for the past few weeks we’ve been exploring the major design hubs in australia. but as with anywhere, there are those incredibly talented artists and designers who are able to make a name for themselves from off the beaten track. today’s final regional roundup: australia covers everywhere in between. and while these features have been focusing on the contemporary design scene, aboriginal art - a history that covers 40,000 years - continues to make it’s mark on australia, and is something i still hope to explore (talk about patterns! . . . luckily, one of the best collections is at the kluge-ruhe aboriginal art collection at my beloved university of virginia, of all places). but that’s the beauty of these roundups - they’re a starting point to discover a place, begin a conversation and in a world that is constantly changing and each can be revisited. it’s been nearly three months since i started on this piece - which features over 40 designers - and it’s still only brushing the surface. so please continue the dialogue in the comments, sharing your new discoveries, favorite aussie designers, inspiration and observations. in case you missed any, you can find all the posts here. and to view this full post (and many more designers) just click here. [an incredible thank you to everyone who participated!!!] -anne

[aboriginal painting by roslyn ann kemp, above]

Magic Jelly

1. Where are you from? Where do you live now? 
Born & bred right here in Adelaide, South Australia.

2. Describe your work 
Most important to me is to communicate & connect.  I’ve just started a project called The Paper Chase, trading art for paper, it’s all about collaboration & communication.  I try to make my work as accessible as possible.  I like to use low-tech equipment (Gocco for instance) & commonplace materials, & to lavish care & attention on the forgotten, overlooked & discarded.  I tend to work on a small scale, firstly, because I’m a finicky fuss-budget obsessed with detail, but also because I want my work to be intimate & personal rather than to shout at you from across the room.  I hope a little bit of wit & levity creeps in there somewhere too.

3. How is your work influenced by where you live?
I often trawl the local secondhand markets for bits & pieces to use in my work, & take lots of photos, particularly of signage & architecture.  In fact, I’m combining my interest in architecture & ephemera at the moment by building a house out of paper, loosely based on a lovely row of late-Victorian terrace houses on the seafront near where I live.

4. Where do you go in Australia when you want to feel inspired? 
Anywhere that’s out of the house!  Every spring I start feeling restless & want to take a trip to Sydney.

5. How would you describe the Australian design scene? 
I really can’t say as I don’t feel that I’m a part of it - I’m a total hermit!  It’s a small market, that’s for sure - especially in Adelaide - & I tend to sell more internationally & do more commissions for overseas clients.  I think the Australian scene is growing though.

6. If you could go anywhere where would you go? 
I’m planning a visit to the US in a few months’ time to take a road trip along the West Coast.  Now, if you have a time machine handy, where I’d really like to go is back to the mid-20th century so I can go wild amassing huge quantities of ephemera & toys, & taking lots of photos.

Click here for more work by Karena and visit the Magic Jelly Etsy shop here.

Bison Home

1. Where are you from? Where do you live now?
I am From Grenfell NSW (population 2000 ). My family came on the Sirius…the first Fleet of White Settlers/Convicts who came to Australia in 1788. I currently live in Canberra and my studio is in a rural location (Pialligo) surrounded by plant nurseries and vineyards.

2. Describe your work
My work…best described as a ceramics designer. I am drawn to simple, classic forms and I produce a large range (140 profiles and 30 colours) of dinnerware and decorator pieces. I’m a former archaeologist and ancient historian who became tired of excavating broken pots in Syria … so I taught myself how to make them instead! We create forms which reflect the relationship between beauty…and practicality. I am fortunate to have a wonderful team of craftspeople who support me in crafting our Fine Australian Stoneware Collections.

3. How is your work influenced by where you live?
As a person who was training to be an academic… I was captivated by the evolution of design in Classical History…and the amazingly poignant social contexts behind ceramic vessels. To unearth a piece of pottery…over 2000 years old with a fingerprint in it sends chills up your spine. I also went to School in Malmo Sweden and the colours and subtlety of Scandinavian seasons and design…obviously filter through my palette and shapes.

4. Where do you go in Australia when you want to feel inspired?
I absolutely love The Great Ocean Road in Victoria. Crusing along the stark coastline in a car or just spending time at our family Beachhouse near Portsea. Simple, unpretentious…and better still…uncomplicated.

5. How would you describe the Australian design scene?
Australia is changing rapidly in terms of global visibility and credibility. I always find it ironic though that within our own country people find it hard to conceptualize that viable design and manufacture can occur outside of Sydney and Melbourne. People look somewhat bemused when you tell them your studio is in Canberra (Our capital is better known for the Greenhouse gasses which come out of the Parliament Buildings!) That being said I see numerous whimsical and elegant works from talented artists/designers emerging…particularly working with textiles.

