From Julie:

Fernlund + Logan—a New York City firm that counts design god Ted Muehling among its clients—creates a thoroughly mod interior within a classic Manhattan townhouse, mixing classics (a Le Corbusier LC4 chaise) with future classics (Jasper Morrison Glo-Ball lights and a Marcel Wanders New Antiques table). Candelabras and a ghoulish crucifix over the mantle add an edgy note. Photos by Herman Verne.

Below: Recreate the look with the Le Corbusier LC4 Chaise Longue in natural canvas with black leather headrest and matte black enamel steel base; $2,585 at Design Within Reach.

Below L: Felted Wool Stones, $298 for small, $495 for medium, and $595 for large at Viva Terra. Below R: Gray Ludde Sheepskin, similar to the one draped on the Le Corbusier chaise; $39.99 at Ikea.

Below: Marcel Wanders New Antiques table for Cappellini; $2,529 at Unica Home.

Below: The Moroccan Zig-Zag Rug, handknotted in ivory and chocolate wool, starts at $1,825 for the 9-by-12-foot size at Williams-Sonoma Home.

Below L: Designed in 1962 by brothers Achille Castiglione and Pier Giacomo Castiglione, the Toio Floor Lamp was inspired by a car headlamp; $1,212 at Design Within Reach. Below R: Jasper Morrison’s large Glo-Ball Basic 2 Table Lamp by Flos is $872 at Lumens; Glo-Ball Basic 1 Table Lamp, a smaller version, is $596 at Lumens.

Below: The formidable (and formidably priced) Dorian Table by Dominique Matthieu features curvy lacquered legs and a heavy glass top; $10,500 at Conran USA; available in black or red.

Below: Beech Black Enamel Bentwood Chairs; $79 each at Kurt Peterson.

Windsor Smith is a designer whose career is on fire. In addition to her interior design work, she just debuted a fabric collection, a furniture collection, and a rug line as well (whew!). I recently had the opportunity to speak with Windsor and it was quite a treat. Her personality is as warm and sparkling as her interiors.

To borrow the tagline from the National Enquirer, "Inquiring minds want to know", and that's the way I feel about design. So I decided to get Windsor's thoughts on anything and everything design related.


On Her New Fabric Line:
Windsor's new fabric line for Kravet has received rave reviews, and it's not hard to see why. The fabrics that caught my eye were her bold and graphic prints. But don't think that these are "in your face" prints. Windsor likes the snap and pop of strong pattern, but she chose to render them in soft colors like celadon and clove. And she wisely chose to use no more than two colors per print. The result? Prints that are classic and easy to live with. (Fabric available through Kravet showrooms and through her website.)

"Insignia" in Seafoam


"Continuum" in Chestnut

On Mixing Prints...With Style:
One question that I am asked often is how best to mix prints. I'll be the first to tell you that I'm not completely comfortable with doing this myself. Fortunately, Windsor shared some tips. First, mixing florals can be difficult, so you might want to stick with just one. Also, stripes, especially tone on tone, can work with a variety of prints. And if you're mixing multi-color prints, proceed with caution! Windsor advises using no more than two. Interestingly enough, Windsor gives the green light to mixing vintage fabrics, saying "anything goes". Her rationale? Vintage textiles become found objects and art and should be displayed almost like a collection. In her mind, Lynn von Kersting's work is a great example of this kind of mix.

See how well this gray and white striped fabric works with the pink and white paisley print? Windsor obviously practices what she preaches!


And look at the smashing combo of the green tonal stripes with the punchy pink print.

On White... and Blue:
It seems that every designer has one color which they add to every room. For Albert Hadley, it's red. For many others, it's black. For Windsor? White! As she says "the absence of color makes other colors sing!" That said, she also admits that she has a weakness for blue.


Blue and white in an East Coast Traditional home à la Windsor Smith.

On the Stars of her Collection:
So unless you've been hiding under a rock, you know that Windsor recently introduced her new furniture collection. And just what are her picks for the stand out pieces?


Brittany Secretary. Works as a TV cabinet, desk, or in bathrooms to hold makeup and towels.


Slim Chaise. Looks especially good nestled at the foot of a bed.


Entry Round Settee. Looks very "Grand Hotel" to me!

