So I learned about this design duo Nickey Kehoe (Todd Nickey & Amy Kehoe) from Domino magazine's "Domino 10". I love that they describe their approach to interior design as avoiding "design diva energy"! I can understand that. While I can appreciate that type of diva energy and design style, it's not exactly something I'd want in my house. I'm sure their portfolio doesn't show their current projects, so I hope they add more images of their warm minimalist style.

Back in January 2006, we wrote a post entitled Eight Questions to Ask Before Hiring an Interior Designer. The eight questions were part of an article in Home magazine and we linked to the magazine.

We like to link to an article and highlight several questions in our post, rather
than list all the questions. That way people go to the linked site and we both benefit from the traffic. One of our frustrations looking back at some of our posts is that not all articles are archived. If you click on the link above, you land on the magazine’s website, but it’s the June 2008 issue and the “Eight Questions…are gone!

It’s been awhile, so, because of inflation, we’ve come up with our own eleven questions:

1. Do I like the designer? Can I spend a lot of time with him/her? Good communication is a must. Working with an interior designer involves some give and take. You will share ideas, and the designer will contribute insights and advice based on his or her talents, knowledge and experience. Depending on the scope of the project, you could be working with your designer a couple of weeks to many, many months.

2. Do I get that he/she is trying to understand me by asking a lot of questions? The key to success is really getting to know you in the early stages and how you and your family use your home and your interests.

3. Does the scale of my project really warrant an interior designer? Even if you think you could accomplish the redesign, do you have the time and inclination? You need to be realistic about how much money you are willing to spend. Include in this estimate the cost of all raw materials, new furniture, labor for installations, and possibly a designer.

4. How do you charge for your time? Designers may charge by the hour, which can be anywhere from $35 to $300, and these costs can quickly mount up. Others may offer a free first consultation, and then quote you a flat fee on the basis of your discussions. Some may charge for the first meeting in advance and then a fee for the whole project based on the estimated hours. Some may bill you for hours used each month. Some may bill each month a level amount. Some may get a designer discount and pass some or all the savings on to you. Whatever the basis on which your interior decorator is paid, make sure you both agree on the budget.

5. Can we accomplish the redesign and stay within my budget?

6. I can’t decide if I like the design. Do I still have to pay for it? “Yes! When you decide to hire an interior design firm, you have decided to trust the design recommendations of that firm.�

7. Are you available for conversation about changes and fine tuning? A good designer knowing you may present you with several options and give you the choice of one or the other. ASID recommends: “Minimize changes to your plan. Each part of the design will affect the whole. Changes or special requests can require any number of adjustments that will add time and expenses to your project.

8. My friend doesn’t like your ideas. Why shouldn’t I listen to her/him? If you have to ask this question you should probably have hired your friend.

9. Can I go to the local Design Center? With or without you? Of course, just let them know that you are working with a designer and his/her name.

10. What if a piece of furniture comes damaged? The furniture store should inspect the furniture when it arrives. The designer should also inspect the furniture before it goes to the client. If something is missed or it breaks when it is used, the designer and the furniture store will work together with the vendor to resolve any problem.

11. How long does it take to receive things, once they are ordered? Here’s a guideline (though individual vendors may vary):
Upholstered Furniture: 10-16 weeks depending on vendor.
Casegoods – Chests, bookcases, tables, hutches, etc.: 8-12 weeks depending on vendor.
Window Treatments: 6-8 weeks depending on size of job
Accessories, Lamps, Art Prints, Silk Flowers/Plants: 4-6 weeks or less.
Rugs: If machine made, 2-4 weeks. If hand knotted, 3-4 months
Wallpaper/Fabrics: 3-5 days.

Several websites contributed to this list of questions and their answers:

Apartment Therapy LA Good Questions: Hiring an Interior Designer
ASID Working with a Designer
Nancy Werneken Interior Design Frequently Asked Questions
Lynle Ellis Designs Before You Hire an Interior Designer
NWSID Why Hire an Interior Designer?
CCIDC Frequently Asked Questions About Certified Interior Designers
Directory M articles Interior Decorator

Bev & Mike
Landfair Furniture + Design Gallery

I'm not sure how many of you read World of Interiors, but the May issue has a great but brief article on the bathrooms of the Duke and Duchess of Windsor at their Bois de Boulogne home. Photos of both bathrooms as well as the rooms' contents were included in the Sotheby's auction catalogue from 1997. But beyond what was included in the catalogue, I knew little about these rooms.

In the article, writer Hugo Vickers (who has written a book on the famous couple) touches briefly on the Duke's bathroom, which was elegant but rather plain (Vickers writes that the Duke, who preferred showers to baths, had a "Psycho" like shower in his bathroom). But fortunately for us, Vickers focuses on the Duchess' charming bathroom.

