What a great pillow by Nate Williams. Check out more of his art here.

http://www.urbanoutfitters.com

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Or should I make that Hutton Wilkinson style? In the June/July issue of C magazine, there is a neat little article about the way Hutton Wilkinson and his wife Ruth entertain at their home "Dawnridge" (you know, Tony Duquette's former home). On the table above, set for a luncheon, Wilkinson chose an emerald green tablecloth for the table, which is adorned with Chinese figures and pagodas from Duquette's collection. I just love the ballroom chairs with their malachite-patterned chair pads. And continuing with the malachite theme are the plates by D.L. & Co.

And what will the guests eat and drink at this elegant luncheon in a rather exotic setting? Hibiscus lemonade, Fattoush salad, and fromage blanc with berries and honey for dessert. I don't know if the guests will get the chance to have a piece of the "coral" cake, seen below- it's too pretty to cut!

Finally, the satiated guests will get to take home a very stylish party favor- a D.L. & Co. Duquette candle. My luncheons and dinners tend not to end with favors, but I just might change my mind!


A cake too pretty to eat! Cake by Cake Divas in Los Angeles


I'm smitten with these malachite plates D.L. & Co.


The Duquette candle by D.L. & Co.

(Image at top and of cake from C Magazine; Peter Wintersteller photographer)

So I learned about this design duo Nickey Kehoe (Todd Nickey & Amy Kehoe) from Domino magazine's "Domino 10". I love that they describe their approach to interior design as avoiding "design diva energy"! I can understand that. While I can appreciate that type of diva energy and design style, it's not exactly something I'd want in my house. I'm sure their portfolio doesn't show their current projects, so I hope they add more images of their warm minimalist style.

A while back, I wrote about the much loved Le Lac print and its popularity with designers. Well, with so many wonderful prints on the market, Le Lac is not alone in the pantheon of iconic designs. What other prints seemed to have passed the test of time? Why, La Portugaise by Brunschwig & Fils, and it's one of those prints that seems to pop up over and over again.

According to Brunschwig & Fils Up Close, La Portugaise is reminiscent of indienne prints and is "a nineteenth-century adaptation made up from the borders of a palampore formed into stripes." And in Keith Irvine: A Life in Decoration, Irvine notes that the print, one of his favorite fabrics, used to be available at Rose Cumming's shop before Brunschwig & Fils began to offer it. Just another tidbit to add to the print's illustrious history.

Now, I know that many of you might look at this print and think "No way!" La Portugaise is certainly not for everyone. I like how the print has been used in the rooms below, but would it work in my home? Probably not. Still, there is a delightful quality to this print that lends to its allure. And as it is a favorite of so many design legends, it certainly deserves recognition as a top ten fabric!

How can you argue about a print that is found in THE most famous room in the history of American design, Brooke Astor's famed oxblood lacquered library designed by Albert Hadley. (My tip to you: save any photos you can of this glorious room- just in case the new owner decides to disassemble this masterpiece.)




Keith Irvine has used La Portugaise throughout his career. It seems that this print as well as Le Lac are his two favorites.




Jeffrey Bilhuber used the print on an upholstered chair in this room; it's a nice counterpoint to the hushed neutrals used in the rest of the room.



And that charming, erudite Mark Hampton used the print in the living room of his Hamptons home. With a painting like this, who needs a photograph?

Image at top: A close-up shot of a La Portugaise upholstered chair in the library of the late Brooke Astor.

I know many of you are in the throes of planning Spring parties and charity events, and believe me, I know that it can be daunting to decide on a scheme for an event. Sometimes all it takes is a spark... which is why I thought I would show some images from last week's New York City Ballet Spring Gala which was designed by none other than Charlotte Moss in collaboration with the talented DeJuan Stroud. (Moss and her husband Barry S. Friedberg were also Chairmen on the event.)

