Not much for cooking myself, I seem to be doing quite well making friends with those who are willing to occasionally feed me! One such person is Megan B., whose culinary skills get a marvelous workout on the fresh seafood available locally. Though I will attest that these crab cakes taste amazing even when you used canned crab. –Mary T.

This dish was born in a tiny hotel room with a kitchenette during one of our first vacations to Seattle (which we now call home). We were fortunate enough to visit smack dab in the middle of Dungeness crab season, and seeing all of those beautiful crabs at the market inspired me to make these cakes. The sweet Pacific crab is what this dish was originally made with, though any crab you can get your hands on will suffice. Trust me, I’ve even made them with the high-quality canned stuff and they turned out super tasty. Make sure you make the relish in advance — in fact, make more. It’s awesome on top of grilled halibut or chicken breasts or just with tortilla chips! –Megan B. Click for Megan’s recipes!

Crispy Cilantro Crab Cakes (serves 6-8 as appetizer, 4 as entree)
1 lb. lump crab meat
1 cup Panko bread crumbs
1/4 cup cilantro, finely chopped
3 green onions, chopped
1 egg, whisked
Salt and pepper to taste (approx. 1/2 tsp salt)
Grape seed or canola oil for frying

In a large mixing bowl, combine crab, Panko and herbs. Season with salt and pepper and fold in the egg. Let mixture rest for 10 minutes. Form mixture into 6-8 patties. Make sure to press firmly; they take a bit of force to hold them together. Pan fry in 1/4 inch grape seed or canola oil over medium high heat, approx. 4 minutes per side or until nicely golden brown (careful not to burn yourself on the flip). Serve hot with mango jalapeno relish. You can also assemble the cakes a few hours in advance and fry them right before serving.

Mango Jalapeño Relish
1 ripe mango, finely diced
1/4 cup cilantro, finely chopped
1/2 red onion, diced
1/4 cup jalapeño (jarred in brine) diced
1/2 lemon, juiced

Combine ingredients together in a mixing bowl. Let marinate at least 30 minutes or overnight, if desired. The longer it rests, the better!

If I were (corrected: thanks Adam!) off to college I would…seriously think about where you plan to sit your tush. Although a new desk chair or couch may not be at the top of your “college dorm necessities” list…it could be the one piece of dorm furniture that no one else would think of which could then automatically make your room the preferred social spot. Think about it!

When I got to college our desks were supplied with hard and uber-ugly chairs. Not sure how I endured the couple of years of dorm room living looking at such things…let alone sitting on them. We also had the courage to loft our beds and purchase a $30 grandma looking couch from Goodwill which in hindsight was probably so full of germs or bugs I am surprised my roommate and I didn’t come down with odd diseases.

Granted, the majority of college students are not made of money, but I have a few ideas that can keep you away from pained rumps and a Grandma Mable inspired dorm room while also being something you’d actually want to keep after the school year is over…

#1: A Blu Dot Real Good Chair. Imagine going to school with your chair in a little box (a moving space saver!) and assembling the goods in front of your new found friends. They will be mystified and in awe with the process and even more so by the chair.

#2 and #3: Poofs and cubes. Rather than a desky-desk chair maybe a poof or cube is more your style…

And finally, #4: If your school bans couch burning at the end of the year it may be wise to avoid getting stuck with a massive piece of furniture to have to deal with. How’s about considering making your room into a lounge full of Sitting Bulls and Fatboys instead?

  

I really enjoyed checking out this house by Greico Designers/Builders. I get a lot of submissions with magazine-ready photos, but these non-professional photos are endearing because they are much more realistic. I like the “what you see is what you get” or “celebrities without makeup” approach.

http://www.greicohomes.com

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Isn't it amazing how people who were once celebrities can fade into obscurity? The same thing can be said for celebrity decorators, especially William Pahlmann. Okay, so perhaps he's not an obscure designer, but he does not have the name recognition of Dorothy Draper or Elsie de Wolfe. If this were 1950, we would all be talking about Pahlmann. After all, he was one of the most famous decorators of the 1940s through the 1960s.