I learned that Dmitri Bouchene, a Russian painter and set designer, painted the ceiling of the bathroom to give it a tent-like effect. If you look closely in one of the photos, you will see an oculus painted in the ceiling which reveals a cloudy blue sky beyond the tent. Bouchene also painted garlands of flowers on the walls, and even painted scenes on the walls of the loo (see the photo below of the figure who is blind-folded, giving the Duchess her privacy!). I was always curious about the gilt-framed small paintings that were hung around the bathtub. According to Vickers, these paintings are actually New Year's cards that Bouchene sent to the Windsors every year. Lucky for Vickers that he successfully bid on many of these cards at the 1997 auction.

Of course, we're all familiar with the Cecil Beaton painting of the Duchess, hung on the mirrored wall above the bathtub. And those purple towels? They're by Porthault and are monogrammed with Wallis' cypher "WW" (Wallis Windsor) as well as the royal ducal coronet. I remember seeing the towels, or at least the bath mat, in the auction catalogue; I wonder who the lucky bidder was?

But I think that the most amusing anecdote from the article was Vickers' reminiscence about his shock upon seeing that Wallis' toilet had a plastic seat! And Wallis evidently was not alone- Vickers claims that Diana Vreeland had one too. Quelle horreur!







(All images from World of Interiors, May 2008; photographer Fritz von der Schulenburg)

Isn't it amazing how people who were once celebrities can fade into obscurity? The same thing can be said for celebrity decorators, especially William Pahlmann. Okay, so perhaps he's not an obscure designer, but he does not have the name recognition of Dorothy Draper or Elsie de Wolfe. If this were 1950, we would all be talking about Pahlmann. After all, he was one of the most famous decorators of the 1940s through the 1960s.

Pahlmann, who was educated at Parsons in the late 1920s, first gained notoriety after designing a mirrored bed for the first Mrs. William Paley (this according to Legendary Decorators of the Twentieth Century by Mark Hampton). Getting her seal of approval was the impetus he needed to go onward and upward, eventually landing him the job of head of the decorating and antiques department at Lord and Taylor. Pahlmann became known for his model rooms for the department store- rooms which garnered attention by the press and brought flocks of customers to the store. After a brief hiatus during World War II (serving in the Air Force), Pahlmann returned to New York where he set up his own decorating firm. He even had his own syndicated newspaper column titled "A Matter of Taste".

Pahlmann's interiors after WWII are quite evocative of the post-war era. While Pahlmann was quite capable of designing in the traditional style, much of his work celebrates mid-century modernism. Pahlmann was a champion of modern materials, including rubber flooring and rayon and other synthetic fabrics. The exotic also played a role in his interiors. Artifacts and objects of various cultures and countries mixed freely, lending his rooms a sort of well-traveled look. And let's not overlook Pahlmann's love of color. There was nothing primary about his chosen color schemes. In fact, in his book The Pahlmann Book of Interior Design, he wrote about various color combinations that he had used thus far in his career. These included cerulean, lime, magenta pink and white as well as deep sage, ripe persimmon and French blue.

Pahlmann was so well-regarded in the design world that when a young Albert Hadley first ventured to New York seeking a job as a designer, he sought out a meeting with his design idol. Hadley describes Pahlmann as "a man of great charm with a flamboyant personality and certainly he was not shy about anything."* Pahlmann encouraged Hadley to enroll at Parsons School of Design, just as he had.

While many of Pahlmann's room may seem a bit dated today, don't you think it's worth revisiting the career of this late, great decorator?

(Pahlmann's work is featured in the upcoming Acanthus Press release New York Interior Design, 1935-1985. Another "lost" designer whose work I greatly admire is George Stacey. I'll be writing about him soon!)



A great example of Pahlmann's fearless use of color. This bedroom's colors were inspired by a vineyard.


The mod floor in this living room was rubber! The mix is a bit unexpected: modern furniture with a Victorian sofa and Spanish altar candlesticks mixed with French candle sconces.


This was Pahlmann's own living room. I love the gunmetal gray walls and the robin's egg blue leather chair. According to Mark Hampton, the cabinet is actually a snakeskin Victrola.


I couldn't resist this image of an Empire-style tented room. Pahlmann admired Napoleon and Malmaison- might this have influenced the design scheme of this room?


Pahlmann designed this living room for Mrs. Walter Hoving in 1948. In my opinion, this room is one of Pahlmann's more elegant designs. Much of his later work seemed to be more casual, much in keeping with the times.