The event kicked off the Ballet's Jerome Robbins Celebration, so naturally the evening's program included such Robbins' works as Circus Polka, The Four Seasons, and of course West Side Story Suite. It was the graphic backdrop of this last piece that inspired the design duo's scheme for the event: yellow and black. I think this was an interesting choice because this color combination is graphic and gutsy and is not usually seen in Moss' residential work. But this is where Moss and Stroud were absolutely correct- when planning an event, sometimes you've got to think big and bold. What might work in a small room at home might fall flat in a large space, especially one like Lincoln Center.

Stroud and Moss, seen above attending to pre-gala details, kept things interesting by mixing up the table settings. Some tables had yellow cloths and small arrangements of yellow roses and protea, while others were all about black- black tablecloths, big black vases, and tall branches of forsythia.








Mixing up the table settings keeps things interesting.

Of course, the table settings are not the only things that need to be considered. What to do with the general atmosphere of the space? Are there architectural details that can be incorporated into your design scheme? Are there large voids that need to be attended to? In a place like Lincoln Center, it was important to make sure guests did not feel overwhelmed by the vastness of the space. I think they managed the space issue quite successfully, both with the tall masses of yellow flowering branches and with the yellow sculptural pieces hanging from the ceiling. And how great does the yellow and black striped banner look behind the Nadelman sculpture?


Bringing a large space down to size


It's all about the details

I hope that these tips might help you in planning your next event. With a little creativity, forethought, and careful planning, not only will your party be a success, but you too will be cool as a cucumber the night of the event. Just like Charlotte Moss.


Moss making her entrance at the Gala.

(For more information on the New York City Ballet, click here.)

(Image of Moss at top courtesy of Erin Baiano/Paul Kolnik studio. Decor shots and image of Moss at bottom: Mary Hilliard.)

this morning while i was holding ms. jackson in my lap and waiting for her soft paws to dry, i flipped through the new williams sonoma catalog and pretended that she was really interested in hearing my opinion on everything inside. she clearly wasn’t, but i thought this faux bois chair was fun. i wish it had cuter legs (i’d like this kind) but the fabric is pretty fun. click here to check it out.

it’s our third week focusing on australia and our latest regional roundup focuses on brisbane, australia’s third most populous city. today’s line up stars tiel seivl-keevers {tsk-tsk}, mel robson, jason grant {inkahoots}, tiffany shafran, and alex tebb. we’ll be back tomorrow with our final australian roundup so be sure to check back, but in the meantime, click here to check out today’s designers (there are many more below the fold). [thanks again to all the fabulous designers! all the roundups can be found here.] -anne

[aussie porcelain above by mel robson. check out her feature below]

Tsk-tsk

1. Where are you from? Where do you live now?
I’m from Australia. I have lived in many different cities here, but I’m currently living in Brisbane, Queensland.

2. Describe your work
Most of my work is illustrative. I create original artworks or limited edition prints for children and grown ups. I’m exploring a range of themes including matryoshka dolls, birds, flora and fauna.
My works are mostly small in scale so I can finish them!

3. How is your work influenced by where you live?
I live in a warmer climate so the outdoor lifestyle does influence my work. I pay attention to the wildlife around me, particularly the birds and I enjoy the colours of where I live. Brisbane is a very light and sunny place.  I’m very close to the ocean and some of Australia’s best beaches, but it is the trees and hills that I feel closest to. I often pick up leaves and pods on walks and take them home to study.

4. Where do you go in Australia when you want to feel inspired?
Melbourne. It is home away from home for me. I lived there on several occasions and it is so full of life. Art, craft, design, good food. But locally I enjoy being in a park near the river, or going to a few suburbs here that have hidden shopping treasures. Also the gallery of modern art has a continual range of exhibitions and displays catered for all ages. It is such an amazing space.

