Elle Decor, September 2008, Photo by Grey Crawford

What struck me about this space was not just the beautiful tub (Waterworks Candide tub), but the very beautiful and witty tub filler dreamed up by the home owners/designers Fisher Weisman. A stream of water flows down from a shell encrusted "chandelier" reminiscent of the unique creations of Tony Duquette. Question....just where does one turn it on? No matter...this is my idea of luxury.

Another of my favorite bath spaces was created by Vicente Wolf. I think that combining different styles and periods will always make a space more interesting, and Mr. Wolf accomplishes this with great style. His Baccarat sconces and English eighteenth century mirror are the perfect foil for the blue glass walls and contemporary concrete tub.

Another designer who never disappoints is Michael Smith. This example of his authentic style takes me to another time.... one where things were slower. And isn't that what one would want when trying to unwind in the tub? Look at the details: the basket of magazines, reading glasses on the stool, the fresh towels, slippers at the side of the tub. And of course Rover waiting patiently. Perfection. (All bath fittings and fixtures designed by Smith for Kohler).

House and Garden, December 2000, Photo by Melanie Acevedo

Veranda, January-February 2005, Photo by Hickey-Robertson

This bathroom has all of the elements necessary for a long relaxing soak. Designers, art dealers and home owners Cynthia Cage McClain and Robert McClain thought of everything: candles, reading material, a little wine, flowers. Mix these with such personal, beautiful art and photography, and one feels like this is really home.

House and Garden, October 2005, Photo by Francois Halard

Milan based designer Roberto Peregalli created this amazing Master Bath for Claudio and Maria Luti of the famous family firm Kartell, most well known today for the production of the Philippe Starck Ghost Chair. I love the Robust-patterned marble flooring with the striped Venetian stucco walls. The dramatic Carrara marble tub surround contrasts so wonderfully with the Kartell Eros chair here.

Veranda, September-October 2006, Photo by Alec Hemmer

This bathroom just says "California" to me. Designed by Napa Valley designer Barbara Colvin this space is beautifully done. I love the French Doors off the garden and the stone floors. The simple elegance and connection to the outdoors creates such a wonderful spa-like atmosphere.

House Beautiful, July 2006, Photo by Karyn R. Millet

One of designers I am following lately is Ken Fulk. This California designer created such a pleasing space here using the Vintage Bath form Kohler, the owner's leaded glass pendant, and the Greek Key trimmed Roman Shade. Victorian side chair from Swallowtail. Very pretty!

Southern Accents, September October 2008, Photo by Pieter Estersohn

I love this bath with it's Loius XIV mirror and antique Swedish chandelier. Designed by Amelia Handegan for a couple in Charleston, it has a very European flavor. The pale gray-blue and white palette with the pewter and gold metal colors seems to be something I am drawn to time and again.

Southern Accents, July-August 2008, Photo by Roger Davies

Phoebe Howard decorated this beautiful bathroom for a vacation house in Ponte Verde Beach, Florida. A custom mosaic floor and hand-painted mural are what make this bathroom unique. So very pretty. The tub in this room seems to show up quite often in bathrooms that catch my eye. It's classic style works in so many places. Like in this all white bathroom:

House Beautiful, November 2006. Photo by Pieter Estersohn

Sally Markham created this vision in white for a couple in Connecticut. White glass mosaic tile line the walls and the floor creating quite an ethereal effect. One could float away to dreamland here. The heart shaped chair becomes an exclamation point against this white palette. Lovely.

House and Garden, July 2005, Photo by William Abranowicz

In contrast to the more traditional western aesthetic, this bathroom incorporates a decidedly Eastern influence. The architect William McDonough creates a sanctuary in the style of a Japanese country house. One could sit forever in this custom tub from Concrete Works looking out at the meadow of native grasses on South Carolina coastal island.

House and Garden, July 2005, Photo by Jonn Coolidge

The Master Bath in this Spanish Colonial Revival home takes on the California Craftsman flavor through the artful use of custom tile by Ann Sacks. Designer Jarrett Hedborg created a wonderful, cozy bathtub alcove here. I love the arched window echoed on the interior with the tiled arch. Beautifully done!

