Living Etc.
This time it's an office, and here's what Heidi had to say: "I have been searching and searching for inspiration... maybe you could help. I am in the process of furnishing my new home. I have a great sized, dedicated home office. I use it every day as I run several businesses out of it. Problem is, right now it is just a Brazilian Walnut hardwood floor, blank walls, and an incredible bay window. I NEED some inspiration! I want a modern, clean, minimal look. This is so hard to achieve in an office! I need storage, desk space, and a sitting area, but beyond that, I have no idea which direction to take this room. I'd love to see what you could find to get my brain working again. It's been in a slump since the construction phase has ended." I tried to find photos of modern office spaces that weren't shoved into little corners as they often are (Heidi, you are SO LUCKY as it sounds like you have a decent amount of space to work with). So hopefully this gets your brain going and have fun with it!

New York Social Diary	Jowa
Alda Pereira	Alda Pereira
Apartment Therapy	Delshon or Sherman Architects
Ghislaine Viñas	Hans Zeegers
Jeff Andrews	Paul Massey
Apartment Therapy	photo-locations.com
PointClickHome	Stephen Alton

I haven't put together a retro post in ages. Today my laziness stops. Today I give you what you crave - retro good and bad. Scans are from Woman's Day All Colour Book of Home Decorating & Design, Edited by Babette Hayes, Octopus Australia, 1977. I promise you won't have to wait so long for your next fix. Don't forget to click on the images to enjoy a larger serve of retroliciousness.

Tessa wrote us with a design dilemma hoping we could offer some help: "I am writing to you now with a problem of my own. We live in a beautiful 19th century mansion in Washington, DC. It is gorgeous and wonderful, but we rent it and are not allowed to paint any of the rooms. I am about to move into a different bedroom that is gorgeous, but painted one of my least favorite colors- burgundy. I hate burgundy! I tend to lean toward super bright hues (oranges, yellows, apple greens, etc.) when I decorate, and I am wondering (and hoping) that you guys might have some suggestions of what could possibly look good with this awful dark mess. Anything I have tried makes the room look like either a men?s smoking lounge or a cheesy Victorian salon. I haven?t seen you post many pics of burgundy rooms, so I thought you might have some cool ones hiding somewhere. Please help me out."

I went through my photo stash and just as I suspected, no one paints a bedroom burgundy. :) And I hate burgundy too!!! First, here are a few bedrooms that have dark walls (a couple burgundy-ish) that might inspire you to work with what you've got.

For alternatives, if you're allowed to put holes in the walls, maybe you should consider finding some not-too-sheer sheers and hanging them from those wire systems (Ikea I think has it) around the room (if it's not too big). Also, how about painting some really large pieces of foam core (if you can paint that stuff)/thin MDF and leaning it behind your bed, dressers etc. to hide as much of the burgundy as you can, or you can make a screen, like the one below.


And the following photo I thought was very inspiring and SO gorgeous. Now the walls are not burgundy, but imagine they were, and maybe the light shade of bluey-green that are used in the large upholstered pieces were a light pink. Sounds crazy but it could work to tone down the darkness, as they do in this photo.

Visually striking but totally functional - that's how Matthew Leverone designs his interiors. With over 25 years experience he creates spaces that reflect his clients' needs and their unique sense of style. His sense of scale, balance, light and colour plays an important role in these spaces. Liveable and authentic as well as stylish.

Back in February we discussed using dress forms in the home for both practical purposes (sewing of course) and for displaying favorite items as more of a decorative element. I was pleasantly surprised when an email arrived today from decor8 reader Cathe Holden of Home Grown Logos who wanted to share her newly created dress-form-as-decor with us. Yay! DIY done right!


You can view her entire DIY project from start to finish right here, the finished product is shown above. Lovely job, Cathe!

(images from cathe holden)

I'm still feeling a bit groggy from all the meds I'm on, but I can't stop thinking about you and your many emails and comments that continue to wish me a speedy recovery. Thank you so much for your caring words but it's just a virus, nothing major really! :) I thought that since I'm not up to blogging at my regular Holly speed, I will post a few things today and tomorrow to keep you inspired until I'm back on Monday. Since I have a few more posts from the What To Do When You Don't Know What To Do series, I think I'll start with these...