6. If you could go anywhere where would you go? If I could travel anywhere and spend time it would be south America…Belize in particular. The fusion of Jungle (with panthers) Mayan Pyramids and Amish/Mennonite settlers….sounds so disparate you’d have to get inspiration!

Click here for more from Bison Home.

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If you don’t know about The Poster List, now is the time!! Adam sent over this awesome new take on the “Keep Calm” poster. Sweet. I also included a few others I really like below:

All posters are printed with 100% vegetable ink on organic acid free paper. This week and next they are having a 2 for $20 sale: 2 posters for $20. Go poster crazy!

http://www.theposterlist.com

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Sigh, she loved eating - her waistline was visible proof.  And she poured over cooking blogs.....dreaming, dreaming.   One of her favorites was Winos and Foodies, by the lovely Australian blogger, Barbara.  So she asked, Please Barbara....would you, could you do a guest blog for me on some Moroccan dishes?

And look what arrived on her blog doorstep! Mmmmmmm......

All recipes on Barbara's delicious blog, right here.......

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If the blogging fairy came along and tapped you on the shoulder and said "you can choose to spend the day with any blogger in the world " - who would you choose?  I'd choose to spend the day with Maryam in Morocco. 

We'd sip mint tea and eat stuffed dates while she showed me all the pretty rugs and fabrics and glass jars she has collected on her travels.

Stuffed Dates

Remove seed from fresh dates and stuff with cheese and nuts of your choice. I like the salty feta cheese against the sweet date with the crunch of a pistachio nut. A soft brie with almonds also makes a tasty filling.

I'd ask Maryam to introduce me to her favourite couscous maker so I could I'd learn to make perfect couscous.

Plain Couscous

Add 400 ml of warm water to 350grams of couscous and 1/2 a teaspoon of salt. Rest for 10 minutes, then rub 2 tablespoons of olive oil into couscous to break up lumps and aerate the grains. Place in an ovenproof dish, dot with 20 grams butter, cover with foil and heat in 180C (350F) oven until the couscous is heated through, about 15 minutes. I often add brown flaked almonds. Pine nuts and dried fruits also go well with couscous.

Left over couscous is the perfect filling for stuffed vegetables. 

Stuffed Tomatoes

Remove insides of tomatoes and cook to reduce to a sauce with onions, spices and preserved lemon. Mix with couscous and fill tomato cases. Bake in a 180C (350) for about 25 minutes.

Naturally we'd spend the afternoon shopping. When we returned to Peacock Pavilions we would enjoy a refreshing glass of pomegranate juice..................

Pomegranate Drink

Put some ice in a glass, add a dessert spoon of pomegranate syrup and top with soda water. For a sweeter drink replace soda water with lemonade. I'm sure a shot of vodka would work in this drink.

.................and some local olives. 

Orange and Rosemary Olives

Crack olives with a meat mallet to split skins slightly. Marinade olives overnight in orange zest, rosemary spikes and olive oil.

In the evening we'd sit under the olive trees and eat platters of watermelon.

Citrus Watermelon

Remove skin and cube the watermelon. Sprinkle with freshly squeezed orange juice and scatter mint leaves over the platter.

Then just before midnight the blogging fairy would re-appear and it would be time to say goodbye to Maryam.  I think I'd need some help to get  all my shopping home.

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See full recipes right here.  And Shoukran, Barbara!

Oh, to be in New York right now attending the House Proud exhibit at Cooper-Hewitt. Hopefully I'll get the chance. But in the meantime, I did find some images on the web.

The exhibit celebrates the impressive collection of nineteenth century watercolor interiors assembled by Eugene V. and Clare E. Thaw- one of the largest of its kind in the States. The rendered interiors include rooms at Carlton House, Buckingham Palace, and Schloss Fischbach (the paintings put my small collection of anonymous watercolor interiors to shame!) On display through January 25, 2009, the show is sure to be of interest to you collectors or those interested in design history.

(For additional reading, you may want to consider House Proud, the companion book to the show. I've got my copy on order. Thank you too to a few readers and Paul Pincus for alerting me to the exhibit.)


The Dressing Room of King Ludwig I at the Munich Residenz; Franz Xaver Nachtmann, Germany, 1836.


The Japanese Salon, Villa Hügel; Rudolf von Alt, Austria, 1855.


The Chinese Room in the Royal Palace, Berlin; Eduard Gaertner, Germany, 1850.


The Blue Room, Schloss Fischbach; Carl Friedrich Wilhelm Klose, Germany, 1846.

Image at top: The Circular Dining Room at Carlton House; Charles Wild, England, 1819.

From Julie:

Perfect geometry from Seattle’s Roy McMakin of Domestic Architecture, via the New York Times. Achieve the look with dark gray paint (we like Olivia’s Gray by Philip Reno of Philip’s Perfect Colors) and a trio of Burnside classic cloth-covered cord pendant lights from Rejuvenation Hardware. Photos by Jason Schmidt.