Elle Decor, July-August 2005, Photo by William Waldron

This is such a fun loving design for a bathroom by designer Robert Couturier. He combines glass tile and mosaic pebble floors with fresh and vibrant colors. This tub is is the Paris tub by Water Monopoly.

Elle Decor, July 2003, Photo by Dominique Vorillon

Then we have the classic claw foot tub. There is a nostalgia about it that cannot be put aside. This beach house bathroom in Malibu designed by Kerry Joyce is brightened by the sunny yellow-painted tub. I love the mosaic floor with the label identifying it as the "boys" bathroom. The surfboard is a fun touch.

Elle Decor, August-September 2003, Photo by Simon Upton

Another example of the classic claw foot provides quite a contrast to the way it is used above. This elegant New Orleans bathroom was designed by Ann Holden of the two Ann's of New Orleans: Holden and Dupuy. I love the New Orleans feeling here of the rustic painted wood plank floors paired with the silk drapery panels. The claw foot here was found at a salvage shop. The sink and fittings were original to the house. I love the photo reflecting the room through the antique mirror.

This is a round-up of some of my favorite tubs and the spaces they occupy. To get going with your own private sanctuary, you can start by looking at the Waterworks website. Many of the tubs can be found there. And for those on a budget, salvage shops are a great way to go. I hope this room, one of the most often used, can become a place for more than just the everyday chore of getting "ready". I hope it can become a place to relax and spend some down time.

In spite of their torturous heel placement and the fact that they run ridiculously narrow, I love Christian Louboutin’s shoes. The man owns homes in Egypt, Paris, Portugal and the French countryside, so like the shoes he designs, he is ridiculously extravagant, but the resultant beauty seems worth the high-maintenance issues. I’ve seen his Egyptian sailboat featured here, but I had not seen his 13th century French chateau until I finally cracked open the October issue of In Style. It’s dreamy, and he accomplished his mission of making the place look like it “belongs to a family that has been traveling and accumulating for decades.”

Louboutin has such a wise attitude concerning what makes a house a home, and the value of the signs of age and life. I recommend picking up the issue just to read what he has to say about decorating.

all photos shot by Francois Halard for In Style Magazine.

There is one design legend who I fear is slipping into obscurity, and it would be a dreadful shame if that happened. That person is the late Sybil Connolly. If some of you are not familiar with her name, I'm sure you would recognize her work.

Born in Wales to Irish/British parents, Connolly began her career as a clothing designer, first in London and later setting up shop in Dublin. Proud of her Irish heritage, Connolly worked tirelessly to promote the native crafts of Ireland. Many of Connolly's clothing designs incorporated tweeds, woolens, and most notably Irish linen. In fact, Connolly garnered praise and notoriety for her pleated linen dresses. The handkerchief linen was so fine that it took nine yards of linen to make 1 yard of pleated material. Much adored in Ireland, Connolly also developed a devoted fan base here in the States with Jacqueline Kennedy, Rockefellers, and Duponts becoming clients. (You might recognize the official portrait of Kennedy below in which she is wearing a Sybil Connolly design.)

As the swinging Sixties and early 1970s rolled around, Connolly's designs fell out of favor with the liberated woman. Refusing to capitulate to the latest trends, Connolly once said "There comes a time in everyone's life as a designer when you have to decide whether you want to create the beautiful or the merely fashionable. Sadly, there can be a conflict between the two." With her glory days of fashion design waning, Connolly ventured into designs for the home. And this, to me, is the work that is most striking.

Connolly designed collections of textiles for Brunschwig & Fils and F. Schumacher as well as tabletop items for Tiffany & Co. Ever the champion of Irish handiwork, Connolly incorporated Irish motifs- flowers, basketweave, and the like- into most of her creations. In fact, I'm sure many of you recognize Tiffany's classic Tiffany Weave China which was designed by Miss Connolly.

But her greatest work of all had to have been her beautiful home on Merrion Square in Dublin (in my opinion, one of the most charming areas in all of Dublin). With the ground floor dedicated to her design business, Connolly's private quarters were comprised of the upper floors as well as a mews house. Her home reflected her style, her elegance, and her passion for the best that Ireland had to offer. Connolly once remarked: "Perfection is not human and we shouldn't pretend that it is. The ideal house should look lived in, as if somebody reads the books on the shelves." This sentiment is one with which I agree wholeheartedly and one which I have tried to convey on this blog, although not as eloquently as Miss Connolly.