Today we'll hear from creative lady Paola Thomas who is a Seattle-based mother, wife, blogger, and online shop owner of MirrorMirror. She, alongside Velocity Art & Design, just recently launched a creative meet up in Seattle called The Lab, too. Busy lady! Let's talk to Paola, shall we?

How do you think a person can find their spot in the world of design?

Take a long hard look at yourself and what you can do and what you enjoy doing. What do you really LOVE to do? I guarantee the business you end up doing will not be the one you envisaged, so don?t wait for something fully formed to drop into your lap, start experimenting with something TODAY and then watch it unfurl and grow. Do a new thing to your baby business every day, and grab every opportunity with both hands. You can always stop and change direction if you?ve made a mistake.

Let's say a person found what they love to do, is there more to it than creating pretty things?

Oh yes! Be truly honest with yourself and also focus on what you CAN'T or don't want to do. emember if you want a real money-making business that there's an awful lot of selling and marketing and networking and finance that needs to be done. You can hire people to do some of those things if you've got the money, but you have to at least be able to manage those people. I happen to love that side of things, but if you don't, then I really would think long and hard about whether you want to turn your creative passion into your business. I've seen people end up hating their passions. Instead have a job that pays the bills and develop outlets for your creativity in your spare time.

One thing I've heard a million times over is to see if there's a market for your work. Just how important is this?

One should think seriously about whether there?s a market for what you do. Just doing what you love is not enough. Keep testing and experimenting to see what will get you an audience. If you make stuff, get an Etsy shop; if you take photos, get on Flickr; if you want to write, start a blog. If can get an audience in these challenging environments, then maybe you have the beginnings of a business.

Great advice. Speaking of blogging, I met you in 2005 long before you had a blog. Can you tell us how that came about?

I find my blog tremendously useful for exploring ideas. It started as a marketing tool for my shop, but has now become a way for me to experiment with ideas, practice my writing and photography, and act as a platform for the things I like doing such as cooking, knitting, decorating etc. I doubt very much I?m going to make money out of these things, but having that outlet for my personal creativity is enough. For example when I started my blog I didn?t possess a digital camera. Now photography is a huge part of the blog and of my life.

Do you feel that you've found your 'calling' as a web shop owner and blogger?

I'm definitely going in the right direction but I'm nowhere near where I want to end up. My background is in finance and business development ? I worked for many years as an investment banker and then management consultant, before losing my job at a small Internet company in the dotcom crash. I realised then that I liked cushions and colour more than spreadsheets and legal docs and started combining some freelance journalism with doing a home study course in interior design. I soon realised that I don?t think spatially enough to be a great designer (and I want to be great at what I do) and also really missed the commercial side ? I love marketing and I love the Internet. Which is why I decided to set up a business that's actually primarily all about selling and marketing and the Internet, but focused on a market I really understand (women like me) and brings me into daily contact with beautiful things and creative people. And along the way I've had to write a business plan, get a bank loan, manage the building of a complex e-commerce website, run a customer database and PR list and pay sales tax etc. It?s not all about cushions.

You mentioned you lost your job and launched your web shop, but how can one afford to do that?

The upside for me is that my husband's salary has been enough to support us in this ?experimental? phase ? every penny the business makes gets put straight back in - though we have far less money than we used to. The downside has been that I've been combining it with being at home with a baby/toddler, so am only doing this stuff very part time so far. But I love what I do, I have created myself a ?job? where reading design magazines counts as work, so therefore I'm happy.

Thank you Paola! If anyone has questions to ask Paola about running a web shop, etc. please use this as your opportunity and ask some questions in the comments section below...

By far, my most popular blog posts have been my "Get that Look" series where I have profiled beautiful movie interiors and how to break them down and get the look in your own home.
While I still intend to do these posts over here on ::Surroundings::, I have created a new home ::Silver Screen Surroundings:: where I will focus exclusively on movie set decor, including the set decorators and who they are inspiring.

In addition to my "Get That Look" posts, I'll include lots of still images for fun and links to many other online articles and images.

::Silver Screen Surroundings:: is still a work in progress - I'm still copying my existing posts over there and updating some of the links - a bloggers work is never done! But I invite you to hop on over and let me know what you think!

Now, all we need is the popcorn!

Did you know that you could buy live plants on eBay?

Yep, in addition to just about every other item on the planet, you can also procure plants for your garden from the auction super site. (It's a particularly handy service if you don't have a great nursery nearby or if the ground hasn't quite thawed in your area and your local garden center isn't yet stocked up for gardening season.)

