In Albert Park, Australia, architect Matt Gibson came up with a great design for George Residential, with a a classic Victorian workers cottage look on the front and a contemporary terrace at the back end. Combined as a metaphorical bridge of history between the front and the rear, the house has a minimalist design with a huge livingroom with an LCD to spend some quality time, a beautiful wooden kitchen with well defined shapes and all the needed utensils and a concealed fold away door that makes the connection with the back terrace. Both the colors and the materials seem to bond really well to creating a warm modern home. I’d really wish to know how much they spent to have George Residential like that! - via Momoy

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George Residential by Matt Gibson

The blogging girl

 couldn?t help but 

wonder

 what lay behind

 the pink door????

 Perhaps pots of Moroccan gold?

Designed by Yoonsang Kim.

http://www.yankodesign.com

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It was hot in Marrakech.  Oh, very hot.  So she escaped to that town on the Moroccan coast, Essaouira, her favorite Summertime (and anytime) haunt. 

Now she was no longer a Spring chicken (sadly, so sadly).  And so she had stayed in quite a few guest houses and hotels in her time.  Some luxurious with down pillows and beautiful bath products and some......well, not much better than sleeping on the floor of the bus station (oh dear). 

But had she ever stayed anywhere - anywhere at all -  like Dar Beida?  No never.  It was organic and Moroccan and African and modern and high/lo all at the same time.  This was the sort of place that you could imagine yourself staying in, well, forever.  This little house on four floors was so lovely, that she promptly began thinking up all her best arguments to get the British owners to sell it to her.  (My, weren't they tired of Morocco yet?  What did they mean, No?)

It was all in the details, you see.  Now she couldn't possibly share them all in one batch.  But here's a few to start..........

A charming place to hang the house keys........Each key with a treasure from nature attached.

Two chairs in the entry where you could sit and gaze at.......

This darling little rustic steer display....The blogging girl was quite fond of cows, and this suited her to a tee.

There was an interior courtyard in the center of Dar Beida and African art placed here and there. (The girl had her very own body masks like the one in this image that she had collected in Tanzania, South Africa, and Kenya.)

Oh yes, please do perch on this little  stool and read from the enormous trove of interior design magazines...........Heaven!

This vintage African chair was covered entirely with tiny beads.  How very amazing. 

The chair was in this charming little bedroom.  The bed was covered with a fine wool vintage haik, worn by Moroccan women once upon a time.  (The girl had several of these horded for her shop.)

Oh the view from the roof terrace......She could smell the sea.  (And the girl had these very same mod chairs for the roof of Peacock Pavilions.  Could it be that Dar Beida had everything she liked?)

The girl sat and talked on the phone while checking her Blackberry.  She told everyone she might be staying in Essaouira for a good, long time...........Could she be a stowaway at Dar Beida?

***********

Dar Beida, Essaouira, rented only in its entirety (which is a good thing because you'll want it all for yourself...)

emma@castlesinthesand.com

mobile:  +212/67965386

A friend of mine introduced me to a wonderful source of handmade wallpaper. According to the Grow House Grow site and creator Kate Deedy, the wallpaper designs are are inspired by a lifelong love of storytelling. The paper can be purchased in rolls or by the sheet, and each pattern is available in three different color combinations. I think the Sweatpea print (part of the Cottontail collection) would be great in a kid’s room. But switch it to the tapioca color scheme, and it’s all grown up! –Erica P.

If you’ve ever wanted a really nice pool for your house what you’re gonna see today might be a design that you’ll love. This is a creation of Taiwanese sculptor/artist Ju Ming and is called the “Zipper Pond“. This creative lotus pond is now one of the feature attractions of the Juming Museum, located in Taiwan, and I’m pretty sure that a lot of pictures were made in this place. Finally if you were looking for a really cool pool design and you couldn’t found one to impress you, then I hope that this one at least inspired you.

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One Really Cool Idea for an Original Swimming Pool

And no, it's not the spatter pattern that is discussed so frequently in episodes of "CSI". It's "Spatter", and it's one of my favorite Hinson prints. Designed by Harry Hinson in 1974, the print was inspired by the spatter motif found often in Colonial ceramicware (this according to a 2001 New York Times article). The article also mentioned that it's a print that counts Albert Hadley and Jeffrey Bilhuber amongst its fans. I've also read that Billy Baldwin used it in his Nantucket home, but I can't find a photo.

So, just where can you use a print like "Spatter"? Well, Harry Hinson used it in his East Hampton home (shown above), and I was thrilled to see it in another Hamptons house designed by Tom Scheerer (and featured in the August '08 issue of House Beautiful). But I do think you can use it in a city home too. How about in a powder room? Or a kitchen? Just think of "Spatter" as a modern take on early Americana.

And speaking of Americana, I was curious about Hinson's supposed inspiration for this print. Just what was spatter and how was it used during Colonial times? Well, one of the prime examples is spatterware. According to a ceramic curator at Winterthur, spatterware was originally manufactured in England where it was known as spongeware. As spongeware was not particularly popular in England, most of it was shipped to the American colonies where it became known as spatterware. And it was here in America where spatterware became extremely popular, especially amongst the Pennsylvania Germans. Sponge and spatter painting was also used on furniture, walls, and floors during this era.

So although I can't corroborate whether Hinson was actually inspired by spatterware or not, it's something to ponder. If you would like to learn more about spatterware, you should visit Winterthur. Henry Francis du Pont was a major collector of it, and there is a magnificent display of his collection in Spatterware Hall at Winterthur. Or you can read more about his collection here in an interview with du Pont's daughter, the lucky recipient of some of her father's collection.


(Many thanks to everyone at Winterthur for assisting me in my research of spatterware.)



Two images of Scheerer's fabulous wallpaper selection for an East Hampton cottage (image from House Beautiful, Aug 08; Simon Upton photographer).


A Spatterware platter, c. 1825-1855, Staffordshire England. Does this not look modern to you? Bequest of Henry Francis du Pont; image courtesy of Winterthur.


Spatterware pitcher, c. 1825-1855, Staffordshire England. Bequest of Henry Francis du Pont. Image courtesy of Winterthur.


Four examples of Spatterware jugs, c. 1825-1855, Staffordshire England. Bequest of Henry Francis du Pont. Photo courtesy of Winterthur.

Image at top: "Spatter" in blue and white on the walls and curtains of Harry Hinson's East Hampton dining room.

Photo by wespionage

Have a lovely weekend!