Back in the mid-1990s, I had the opportunity to hear Sybil Connolly speak while I was employed with Tiffany & Co. Unfortunately, a fellow employee fainted and Connolly's talk was cut short. It was something that I always regretted, especially as Connolly died a few years later. But, I suppose I can take consolation with photos of her work. As you can see, she had a varied, productive, and fruitful career, and it is one which deserves some posthumous attention.

(An aside: when I was researching this post, I came across a New York Times article from October 1980 announcing a buffet dance at the downtown Rich's department store here in Atlanta. The dance was a benefit cook-off for the March of Dimes. And...Sybil Connolly cooked a marinated lamb, Robin Roberts of Clarence House made deviled chicken breasts, and Mary Jane Pool prepared an avocado salad called riboon. Now that was a stellar event! Had I been older and known who these people were at the time, I would have paid my $100 to attend.)


The Mews House's cheery yellow Living Room. The plaster shells on the cornice were duplicated from some real shells that she purchased in California with Tony Duquette.


The Living Room in the main house. The curtains were made of an Irish floral fabric.


Connolly's bedroom which was inspired by her antique Angoulême porcelain. Connolly found the Angoulême patterned wallpaper in London, and she then had the Irish textile industry copy the same print onto linen. Nancy Lancaster was so taken with the charming green and white bedroom that she asked Connolly if she could copy it.


A table set for tea in Connolly's garden


The dining room of the Mews House. Connolly's collection of blue and white Irish delftware grace the walls. It also looks as though the panelling on the walls was actually painted on in shades of blue.


The dining room of the main house. The wallpaper's floral print is fuschia, which grows wild in Ireland.


A blue and white toile that Connolly designed for Brunschwig & Fils (Image courtesy of The Hunt Museum)


"Tipperary" wallpaper designed by Connolly for Brunschwig. Do you think this looks like the Angoulême print in her bedroom?


A glazed chintz pattern, "Lily of Galtee", designed for Brunschwig (image from The Hunt Museum)


Tiffany Weave china, designed by Sybil Connolly



The late, great, and discontinued china pattern known as "Mrs. Delany's Flowers". Designed for Tiffany & Co. by Connolly, the floral pattern was inspired by amazing collages created by Mary Delany in the 18th century. Delany was admired throughout England and Ireland for her charm, intellect, and artistic skills. She used thousands of pieces of colored paper to create collages of flowers.


A paper collage by Mary Delany, c. 1777. Delany's collages inspired "Mrs. Delany's Flowers". (Collection of the British Museum)


One of Connolly's famed pleated linen dresses (photo courtesy of The Hunt Museum).


Jacqueline Kennedy's White House portrait, painted by Aaron Shickler, features Kennedy wearing a Sybil Connolly gown. (Image courtesy of The White House Historical Association)

...to establish an elegant alternative for urban dwellers. Made up of 23 luxurious town homes and flats, the development has the familiar feeling of tradition with modern-day conveniences.

(The) magazine called on renowned Atlanta interior designer Dan Carithers to oversee the home's interiors. A walk through the home is a visual feast of design finery, with everything from floors to ceiling provided by vendors like Stone Age Designs and Hickory Chair. Carithers' own furniture line by Sherrill Furniture is on display throughout the home

• Fabric, fabric, fabric: Carithers uses repetition of fabrics on linens, upholstery and walls.
• Seats for all sizes: Little ones like luxury, too. Throughout the home, child-size chairs were sprinkled among traditionally sized pieces.
• Button-tuft this: Carithers' use of button-tufted pieces gives the home an instant dose of comfort and glamour.

i’m a sucker for a zig zag line (i’m always lusting after a full-sized version of this rug) and these new towels at williams sonoma home are calling me. i really love the persimmon/pumpkin combination (very fall) but the blues are perfectly summery as well. click here to check them out ($36 each).

ps: penelope green at the nytimes wrote a great article/at home with piece with faythe levine of handmade nation. it’s always inspiring to read about people like faythe in big mainstream news. click here to check it out.