5. How would you describe the Australian design scene?
I think here we are influenced so much by so many different cultures and countries. We then somehow take bits of pieces from that, combine them with our surroundings and it becomes quite unique to anything else. There are so many good Australian designers who have emerged over the last 10 years and I really get a sense that a lot more quality design is about to bloom..

6. If you could go anywhere where would you go?
Today, somewhere a little warmer like Fiji! But I really am keen to go to Japan. The history, design and food really interests me.

Check out more of Tiel’s work here and her blog here.

Mel Robson

1. Where are you from? Where do you live now?
I grew up in a little town called Murwillumbah (which means place of many possums!!), but I now live in Brisbane (right in the middle of the east coast of Australia) and have been based here on and off for the last 15 years or so.

2. Describe your work
I make objects from porcelain. I design and hand make ranges of functional and decorative objects for the home, as well as limited edition and one-off exhibition works. I use a lot of text and imagery on my pieces which I draw from a whole array of sources - old letters, wallpaper, photographs, maps, recipes, sewing patterns, excerpts from old books and magazines etc. I take lots of old things and work them in to new ones.

3. How is your work influenced by where you live?
I’m probably influenced more by the built environment rather than the natural environment - the architecture, the buildings and houses. Brisbane has grown a lot in the last decade and is a real mish mash of old and new. This doesn’t always work so well but there are little pockets where the old and the new sit comfortably, even beautifully, together.  I like this. Its something I try to achieve in my own work – weaving together the past and the present, integrating them.

4. Where do you go in Australia when you want to feel inspired?
I find that I get most of my best ideas while I’m walking. I like to go hiking, so our national parks are pretty inspiring for me. There is nothing like wandering along deserted trails for clearing the mind and making space for new ideas. At the moment though I walk mostly around my local area, which is an old area of Brisbane filled with charming houses and shops full of character (and characters)!

5. How would you describe the Australian design scene?
I think Australian designers have a good sense of humour and often approach design with a sense of playfulness and wit. We are good at sarcasm and laughing at ourselves and I think this is often reflected in the work of our artists, craftspeople and designers.

6. If you could go anywhere where would you go?
Hmmmmm…..where wouldn’t I go?! I’d like to spend more time in Europe, particularly the Scandinavian countries.

More of Mel’s work here, and her website (under construction) here.

Inkahoots

1. Where are you from? Where do you live now?
I was born in New Zealand and now live in sunny Brisbane, Australia.

2. Describe your work
I’m part of design group Inkahoots that includes Robyn McDonald, Ben Mangan, Joel Booy and Kate Booy. Rather than privilege market agendas of commodification, the studio promotes visual communication as an important tool of cultural critique and transformation. The work is visually adventurous with a strong typographic focus, and aims to be daring and searching, not for the sake of newness, but to give expression to a changing society.

3. How is your work influenced by where you live?
For a long time Brisbane was a politically oppressive and culturally conservative place you needed to escape. So it bred a resilient underground oppositional culture that continues to influence the city. The rainforests, bush, and beaches around Brisbane are incredible. And the scale and pace of the city makes it both a great place for work and play, and for playful work.

4. Where do you go in Australia when you want to feel inspired?
I’m not so comfortable with the idea of chasing inspiration.

5. How would you describe the Australian design scene?
If it were a super hero it would be one of those characters with random control over their super-human powers.

6. If you could go anywhere where would you go?
Satori.

Click here for more by Inkahoots.

Posted by Bluelines

A few people we think you will like.

You may or may not know Bluelines has some pretty creative and helpful friends in the blogosphere.

The Bride's Guide has charming and original ideas for brides-to-be.

While Dinner Tonight can save you from buying that frozen pizza with fresh and simple (we swear) dinner ideas every day. Yes, every day.

Finally, Did you think that Martha Stewart making Cherry Mojitos with the Google guys would happen on an average Wednesday? You can read about that and many more adventures on The Martha Blog.