Pahlmann, who was educated at Parsons in the late 1920s, first gained notoriety after designing a mirrored bed for the first Mrs. William Paley (this according to Legendary Decorators of the Twentieth Century by Mark Hampton). Getting her seal of approval was the impetus he needed to go onward and upward, eventually landing him the job of head of the decorating and antiques department at Lord and Taylor. Pahlmann became known for his model rooms for the department store- rooms which garnered attention by the press and brought flocks of customers to the store. After a brief hiatus during World War II (serving in the Air Force), Pahlmann returned to New York where he set up his own decorating firm. He even had his own syndicated newspaper column titled "A Matter of Taste".

Pahlmann's interiors after WWII are quite evocative of the post-war era. While Pahlmann was quite capable of designing in the traditional style, much of his work celebrates mid-century modernism. Pahlmann was a champion of modern materials, including rubber flooring and rayon and other synthetic fabrics. The exotic also played a role in his interiors. Artifacts and objects of various cultures and countries mixed freely, lending his rooms a sort of well-traveled look. And let's not overlook Pahlmann's love of color. There was nothing primary about his chosen color schemes. In fact, in his book The Pahlmann Book of Interior Design, he wrote about various color combinations that he had used thus far in his career. These included cerulean, lime, magenta pink and white as well as deep sage, ripe persimmon and French blue.

Pahlmann was so well-regarded in the design world that when a young Albert Hadley first ventured to New York seeking a job as a designer, he sought out a meeting with his design idol. Hadley describes Pahlmann as "a man of great charm with a flamboyant personality and certainly he was not shy about anything."* Pahlmann encouraged Hadley to enroll at Parsons School of Design, just as he had.

While many of Pahlmann's room may seem a bit dated today, don't you think it's worth revisiting the career of this late, great decorator?

(Pahlmann's work is featured in the upcoming Acanthus Press release New York Interior Design, 1935-1985. Another "lost" designer whose work I greatly admire is George Stacey. I'll be writing about him soon!)



A great example of Pahlmann's fearless use of color. This bedroom's colors were inspired by a vineyard.


The mod floor in this living room was rubber! The mix is a bit unexpected: modern furniture with a Victorian sofa and Spanish altar candlesticks mixed with French candle sconces.


This was Pahlmann's own living room. I love the gunmetal gray walls and the robin's egg blue leather chair. According to Mark Hampton, the cabinet is actually a snakeskin Victrola.


I couldn't resist this image of an Empire-style tented room. Pahlmann admired Napoleon and Malmaison- might this have influenced the design scheme of this room?


Pahlmann designed this living room for Mrs. Walter Hoving in 1948. In my opinion, this room is one of Pahlmann's more elegant designs. Much of his later work seemed to be more casual, much in keeping with the times.

(*Hadley quote from Albert Hadley: The Story of America's Preeminent Interior Designer)

Here's her kitchen, ready for some sprucing up.

"The cupboards are a pale pinky beige that I intend to paint white and install new handles (chrome), as well as install a new shelf (white) somewhere above the cupboards.

My laminate benchtop is a swirly, "natural rock inspired" pink/violet/blue monstrosity, but we're stuck with it, and I'd like to make the best of it.

Here's the room on the other side of the kitchen which we don't actually use as a dining area."

images source

"My eye tends to be drawn to soft colours, like icey pink and blue, even soft lavendar. I just don't know what will go best with the benchtops we have, although it does incorporate a mixture of these tones."

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drape pattern source

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it’s our third week focusing on australia and our latest regional roundup focuses on brisbane, australia’s third most populous city. today’s line up stars tiel seivl-keevers {tsk-tsk}, mel robson, jason grant {inkahoots}, tiffany shafran, and alex tebb. we’ll be back tomorrow with our final australian roundup so be sure to check back, but in the meantime, click here to check out today’s designers (there are many more below the fold). [thanks again to all the fabulous designers! all the roundups can be found here.] -anne

[aussie porcelain above by mel robson. check out her feature below]

Tsk-tsk

1. Where are you from? Where do you live now?
I’m from Australia. I have lived in many different cities here, but I’m currently living in Brisbane, Queensland.