A few months ago I picked up a used book at My Sister’s Closet in Chamblee. I wanted to share it with you and never got around to scanning. Lately I was reminded of it because Carolyn Roehm’s A Passion for Blue and White was showing up all over the blogs. It’s on sale at amazon for $37.80. However, while I’m sure that’s a gorgeous book, I am loving the Stephanie Hoppen book I picked up for $5 (it’s at around $17 at amazon right now). It’s called Blue and White Living and though it was published ten years ago, it’s amazing how current it is, though I suppose blue and white is a classic that never goes out of style. Hoppen picked up on wallpaper prints, exotic Mexican and Moroccan touches, great bookcase arranging and even the ikat that’s so hot right now. Here are a few images from Hoppen’s book:

book cover images from amazon.com

all other images from Stephanie Hoppen’s Blue and White Living.

Posted by Lena

Volume Two of  "Lines & Shapes," a series of small books I co-curate with Maria Vettese, came out last week.

This book's theme is "block," and it's dedicated to projects created by our contributing artists. I find the projects so creative and absorbing, and hope that others will too.

But I'm especially fond of a section in the back of this book, where we show some of the artist's "favorite things." I thought I’d share images of these pages, which include favorite corners of the artist's homes and studios, and single objects which make them happy.

And here is one of my favorite things (not included in the book). It’s a framed bird print, purchased by my mom at Sears in the 1970s.

Helen Amy Murray’s surface reliefs on everything from chairs to headboards to walls are just unbelievably gorgeous. The detail is just as amazing as the overall effect.

http://www.helenamymurray.com

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Trish Beaudet - Owner and Designer of Finishing Touches Interiors by Design, Inc.

D. Paul DeRouen - Bachelor of Architecture from the University of Louisiana at Lafayette. Profession: Architectural Designer

Matt Locke - Bachelor's degree in history from Princeton. Current Job: Designer

Michael Stribling - Interior design major from Wade College. Current Job: Interior Designer/Business Owner

Jennifer Bertrand - Bachelor of Arts in education with an emphasis in ceramics; master's degree in teaching and leadership from University of Kansas. Current Job: Interior Decorator/Owner of Bertrand Designs

Tracee Dore - Bachelor of Arts in interior design from the University of Kentucky. Current Job: Residential and Commercial Interior Designer and Builder/Renovator, Tracee Dore and Company

Jerome Scottie Miller - Master of Science in civil engineering from North Carolina A&T State University. Current Job: Regional Property Manager at Charlotte/Mecklenburg County Schools.

Mikey Verdugo - High school diploma from Hialeah High School. Current Job: Police Officer

Upon the event that you’ve ever been lucky enough to communicate with our customer service team…this is who is on the other end:

“The adventures of two women and one man
working together in one department.”

Since quality customer service is so important to us, these guys are very important to us. Luckily, we’ve got a great tight group with amazing karate chopping (aka customer service) skills.

We’ve shared a number of staff profiles in the past but there has been a major lapse in updating our team info. Now’s as good a time as any to get this going again and who better to start with than the Three’s Company (i.e. customer service) team. First up: Melissa!

Where are you from? Where do you live now? I am from the East Bay. I lived there forever until I decided to make a very ambitious trek across the bridge to San Francisco where I live now.

How did you get interested in design? I used to think design was frivolous and elitist and just didn’t think much about it until I interned for a magazine that featured new design products. I also had some friends that went to CCA for Design and that got me interested in the art. Now I see that design is an essential part of life because everything man made has to be designed by someone. Mostly, I admire the possibilities of combining art and functionality.

What’s your favorite DP product and why? I really like Thomas Paul’s Retro-looking Imperial Horse Linen Pillow and Apollo Head series. He has a definite sensibility for Retro-Victorian (don’t know if that’s an actual style, but in my book it counts).

What do you like most about our company? Why do you work here? I work here mostly because the staff is great. I love my co-workers and although the work here can be challenging I like the challenge. I like that we’re free-form and that there are many possibilities here if you make them happen. Also, I enjoy learning about design because you learn a great deal about people and lifestyle.

If you weren’t doing this what would you do? Probably Live in New York and write music reviews and starve.

What do you do in your spare time? I sing and play music.

Favorite member of the A-Team? The Oakland A’s? ha ha, don’t really know of the A-Team, I only know of Mister T and don’t think I quite get it, but I do like his fashion sense.

Thanks, Melissa!

I've been trying to get a hold of this magazine all week! Lauren and Derek (of The Curiosity Shoppe) are featured in it--and they're on the cover! Their home looks so cute, colorful, and ultra DIY--exactly the way I imagined it would be. Until I get a copy, you can see more of the magazine here on their blog.