JBL just launched a new set of speakers that are uniquely shaped to provide multiple installation options depending upon your space. They are called the Control Now speakers and they are priced at around $250 each ($280 for an outdoor version). The Control NOW speakers feature a quarter-round shape which means the speakers can be mounted between a ceiling and a wall or between two walls, or horizontally/vertically on the bookshelf, a few examples of how these speakers can be used you can see in the image below. The 8-Ohm speakers offer a frequency response from 80 Hz to 30 KHz, and can handle up to 300 Watts at peak, although 150 Watts is a more realistic maximum power. The speakers offer an integrated 2000 Hz crossover that divides the work between the main drivers and the 3/4-inch high-frequency horn, and they feature removable push terminals for connecting speaker cabling. You can buy them from here. - Via - Gearcrave & 71grandos

Post from: Interior Design, Home & House Design, Furniture

From Cody Hudson

From You Work for Them

From Tamara Shopsin

For those of you that have not yet seen this gorgeous hunk of crystal, let me fill you in: the incomparably witty, creative and hilarious design blogger Maison 21 has thrown down the glove. He has challenged all who dare to design a room around what has been described as the "Moscow Mafioso" chandelier. Now, at first glance, one might consider this to be a mite "over the top", a bit crass, a tiny bit Atlantic City Trump.

But there was something about it. It conjured up something I couldn't quite place. Something romantic and exotic. So when I commented on M21's blog saying I thought it would be sort of fantastic in the right setting, he called me out. And I am just not one to back down from a challenge...although perhaps in this case I might not recover.

OK, now do you see it? That's right...Dr. Zhivago. The ultimate Russian romance with icy onion domes. So there you have it. This is my inspiration.

So where to begin? I thought I would place this brilliant extravaganza of a chandelier in a Dining Room. I love the restrained eye of Axel Vervoordt. His use of natural elements like plastered walls and lime washed wood floors lend an air of relaxed formality. On the other hand I also can see the more tailored and modern sensibility of Vicente Wolf. I am somewhere in between here. Both are masters when it comes to using the soft greys and blues so often found in Northern European climates:

These rooms from "Axel Vervoordt, Timeless Interior" by Armelle Baron, Photos by Christian Barramon

"Learning to See" by Vicente Wolf

"Crossing Boundaries" by Vicente Wolf

I would start with wide plank, lime washed floors and use a plaster with integral grey/blue color for the walls. The ceiling would also be plaster in an ivory color. Perhaps there would be a simple fireplace mantle as in the Vervoordt photo above in aged marble.

(Oh! I just have to add that I would take the chandelier and re-plate the brass metal in zinc or something that would have that same flat grey color. Can I do that and still stay within the rules of the game?)

Add these chairs (love those feet. A little reminiscent of a wolves at the door.):

In a fabric like this cool blue linen velvet by Lee Jofa:

A painted trestle table used as a sideboard, in a Scandinavian style:

With an over scaled (read: huge) winter landscape by Kate Bright on the wall above it:

The table could be flanked by these urns on pedestals (sort of adds that touch of the Czar I think!):

Over the marble mantle, a little wild life:

Two cut glass mosaic mirrors on the walls flanking the fireplace:

In front of a wall of windows draped in an ivory wool, two of these hooded chairs would keep out the chill:

A glass side table from Oly Studio in between seems to be a sculpture of ice.

(OK....I really don't know where to get a plate like this....you would be surprised what came up with a Google search of Dr. Zhivago)

{foglie iron bed by tuscan hills}

{the cocoon hammock, by henry hall designs}

maybe i'll just go for both? :o) which would you choose?
hope you have a rejuvenating weekend!

i've never done one of their assignments, but have been fantasizing about joining in. if you do one, please let me know ~ maybe it'll be just the inspiration i need to finally take part.

{from the "make an encouraging banner" assignment}

{from the "photograph the sun" assignment}

{from the "recreate an object from someone's past" assignment}

{from the "fix something" assignment}