Attention all Marie Antoinette fans! (Oh yes, and you Francophiles, gardeners, and historians too!) There is an upcoming book release that you must not miss. Marie-Antoinette and the Last Garden at Versailles (Christian Duvernois author, François Halard photographer, Rizzoli New York, October 2008) is an enthralling look at the doomed Queen and her gardens at Petit Trianon, the royal retreat at Versailles. Now, I'm familiar with certain aspects of Marie Antoinette's life, but I knew little about her involvement in the creation of the glorious gardens at this chateau. Marie Antoinette had a keen interest in gardens and the pastoral life (albeit a luxurious one), and she was determined to create a landscape like no other.

According to the book, there was great debate in mid to late 18th century France about formal gardens versus more naturalistic ones. Louis XIV's Versailles was of course noted for its rigid gardens designed by André Le Nôtre. But by the time Louis XVI ascended to the throne, there was a growing group of aesthetes who championed gardens and landscapes that were more loose and natural. And Marie Antoinette fell into this camp. When she became chatelaine of Petit Trianon, she set out to create a Franco-Anglo-Chinese garden complete with man-made lakes, ridges, and vistas. To me, the most interesting parts of the gardens are the structures that were built, including the Dairy House, the Tower of Marlborough, the Hamlet, and the Rock- a folly meant to resemble the mountains of her Austrian homeland.

The text of the book, written by Christian Duvernois, provides us with an engrossing account of how these magnificent gardens came to be. I think the author does an excellent job in helping to correct the misconception that Marie Antoinette was simply a vacuous and supercilious woman. And for those who can't get enough of beautiful photographs, there are plenty of those too. François Halard's haunting images capture the awesome splendor of this thoroughly unique place.




A bust of Marie Antoinette by Louis-Simon Boizot (c. 1775)


A view of the French Pavilion at Petit Trianon. The pavilion, designed by Ange-Jacques Gabriel for Louix XV, anchors the main axis of the French Garden.


The ornate interior of the Queen's Theater. The plain exterior of the Theater belies the sumptuousness of the interior.


A marble fountain inside of the Dairy House. The walls were painted in trompe l'oeil to resemble real marble.


Vibrant pink roses in the Queen's gardens.


A view of the Dairy House (right) and the Tower of Marlborough.

(Photo credits: François Halard from Marie Antoinette and the Last Garden at Versailles, Rizzoli New York, 2008.)

Thanks to Elements of Style for this post about how to live a Hollywood Regency dream by renting from Room Service.

Oh My God! THE LIZA ROOM TAKES THE CAKE! If you missed SF20, you can lament your loss by perusing these fabulous images Leah posted at More Ways to Waste Time.

Oh My God Part II: Oh Patricia Gray, thank you for this. At first I thought it was a Chelsea Lately sketch, but it really is Sarah Palin’s office

Home Rejuvenation’s posts blow my mind all the time. I’m giddy over the The Next Generation House by Sou Fujimoto Architects.

I’m just nuts about Mrs. Blandings. I don’t know how I missed this charming Kansas City-based blogger’s writing for so long.

I don’t know how it took me ten days to find fellow, the new online design magazine from decor fellow blogger James Saavedra. Thanks to Habitually Chic for the tipoff.

Check out the list of the most inspiring design books of all time from O At Home magazine. I’m such a dork; I circled the ones I already have, which added up to ten. I was really excited to see Luis Barragan, Robert Venturi and Denise Scott Brown and J.B. Jackson included on the list, but was disappointed that landscape architecture was not represented more.

Bummer! The Farnsworth House, in spite of the plinth it sits on above the ground, is majorly flooded. To make a donation towards repairs, click here. (via AT: Chicago).

Design Bloggers in Print! The New York Times did a huge feature on design bloggers yesterday, and included some of my favorites, like Jennifer Dwyer from The Peak of Chic. Congratulations! Hey, you know what’s weird? Wordpress has the word “bloggers” underlined right now like it’s not a word. It has Wordpress underlined as well. What’s up with that?

• photo from Room Service via Elements of Style

• photo by Leah Hennen at More Ways to Waste Time

• photo from The Anchorage Daily News (Landov) via The New York Times, via Patricia Gray Interior Design

• photo by (I think) Sou Fujimoto Architects, via Home Rejuvenation

• image from Mrs. Blandings

• image from fellow by James Saavedra

• image from amazon.com

• image from landmarks.org