(*Hadley quote from Albert Hadley: The Story of America's Preeminent Interior Designer)

Visiting Jennifer and Justin Leonard’s garden in Portland yesterday, it occurred to me that this renovated garden is so inviting partly because it offers so many delightful places to sit.

...to establish an elegant alternative for urban dwellers. Made up of 23 luxurious town homes and flats, the development has the familiar feeling of tradition with modern-day conveniences.

(The) magazine called on renowned Atlanta interior designer Dan Carithers to oversee the home's interiors. A walk through the home is a visual feast of design finery, with everything from floors to ceiling provided by vendors like Stone Age Designs and Hickory Chair. Carithers' own furniture line by Sherrill Furniture is on display throughout the home

• Fabric, fabric, fabric: Carithers uses repetition of fabrics on linens, upholstery and walls.
• Seats for all sizes: Little ones like luxury, too. Throughout the home, child-size chairs were sprinkled among traditionally sized pieces.
• Button-tuft this: Carithers' use of button-tufted pieces gives the home an instant dose of comfort and glamour.

Unfortunately, he says, the execution of the design was not very good. Take the relationship -- or lack of it -- between the living room and adjoining TV/office space, which was accessed from a hall around the corner from the living room.

Trish Beaudet - Owner and Designer of Finishing Touches Interiors by Design, Inc.

D. Paul DeRouen - Bachelor of Architecture from the University of Louisiana at Lafayette. Profession: Architectural Designer

Matt Locke - Bachelor's degree in history from Princeton. Current Job: Designer

Michael Stribling - Interior design major from Wade College. Current Job: Interior Designer/Business Owner

Jennifer Bertrand - Bachelor of Arts in education with an emphasis in ceramics; master's degree in teaching and leadership from University of Kansas. Current Job: Interior Decorator/Owner of Bertrand Designs

Tracee Dore - Bachelor of Arts in interior design from the University of Kentucky. Current Job: Residential and Commercial Interior Designer and Builder/Renovator, Tracee Dore and Company

Jerome Scottie Miller - Master of Science in civil engineering from North Carolina A&T State University. Current Job: Regional Property Manager at Charlotte/Mecklenburg County Schools.

Mikey Verdugo - High school diploma from Hialeah High School. Current Job: Police Officer

Maria Beatrice and Leonardo Ferragamo’s Villa Le Rose

Oh how I want to be Margaret Russell, the Editor of ELLE DECOR. In addition to her unparalleled editorial skills, she must have about 8,000 cocktail dresses that look fabulous on her. In the foreward to my new favorite book, So Chic: Glamorous Lives, Stylish Spaces, she defines what makes a space chic:

But what exactly is chic? Webster’s defines the word as “cleverly stylish; smart; a woman who adapts fashion to her own personality.” When it comes to interiors, chic is that and far more. A chic space can be razzle-dazzle glamorous or quietly unpretentious, seriously sophisticated or unapologetically bohemian. The unifying thread is indisutabley confidence, no doubt boosted by splashes of joie de vivre and flair.

Jaouad Kadiri’s Moroccan Country House

Kenneth Jay Lane’s Stanford White Designed Park Avenue Townhouse

This is a really good way to describe ELLE DECOR. They offer a wide range of styles in their spreads unlike any other magazine, from over-the-top opulence of say, Kenneth Jay Lane, to the lived-in rustic look of Ralph Lauren; from the eclectic vibe of Anh Duong to the elegant Grey Gardens-esque decay of John Derian; from the vintage but modernly crisp Thomas O’Brien to the exotic shapes and textures used by Jaouad Kadiri. This book culls the best examples from the magazine’s archives, and the range of styles is remarkable. The common thread is that they are all, undoubtedly chic due to the designers’ individual styles, whether they be influenced by the Ottoman empire, mid-century modern, vintage, Hollywood Regency, Morocco, the eclectic mix, et. al.

Ranjana & Naeem Khan’s SoHo Loft

For example, I took note of the different wallcoverings in the book. There were crisp white walls, classic murals, antique Chinese wallpapers, grasscloths, ethnic tiles, genius artwork arrangements, mirrors, bold stripes and luxurious printed fabrics.

Muriel Brandolini’s Upper East Side Townhouse

Tamara Mellon’s London Flat (O.K., I want to be her the most; she has every Jimmy Choo shoe in her closet!)

