So I learned about this design duo Nickey Kehoe (Todd Nickey & Amy Kehoe) from Domino magazine's "Domino 10". I love that they describe their approach to interior design as avoiding "design diva energy"! I can understand that. While I can appreciate that type of diva energy and design style, it's not exactly something I'd want in my house. I'm sure their portfolio doesn't show their current projects, so I hope they add more images of their warm minimalist style.

I'm not sure how many of you read World of Interiors, but the May issue has a great but brief article on the bathrooms of the Duke and Duchess of Windsor at their Bois de Boulogne home. Photos of both bathrooms as well as the rooms' contents were included in the Sotheby's auction catalogue from 1997. But beyond what was included in the catalogue, I knew little about these rooms.

In the article, writer Hugo Vickers (who has written a book on the famous couple) touches briefly on the Duke's bathroom, which was elegant but rather plain (Vickers writes that the Duke, who preferred showers to baths, had a "Psycho" like shower in his bathroom). But fortunately for us, Vickers focuses on the Duchess' charming bathroom.

I learned that Dmitri Bouchene, a Russian painter and set designer, painted the ceiling of the bathroom to give it a tent-like effect. If you look closely in one of the photos, you will see an oculus painted in the ceiling which reveals a cloudy blue sky beyond the tent. Bouchene also painted garlands of flowers on the walls, and even painted scenes on the walls of the loo (see the photo below of the figure who is blind-folded, giving the Duchess her privacy!). I was always curious about the gilt-framed small paintings that were hung around the bathtub. According to Vickers, these paintings are actually New Year's cards that Bouchene sent to the Windsors every year. Lucky for Vickers that he successfully bid on many of these cards at the 1997 auction.

Of course, we're all familiar with the Cecil Beaton painting of the Duchess, hung on the mirrored wall above the bathtub. And those purple towels? They're by Porthault and are monogrammed with Wallis' cypher "WW" (Wallis Windsor) as well as the royal ducal coronet. I remember seeing the towels, or at least the bath mat, in the auction catalogue; I wonder who the lucky bidder was?

But I think that the most amusing anecdote from the article was Vickers' reminiscence about his shock upon seeing that Wallis' toilet had a plastic seat! And Wallis evidently was not alone- Vickers claims that Diana Vreeland had one too. Quelle horreur!







(All images from World of Interiors, May 2008; photographer Fritz von der Schulenburg)

Maria Beatrice and Leonardo Ferragamo’s Villa Le Rose

Oh how I want to be Margaret Russell, the Editor of ELLE DECOR. In addition to her unparalleled editorial skills, she must have about 8,000 cocktail dresses that look fabulous on her. In the foreward to my new favorite book, So Chic: Glamorous Lives, Stylish Spaces, she defines what makes a space chic:

But what exactly is chic? Webster’s defines the word as “cleverly stylish; smart; a woman who adapts fashion to her own personality.” When it comes to interiors, chic is that and far more. A chic space can be razzle-dazzle glamorous or quietly unpretentious, seriously sophisticated or unapologetically bohemian. The unifying thread is indisutabley confidence, no doubt boosted by splashes of joie de vivre and flair.

Jaouad Kadiri’s Moroccan Country House

Kenneth Jay Lane’s Stanford White Designed Park Avenue Townhouse

This is a really good way to describe ELLE DECOR. They offer a wide range of styles in their spreads unlike any other magazine, from over-the-top opulence of say, Kenneth Jay Lane, to the lived-in rustic look of Ralph Lauren; from the eclectic vibe of Anh Duong to the elegant Grey Gardens-esque decay of John Derian; from the vintage but modernly crisp Thomas O’Brien to the exotic shapes and textures used by Jaouad Kadiri. This book culls the best examples from the magazine’s archives, and the range of styles is remarkable. The common thread is that they are all, undoubtedly chic due to the designers’ individual styles, whether they be influenced by the Ottoman empire, mid-century modern, vintage, Hollywood Regency, Morocco, the eclectic mix, et. al.