I love succulents -- because not only are they almost impossible to kill, they make great modern houseplants (group several in a wide, low planter for a stunning centerpiece or just one in a small container for a pretty, natural accent) as well as interesting and textural additions to your outdoor landscape. Can't decide? Enjoy succulents both ways -- keep them inside until you're ready to get your hands dirty, then incorporate them into your garden.

This succulent selection up for auction on eBay includes a mix of twenty cuttings, including hens and chicks, volcano plants, echeveria, sedum, agave, euphorbia, and several other hardy varieties. The cuttings are easy to grow -- simply stick them in well-drained soil (either potting soil mixed with sand or gravel, or perlite), protect them from hot afternoon sun, and water them every once in a blue moon. I promise, they're practically black-thumb proof.

Current bid: $30

My fiancé’s dear friend Nancy moved to Joshua Tree, California, several years ago with her long-time love, sculptor and furniture maker Alma Allen. We visited the couple, in their newly built, nearly finished home, this past Christmas, and I immediately fell in love with their modern, bio-regionally designed, green home, which was built to suit the harsh, gorgeous desert climate. Nancy and Alma built the home together over the course of a couple years, with minimal outside help. Here, Nancy tells us about the trials, tribulations, and rewards of living, working, and building with your true love, and how their home has inspired their design sensibilities, future project ideas, and new, rural lifestyle.

Elka: Tell me a little about the process of designing your home.

Nancy: Alma had always wanted to build his own house and thought about the design for years. Joshua Tree provided a perfect climate to incorporate a large courtyard, which had always interested him. The protected outdoor area provides shelter from the wind and creates an area for plants that would be devoured by the local wildlife outside the walls. The design of the house continues to be a work in progress. The layout was changed from the original drawings in many ways while we actually built and we continue to explore possibilities.

E: What were your biggest challenges?
N: Living in a Streamline trailer for two and a half years as we built. The trailer is the polar opposite of the passive solar construction of our house. The trailer is hot when it?s hot and cold when it?s cold. Dealing with the Building Department and local water and power companies for new construction was also challenging. Building codes do not encourage or even allow some aspects of green building. Although you have to pick your battles, we learned to not take no for an answer from the power and water companies, who often give false information.

E: Now that your house is nearly finished, what are you especially pleased with?

N: We are especially pleased with the passive-solar construction of the house. With the large south facing windows (which face directly to Joshua Tree National Park) and more minimal east/west exposure, as well as the thick cement floors with radiant floor heating/cooling and a geo-thermal loop, the house stays cool in the summer and warm in the winter. We?re also delighted with the homemade solar water heater which heats 250 gallons up to 140 degrees in the day and is currently maintaining a temperature of 115 overnight. (If we run the heating all night the temperature does go down as the tank is drained.)

E: Why Joshua Tree?

N: We had a shop for a few years in Los Angeles but grew tired of the daily commute and paying rent for Alma’s studio in downtown LA, our apartment in Silverlake, and our retail space in Venice. Alma and I are both originally from Utah and love the red rock desert. We considered moving to Southern Utah outside of Zion?s National Park, but Las Vegas would be the closest big city and we like our beer and wine. In Joshua Tree we are now only two hours away from Los Angeles, so we can easily have continuity with our work in LA, such as studio visits with Alma?s collectors.

E: What sort of interior features did you consider from both an aesthetic and practical point of view?

N: The fir tongue and groove ceiling. More work in some ways and less in others because it doesn’t require drywall and paint. Once it?s installed it?s done. It also breathes. Due to our very steep driveway, we were required to put in fire sprinklers, which have proven to be very practical for hanging lights!

E: Can you describe your interior design style?
N: Chunky minimal

E: What are your favorite objects in the house?
N: Alma’s sculpture. Fritz & Clara [the dogs]!

E: How about favorite furniture?
N: Alma’s furniture made from salvaged wood! I also love some of the vintage George Nelson cabinets.

E: What’s the hardest part about living here? The most rewarding?
N: The hardest part about living in Joshua Tree is the lack of good food. We miss abundant farmer?s markets and great restaurants, especially sushi…although we have more time and motivation to cook and recently I made my own kimchi! The most rewarding parts are the open spaces, wildlife sightings and the night skies. A giant tortoise tried to walk into our living room this week.