Sheila Bridges’ Harlem Apartment

Thomas O’Brien’s Wall of Inspiration

Delphine and Reed Krakoff’s Southampton Home

Anh Duong’s West Village Loft

Sarah Jessica Parker’s Hamptons Home

John Derian’s Lower East Side Pad

It was impossible to pick favorite photos from this book, but I thought these were some great examples. Here are the photo credits, in order, from the elite group that shoots for ELLE DECOR:

• Pieter Estersohn

• Henry Bourne

• Pieter Estersohn

• Simon Upton

• Pieter Estersohn

• Simon Upton

• William Waldron

• William Waldron

• Reed Krakoff

• Simon Upton

• William Waldron

• William Waldron

Known for his spare interiors as well as his use of humble, natural materials, Jean-Michel Frank is one of those designers who is often credited by contemporary designers as being a major influence, yet he has remained a bit of an enigma. Perhaps this was due to his all-too brief career and life, having committed suicide in 1941. Or maybe it was because some critics labeled Frank a society decorator. Whatever the reason, critical study of Frank's career did not begin in earnest until the 1980s with a monograph written by Leopold Diego Sanchez. Unfortunately, this book is a bit scarce as well as cost-prohibitive. There is, however, a new work on the design legend that is not only quite comprehensive and informative but will probably prove to be yet another authoritative work on Frank.

Jean-Michel Frank: The Strange and Subtle Luxury of the Parisian Haute-Monde in the Art Deco Period (Rizzoli) initially took shape as the doctoral thesis of Pierre-Emmanuel Martin-Vivier, a historian and authority on twentieth-century applied arts. The book provides the reader with a biographical account of both Frank's life as well as an in-depth look at his career as a designer of both spaces and furniture. While Frank's success was certainly guided by his talent, it was also nudged along by Frank's fortuitous friendships with the French and European beau monde, something which is explored in the book.

But Frank certainly developed a style that was all his own, and this is really the heart of this book. Much attention is given to Frank interiors, including his work for Jean-Pierre Guerlain, Andre Meyer, Templeton Crocker, Cole Porter, and of course Charles and Marie-Laure de Noailles. Today, Frank seems to be recognized more for his furniture designs than his interiors, so the text and photographic record of Frank's tables, lamps, and chairs are a major asset of Jean-Michel Frank. Also, Frank's career was characterized by collaborations with other gifted designers and artists, most notably Adolphe Chanaux, Alberto Giacometti, Christian Berard, and Emilio Terry, and this work is given due diligence in the book.

I'll admit that I have not yet finished this book; I'm taking my time reading the text, and I find myself getting lost in the gorgeous black and white photos chronicling Frank's work. But so far, I do feel that I better understand the genius and the style of this sad artist, and for this alone I highly recommend this book.



The Sitting Room in the penthouse of Templeton Crocker, San Francisco, 1929. The walls and ceiling were covered in squares of parchment, while the armchairs were upholstered in white leather. One of the Parsons-style cocktail tables was covered in brown shagreen, while the other was sheathed in patina bronze.


The Music Room in Cole Porter's Paris apartment. Although Armand-Albert Rateau was responsible for the paneling (silver lacquer at that), Frank designed the furniture.


Image at top: A Fire Screen covered in straw marquetry, c. 1924. The cabinet at bottom was covered in parchment, c. 1931.


A set of parchment nesting tables and an X lamp made from terra cotta.

It's Decorator Showhouse season again! Currently underway is one of the top showhouses in the country, the San Francisco Decorator Showcase. Benjamin Dhong, an interior designer who is designing for his very first showhouse, has created a really serene and elegant bathroom. Dhong was inspired by a trip through Sweden last summer where he saw rooms that were "a dazzling mix of high and low end furniture." Wanting to achieve a mix of traditional and contemporary, Dhong covered the walls in a very soothing, soft faux bois. But there's nothing rustic about this bathroom. I love the tailored shower curtain, table skirt, and curtain. And don't you just love the mirror and the smart little Saarinen stools? I think it's safe to say that Benjamin Dhong is definitely a designer to watch!

Much of my summer jewelry is heavy on the coral and turquoise beads- it's a great way to add some color to your wardrobe. And perhaps the same could be said for your lighting too. What about some turquoise and coral on your chandeliers and sconces? I think that the designs below by Los Angeles interior designer Marjorie Skouras are so striking, especially the turquoise bead chandelier. While Skouras' lighting line would be perfect for beach homes, I can actually see them working quite well in interiors in colder climates too. In addition to lighting, Skouras also designs accessories such as tiebacks, hardware, and candlesticks, not to mention furniture too. I've included a few of her pieces here as well as some photos from her design portfolio. Enjoy!


An eclectic room designed by Marjorie Skouras


Turquoise Empire Chandelier


Red Coral Sconce


Coral Tieback

Image at top: A Skouras designed room filled with pretty shades of pink, blue, and greens.