Ranjana & Naeem Khan’s SoHo Loft

For example, I took note of the different wallcoverings in the book. There were crisp white walls, classic murals, antique Chinese wallpapers, grasscloths, ethnic tiles, genius artwork arrangements, mirrors, bold stripes and luxurious printed fabrics.

Muriel Brandolini’s Upper East Side Townhouse

Tamara Mellon’s London Flat (O.K., I want to be her the most; she has every Jimmy Choo shoe in her closet!)

Sheila Bridges’ Harlem Apartment

Thomas O’Brien’s Wall of Inspiration

Delphine and Reed Krakoff’s Southampton Home

Anh Duong’s West Village Loft

Sarah Jessica Parker’s Hamptons Home

John Derian’s Lower East Side Pad

It was impossible to pick favorite photos from this book, but I thought these were some great examples. Here are the photo credits, in order, from the elite group that shoots for ELLE DECOR:

• Pieter Estersohn

• Henry Bourne

• Pieter Estersohn

• Simon Upton

• Pieter Estersohn

• Simon Upton

• William Waldron

• William Waldron

• Reed Krakoff

• Simon Upton

• William Waldron

• William Waldron

For example there was a pair of traditional drum tables flanking the sofa in the Living Room that he topped with organic tree trunk lamps. Very unexpected, but it gives the space a humorous edge. Instead of the expected Oriental area rug, he uses a goatskin rug to change things up a bit.

In the Family Room, he uses soothing light colors with just one punch of color in the art to expand the smallish space into something that seems much larger. Gorgeous!

For many more photos from the Wick Design Group's portfolio, be sure to check out this post from Desire to Inspire.

I believe I have a new crush!

Photo by Scott Francis

Michael Schaible's stunning retreat on the North Shore of Mexico's Lake Chapala. Amazing.

Photo by Durston Saylor

The very glamorous New York apartment of the very glamorous Geoffrey Bradfield. It is worth a look just to see Mr. Bradfield in his pastel pink suit!

Photo by Mario Ciampi

The flat in Venetian Palazzo owned by Belgian designer Axel Vervoordt. There is so much in this article, I can't even begin! It is a breathtaking masterpiece, and this piece alone is worth the full cover price.

Photo by Scott Francis

The Mid century Yacht design of Mitchell Turnbough. This is a nice break from the unreachable over the top luxury yachts you typically might see. It is so well done in a more understated way, and something that takes me back to my "sailing" days. There is something reminiscent here of the yachting days of the early 20th.

Photo by Derry Moore

The Spanish country house of Jaime Parlade at Alcuzcuz in Andalusia. There were so many beautiful photos here, it was very difficult to just choose one "teaser". I thought this bedroom was a very personal space that let Mr. Parlade's personality shine through. It is a smile producer.

Photo by Leigh Brown

The Sonoma County Craftsman Hillside Farmhouse of Jacques Saint Dizier. The interiors keep to the Craftsman roots without becoming expected. Loved it!

Photo by Durston Saylor

The Manhattan apartment Of Francine Coffey. A decidedly different look from the other choices for this issue, it is a very boldly colored Neoclassical design she refers to as "nouveau Federal". Hmm. There is alot of plaid. In this particular photo I could be sold. I would love your thoughts on the rest of the apartment!

Photo by Mary E. Nichols

The Pacific Heights home of Banana Republic President, Jack Calhoun. I thought many of you would be very curious to see this home!

And if this weren't enough, there are several captivating hotels from around the world...each very different and unique:

Photo by Tim Beddow

The Taj Mahal Palace and Tower. The Ceiling!

Photo by Scott Francis

Huntley Santa Monica Beach. So very cool.

Photo by Erhard Pfeiffer

The Ritz-Carlton, Bahrain Hotel & Spa. Ready to go?

There are, of course, all of the extras that you would normally expect from AD.