2. Describe your work
Most of my work is illustrative. I create original artworks or limited edition prints for children and grown ups. I’m exploring a range of themes including matryoshka dolls, birds, flora and fauna.
My works are mostly small in scale so I can finish them!

3. How is your work influenced by where you live?
I live in a warmer climate so the outdoor lifestyle does influence my work. I pay attention to the wildlife around me, particularly the birds and I enjoy the colours of where I live. Brisbane is a very light and sunny place.  I’m very close to the ocean and some of Australia’s best beaches, but it is the trees and hills that I feel closest to. I often pick up leaves and pods on walks and take them home to study.

4. Where do you go in Australia when you want to feel inspired?
Melbourne. It is home away from home for me. I lived there on several occasions and it is so full of life. Art, craft, design, good food. But locally I enjoy being in a park near the river, or going to a few suburbs here that have hidden shopping treasures. Also the gallery of modern art has a continual range of exhibitions and displays catered for all ages. It is such an amazing space.

5. How would you describe the Australian design scene?
I think here we are influenced so much by so many different cultures and countries. We then somehow take bits of pieces from that, combine them with our surroundings and it becomes quite unique to anything else. There are so many good Australian designers who have emerged over the last 10 years and I really get a sense that a lot more quality design is about to bloom..

6. If you could go anywhere where would you go?
Today, somewhere a little warmer like Fiji! But I really am keen to go to Japan. The history, design and food really interests me.

Check out more of Tiel’s work here and her blog here.

Mel Robson

1. Where are you from? Where do you live now?
I grew up in a little town called Murwillumbah (which means place of many possums!!), but I now live in Brisbane (right in the middle of the east coast of Australia) and have been based here on and off for the last 15 years or so.

2. Describe your work
I make objects from porcelain. I design and hand make ranges of functional and decorative objects for the home, as well as limited edition and one-off exhibition works. I use a lot of text and imagery on my pieces which I draw from a whole array of sources - old letters, wallpaper, photographs, maps, recipes, sewing patterns, excerpts from old books and magazines etc. I take lots of old things and work them in to new ones.

3. How is your work influenced by where you live?
I’m probably influenced more by the built environment rather than the natural environment - the architecture, the buildings and houses. Brisbane has grown a lot in the last decade and is a real mish mash of old and new. This doesn’t always work so well but there are little pockets where the old and the new sit comfortably, even beautifully, together.  I like this. Its something I try to achieve in my own work – weaving together the past and the present, integrating them.

4. Where do you go in Australia when you want to feel inspired?
I find that I get most of my best ideas while I’m walking. I like to go hiking, so our national parks are pretty inspiring for me. There is nothing like wandering along deserted trails for clearing the mind and making space for new ideas. At the moment though I walk mostly around my local area, which is an old area of Brisbane filled with charming houses and shops full of character (and characters)!

5. How would you describe the Australian design scene?
I think Australian designers have a good sense of humour and often approach design with a sense of playfulness and wit. We are good at sarcasm and laughing at ourselves and I think this is often reflected in the work of our artists, craftspeople and designers.

6. If you could go anywhere where would you go?
Hmmmmm…..where wouldn’t I go?! I’d like to spend more time in Europe, particularly the Scandinavian countries.

More of Mel’s work here, and her website (under construction) here.

Inkahoots

1. Where are you from? Where do you live now?
I was born in New Zealand and now live in sunny Brisbane, Australia.

2. Describe your work
I’m part of design group Inkahoots that includes Robyn McDonald, Ben Mangan, Joel Booy and Kate Booy. Rather than privilege market agendas of commodification, the studio promotes visual communication as an important tool of cultural critique and transformation. The work is visually adventurous with a strong typographic focus, and aims to be daring and searching, not for the sake of newness, but to give expression to a changing society.