E: What are your needs, business-wise, for this space?
N: The space is comprised of two buildings separated by a large courtyard. The south area is living space and the north building is the wood workshop and sculpture gallery/office. Alma is also building a separate building with a steel frame for stone carving, which will house our solar panels as well as allow for cranes to move heavy materials. Separating the workspace from the living space will hopefully allow us to take advantage of increased tax incentives for solar-powered businesses.

E: What are your future building and renovation plans?
N: We?re going to build an outdoor shower using the solar water heater and the stone carving building.

E: Any advice to folks looking to build or renovate together?
N: Don?t do it… kidding! My advice would be to enjoy the endeavors that go wrong or not as planned as an unexpected opportunity for wabi-sabi - the beauty of imperfection and/or incompleteness. The epoxy that didn?t polish out of the cracks in the cement, the giant tub of permanent black dye that exploded… some of the things that caused tears while in the process turn out to be quite charming in the end.

Love the simplicity and serenity of these two study spaces. Very lady like too. Left image is from Jed Johnson and right is from Jan Showers.

We all know what a few colorful prints can bring to our wardrobes; they inject verve, flair and a sense of fun, but rarely offer the mileage of a little black sleeveless dress. However, when it comes to upholstery, wild multi-color prints can be surprisingly versatile.


A lush paisley such as "Riviere's Enchantee," used above by Todd Romano, is loaded with possibilities. (House & Garden sourced it as Brunschwig & Fils.)


When a print contains five or more hues, you can pull any one of them for wall color, side chairs, pillows and so forth. An added bonus: in my experience dense patterns beautifully camouflage smudges from tiny fingers.

You can also layer pattern upon pattern, as Peter Dunham does so masterfully.

The downside of prints? For one thing cost. It typically takes 26 yards of a large-scale print to upholster sofas similar to the ones shown here. Nice simple solid cottons and linens are also easier to find at budget friendly prices. (This is why I tend to choose prints for ottomans or benches and opt for solid sofas.)

But if you have a sharp sense of your own aesthetic, know you truly love a certain print -- it's not just a crush -- and can afford the fabric, lavish prints can be an investment that will endure.

Fun link for textile fans: the Leman Album.

Credits: Milly tote shown top available through Shopbop; Milly dress is from Neiman Marcus; 1960s "It Girl," Penelope Tree, photographed by David Bailey for Vogue, February 1969; Todd Romano photos by Michael Mundy for House & Garden, March 2004; Dunham photo by Miguel Flores-Vianna for domino, April 2008.

Sister Parish loved handicrafts -- needlework, basketry, quilts, hand-printed textiles. Maybe this was because she enjoyed working with her own hands, doing decoupage and other crafts. Or perhaps she had seen her share of grand formal homes and longed to warm them up with homespun touches.


Working intuitively, and in collaboration with partner Albert Hadley, she often upholstered exquisite 18th century French furniture with "primitive" hand-waxed cotton batiks by Alan Campbell. The fresh and inviting bedroom of Brooke Astor, shown above, is one example.


Colorful patchwork quilts appealed to Sister too. She used them conventionally but also commissioned the Freedom Quilting Bee in Alabama to create a patchwork fabric that, according to her protege Bunny Williams, was used in a chic Georgetown dining room. In fact, Parish-Hadley became known for upholstering wing chairs and sofas with quilts.


During her famous refurbishing of the White House, Jackie Kennedy selected Morgantown glassware produced in West Virginia. A political gesture? Probably. But JBK seems to have had a genuine fondness for American crafts. The way she and Sister Parish mixed the ultra-refined with the rustic greatly influenced residential interior decorating in the U.S. for decades.


I couldn't help noticing that both Natalie "Alabama" Chanin and craft artist Nathalie Lete received coverage in the newest Vogue Living. Are arbiters of high style embracing craft again as they did in the 1980s when simple pine furniture was mixed with lavish florals?

Of course, in their own unique ways Jonathan Adler and Lulu de Kwiatkowski have been doing a 21st century mix of sleek with rustic. But it will be interesting to see if more contemporary designers -- those associated with modern glamour -- inject homespun elements into their interiors.


Above, Alan Campbell fabric currently available through Quadrille.

Reminder: Tradition/Innovation: American Masterpieces of Southern Craft and Traditional Art remains on view through May 18.

Photo of Sister Parish shown top is from Margaret Russell's 2001 book, Designing Women: Interiors By Leading Style-Makers;