On top of that you can see the first four homes of the Open Auditions which AD began in October of 2007. Over the next seven months, the AD panelists saw over 1000 projects and have narrowed the field to 50 that have been chosen for publication.

I may be taken in by the quantity of very good stuff in this issue, but it also seems that the photography is fresher, brighter. Scott Francis, I have been informed, has been shooting for AD for many years and has a number of projects photographed for this issue. Very beautiful photos all around.

I just know I was very pleasantly swept off my feet by this issue. I think you will be too. Let me know what you think!

Known for his spare interiors as well as his use of humble, natural materials, Jean-Michel Frank is one of those designers who is often credited by contemporary designers as being a major influence, yet he has remained a bit of an enigma. Perhaps this was due to his all-too brief career and life, having committed suicide in 1941. Or maybe it was because some critics labeled Frank a society decorator. Whatever the reason, critical study of Frank's career did not begin in earnest until the 1980s with a monograph written by Leopold Diego Sanchez. Unfortunately, this book is a bit scarce as well as cost-prohibitive. There is, however, a new work on the design legend that is not only quite comprehensive and informative but will probably prove to be yet another authoritative work on Frank.

Jean-Michel Frank: The Strange and Subtle Luxury of the Parisian Haute-Monde in the Art Deco Period (Rizzoli) initially took shape as the doctoral thesis of Pierre-Emmanuel Martin-Vivier, a historian and authority on twentieth-century applied arts. The book provides the reader with a biographical account of both Frank's life as well as an in-depth look at his career as a designer of both spaces and furniture. While Frank's success was certainly guided by his talent, it was also nudged along by Frank's fortuitous friendships with the French and European beau monde, something which is explored in the book.

But Frank certainly developed a style that was all his own, and this is really the heart of this book. Much attention is given to Frank interiors, including his work for Jean-Pierre Guerlain, Andre Meyer, Templeton Crocker, Cole Porter, and of course Charles and Marie-Laure de Noailles. Today, Frank seems to be recognized more for his furniture designs than his interiors, so the text and photographic record of Frank's tables, lamps, and chairs are a major asset of Jean-Michel Frank. Also, Frank's career was characterized by collaborations with other gifted designers and artists, most notably Adolphe Chanaux, Alberto Giacometti, Christian Berard, and Emilio Terry, and this work is given due diligence in the book.

I'll admit that I have not yet finished this book; I'm taking my time reading the text, and I find myself getting lost in the gorgeous black and white photos chronicling Frank's work. But so far, I do feel that I better understand the genius and the style of this sad artist, and for this alone I highly recommend this book.



The Sitting Room in the penthouse of Templeton Crocker, San Francisco, 1929. The walls and ceiling were covered in squares of parchment, while the armchairs were upholstered in white leather. One of the Parsons-style cocktail tables was covered in brown shagreen, while the other was sheathed in patina bronze.


The Music Room in Cole Porter's Paris apartment. Although Armand-Albert Rateau was responsible for the paneling (silver lacquer at that), Frank designed the furniture.


Image at top: A Fire Screen covered in straw marquetry, c. 1924. The cabinet at bottom was covered in parchment, c. 1931.


A set of parchment nesting tables and an X lamp made from terra cotta.

Much of my summer jewelry is heavy on the coral and turquoise beads- it's a great way to add some color to your wardrobe. And perhaps the same could be said for your lighting too. What about some turquoise and coral on your chandeliers and sconces? I think that the designs below by Los Angeles interior designer Marjorie Skouras are so striking, especially the turquoise bead chandelier. While Skouras' lighting line would be perfect for beach homes, I can actually see them working quite well in interiors in colder climates too. In addition to lighting, Skouras also designs accessories such as tiebacks, hardware, and candlesticks, not to mention furniture too. I've included a few of her pieces here as well as some photos from her design portfolio. Enjoy!


An eclectic room designed by Marjorie Skouras


Turquoise Empire Chandelier


Red Coral Sconce


Coral Tieback

Image at top: A Skouras designed room filled with pretty shades of pink, blue, and greens.