3. How is your work influenced by where you live?
For a long time Brisbane was a politically oppressive and culturally conservative place you needed to escape. So it bred a resilient underground oppositional culture that continues to influence the city. The rainforests, bush, and beaches around Brisbane are incredible. And the scale and pace of the city makes it both a great place for work and play, and for playful work.

4. Where do you go in Australia when you want to feel inspired?
I’m not so comfortable with the idea of chasing inspiration.

5. How would you describe the Australian design scene?
If it were a super hero it would be one of those characters with random control over their super-human powers.

6. If you could go anywhere where would you go?
Satori.

Click here for more by Inkahoots.

 
for the past few weeks we’ve been exploring the major design hubs in australia. but as with anywhere, there are those incredibly talented artists and designers who are able to make a name for themselves from off the beaten track. today’s final regional roundup: australia covers everywhere in between. and while these features have been focusing on the contemporary design scene, aboriginal art - a history that covers 40,000 years - continues to make it’s mark on australia, and is something i still hope to explore (talk about patterns! . . . luckily, one of the best collections is at the kluge-ruhe aboriginal art collection at my beloved university of virginia, of all places). but that’s the beauty of these roundups - they’re a starting point to discover a place, begin a conversation and in a world that is constantly changing and each can be revisited. it’s been nearly three months since i started on this piece - which features over 40 designers - and it’s still only brushing the surface. so please continue the dialogue in the comments, sharing your new discoveries, favorite aussie designers, inspiration and observations. in case you missed any, you can find all the posts here. and to view this full post (and many more designers) just click here. [an incredible thank you to everyone who participated!!!] -anne

[aboriginal painting by roslyn ann kemp, above]

Magic Jelly

1. Where are you from? Where do you live now? 
Born & bred right here in Adelaide, South Australia.

2. Describe your work 
Most important to me is to communicate & connect.  I’ve just started a project called The Paper Chase, trading art for paper, it’s all about collaboration & communication.  I try to make my work as accessible as possible.  I like to use low-tech equipment (Gocco for instance) & commonplace materials, & to lavish care & attention on the forgotten, overlooked & discarded.  I tend to work on a small scale, firstly, because I’m a finicky fuss-budget obsessed with detail, but also because I want my work to be intimate & personal rather than to shout at you from across the room.  I hope a little bit of wit & levity creeps in there somewhere too.

3. How is your work influenced by where you live?
I often trawl the local secondhand markets for bits & pieces to use in my work, & take lots of photos, particularly of signage & architecture.  In fact, I’m combining my interest in architecture & ephemera at the moment by building a house out of paper, loosely based on a lovely row of late-Victorian terrace houses on the seafront near where I live.

4. Where do you go in Australia when you want to feel inspired? 
Anywhere that’s out of the house!  Every spring I start feeling restless & want to take a trip to Sydney.

5. How would you describe the Australian design scene? 
I really can’t say as I don’t feel that I’m a part of it - I’m a total hermit!  It’s a small market, that’s for sure - especially in Adelaide - & I tend to sell more internationally & do more commissions for overseas clients.  I think the Australian scene is growing though.

6. If you could go anywhere where would you go? 
I’m planning a visit to the US in a few months’ time to take a road trip along the West Coast.  Now, if you have a time machine handy, where I’d really like to go is back to the mid-20th century so I can go wild amassing huge quantities of ephemera & toys, & taking lots of photos.

Click here for more work by Karena and visit the Magic Jelly Etsy shop here.

Bison Home

1. Where are you from? Where do you live now?
I am From Grenfell NSW (population 2000 ). My family came on the Sirius…the first Fleet of White Settlers/Convicts who came to Australia in 1788. I currently live in Canberra and my studio is in a rural location (Pialligo) surrounded by plant nurseries and vineyards.

2. Describe your work
My work…best described as a ceramics designer. I am drawn to simple, classic forms and I produce a large range (140 profiles and 30 colours) of dinnerware and decorator pieces. I’m a former archaeologist and ancient historian who became tired of excavating broken pots in Syria … so I taught myself how to make them instead! We create forms which reflect the relationship between beauty…and practicality. I am fortunate to have a wonderful team of craftspeople who support me in crafting our Fine Australian Stoneware Collections.

