appealing.


An image of Neas' tiny Manhattan apartment. Note the trompe l'oeil swagged curtain at the top of the mirror. I just love this room.




Two photos of a Manhattan apartment that Neas designed around 1990.




I believe this dining room and bedroom were part of Neas' home in Charente, France. Neas certainly created environments that were appropriate for their surroundings.


A close-up shot of the "Bibliothèque" wallpaper.


Nina Campbell used "Bibliothèque" in her home.

Image at top: Richard Lowell Neas with a chicken at his home in France. (This image and those of his French home courtesy of House Beautiful, 2001. Images of the Manhattan project from HG, September 1990.)

Neas/de la Renta quote from the New York Times, "Home Design; Objects of Much Affection" by Carol Vogel, October 21, 1984.

Much of my summer jewelry is heavy on the coral and turquoise beads- it's a great way to add some color to your wardrobe. And perhaps the same could be said for your lighting too. What about some turquoise and coral on your chandeliers and sconces? I think that the designs below by Los Angeles interior designer Marjorie Skouras are so striking, especially the turquoise bead chandelier. While Skouras' lighting line would be perfect for beach homes, I can actually see them working quite well in interiors in colder climates too. In addition to lighting, Skouras also designs accessories such as tiebacks, hardware, and candlesticks, not to mention furniture too. I've included a few of her pieces here as well as some photos from her design portfolio. Enjoy!


An eclectic room designed by Marjorie Skouras


Turquoise Empire Chandelier


Red Coral Sconce


Coral Tieback

Image at top: A Skouras designed room filled with pretty shades of pink, blue, and greens.