3. How is your work influenced by where you live?
As a person who was training to be an academic… I was captivated by the evolution of design in Classical History…and the amazingly poignant social contexts behind ceramic vessels. To unearth a piece of pottery…over 2000 years old with a fingerprint in it sends chills up your spine. I also went to School in Malmo Sweden and the colours and subtlety of Scandinavian seasons and design…obviously filter through my palette and shapes.

4. Where do you go in Australia when you want to feel inspired?
I absolutely love The Great Ocean Road in Victoria. Crusing along the stark coastline in a car or just spending time at our family Beachhouse near Portsea. Simple, unpretentious…and better still…uncomplicated.

5. How would you describe the Australian design scene?
Australia is changing rapidly in terms of global visibility and credibility. I always find it ironic though that within our own country people find it hard to conceptualize that viable design and manufacture can occur outside of Sydney and Melbourne. People look somewhat bemused when you tell them your studio is in Canberra (Our capital is better known for the Greenhouse gasses which come out of the Parliament Buildings!) That being said I see numerous whimsical and elegant works from talented artists/designers emerging…particularly working with textiles.

6. If you could go anywhere where would you go? If I could travel anywhere and spend time it would be south America…Belize in particular. The fusion of Jungle (with panthers) Mayan Pyramids and Amish/Mennonite settlers….sounds so disparate you’d have to get inspiration!

Click here for more from Bison Home.

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it’s rare that wayne pate at good shape design puts out a print that i don’t like. and this new eco-inspired reforestation now print (printed on 100% recycled paper with 10% of the proceeds going to the Trees For The Future Foundation) is a new favorite. combine that with this pink urns print and i’m ready to go. click here to check out wayne’s collection and shop online (the urns print is $30 and the reforestation now print is $35). to order the reforestation print (which will be in the shop soon) just shoot wayne an email right here.

ps: sorry, i’m all about the extra links today. i saw this cool photoproject mentioned on d.sharp journal via the lovely joanna goddard’s new blog on glamour.com. it’s all about what people look like before they go to bed. i was more interested in to see what people’s bedrooms look like of course. some of them have lovely colors- i love the green bedding towards the end and the green wall with stencils mid-way through. click here to check it out.

For those of you that have not yet seen this gorgeous hunk of crystal, let me fill you in: the incomparably witty, creative and hilarious design blogger Maison 21 has thrown down the glove. He has challenged all who dare to design a room around what has been described as the "Moscow Mafioso" chandelier. Now, at first glance, one might consider this to be a mite "over the top", a bit crass, a tiny bit Atlantic City Trump.

But there was something about it. It conjured up something I couldn't quite place. Something romantic and exotic. So when I commented on M21's blog saying I thought it would be sort of fantastic in the right setting, he called me out. And I am just not one to back down from a challenge...although perhaps in this case I might not recover.

OK, now do you see it? That's right...Dr. Zhivago. The ultimate Russian romance with icy onion domes. So there you have it. This is my inspiration.

So where to begin? I thought I would place this brilliant extravaganza of a chandelier in a Dining Room. I love the restrained eye of Axel Vervoordt. His use of natural elements like plastered walls and lime washed wood floors lend an air of relaxed formality. On the other hand I also can see the more tailored and modern sensibility of Vicente Wolf. I am somewhere in between here. Both are masters when it comes to using the soft greys and blues so often found in Northern European climates:

These rooms from "Axel Vervoordt, Timeless Interior" by Armelle Baron, Photos by Christian Barramon

"Learning to See" by Vicente Wolf

"Crossing Boundaries" by Vicente Wolf

I would start with wide plank, lime washed floors and use a plaster with integral grey/blue color for the walls. The ceiling would also be plaster in an ivory color. Perhaps there would be a simple fireplace mantle as in the Vervoordt photo above in aged marble.

(Oh! I just have to add that I would take the chandelier and re-plate the brass metal in zinc or something that would have that same flat gr