On Her Dream Clients:




(Jane Birkin- in case you're wondering)




Legendary style icon Slim Keith

On Her Current Favorite Design and Architecture Books:


An Affair with a House


Vogue Living: Houses, Gardens, People

On the Details that Make a House a Beautiful Home:

1) Art and found objects that reflect the personality of the homeowner
2) Large bundles of the same type flower in a casual vase
3) Lighting that makes a room come alive day and night
4) Floor plugs




Windsor has some wonderful Found Objects for sale on her website, including this Early Chippendale Table and the Antique French Fireplace Canopy

On the Future:
So what's next for Ms. Smith? Plenty. She's working on some amazing projects including a late 1940's equestrian estate. And, big things are in the works for her website. In addition to her online shop, there will be decorating advice, newsletters, and video. I'd say Windsor is in need of a vacation.

1. The Door - Choose a front door that reflects the style and personality of your home and paint it or stain it in a contrasting color to make it a focal point. My favorite colors? Red, Black & stained finishes.
2. The Accessories- Just like any other room in the house, the accessories are the finishing touch and there are quite a few to consider: door hardware, house numbers, door knockers, door bells, mailboxes, doormats, lighting and plants. Since it’s a small space, try to keep finishes and styles similar.
3. A Commitment - Keep the area neat and clean. A simple sweeping up and wiping down will usually do. Flowers & plants are a bonus. It brightens up the area and shows others that you take pride in your nest.

One of my favorite sites in London is Spencer House, located in St. James. Built in the mid-eighteenth century for John, first Earl Spencer (yes, those Spencers), the house's first architect was John Vardy, a student of William Kent. It was Vardy who was responsible for the exterior of the home as well as some of the interior rooms, though unfortunately for him, he was later replaced as chief architect by James "Athenian" Stuart, a disciple of Greek architecture. Stuart's influence is seen in the classic Greek detail throughout the interior, making it one of the first examples of neoclassical architecture in England.

Throughout the late eighteenth and nineteenth centuries, subsequent generations of Spencers set about at refreshing and remodeling the interiors of the home, including a remodeling led by Henry Holland. After all, the Spencers were a prominent and highly social family, so Spencer House had to reflect this. Interestingly, the Spencers lived in the home until the late 1800s, at which time they leased the house to the Duke of Marlborough and his wife (Consuelo Vanderbilt) as well as various organizations. During the blitz in WWII, the contents of the home, including the fixtures, were removed and shipped to the Spencer estate Althorp for safe keeping.

Fortunately for us, Spencer House is now restored to its former glory and is open to the public. Of course, the fact that Spencer House is one of the few remaining private palaces in London makes it important. But the other nice thing is that it doesn't seem to be on many tourists' radar, meaning no long lines!

(One tidbit of info that I just gleaned- Georgiana, Duchess of Devonshire, was the daughter of first Earl Spencer and thus lived in the home until her marriage to the Duke of Devonshire. For a great book on Georgiana, you might want to read Georgiana: Duchess of Devonshire by Amanda Foreman. Or, I suppose you can wait for the upcoming movie based on Foreman's book. But the book is really a good read.)


The Palm Room was used by gentlemen after dinner. It was Vardy who was responsible for the design of this room.



The magnificent Great Room. According to Spencer House's website, the coffered ceiling and frieze were inspired by the vaults at the Temple of Concord and Victory in Rome.


The Painted Room (c. 1759-65) was one of the first completely Neoclassical rooms in Europe. Designed by Stuart to celebrate the marriage of the first Earl Spencer and his wife, the room is dominated by images of marriage and festivity, all inspired by ancient Greece and Rome.


Vardy's design for the Ante Room- originally conceived as the Spencers' private dining room- includes a stunning coffered apse. It was Henry Holland who inserted the mahogany double doors under the apse in 1792.


I like to purchase guide books from the sites I visit- just in case I missed something on the tour. I also like to mark the date of my visit on the inside cover. This might become especially helpful when my memory starts to fail me- hopefully not anytime soon!

Thanks to Elements of Style for this post about how to live a Hollywood Regency dream by renting from Room Service.

Oh My God! THE LIZA ROOM TAKES THE CAKE! If you missed SF20, you can lament your loss by perusing these fabulous images Leah posted at More Ways to Waste Time.

Oh My God Part II: Oh Patricia Gray, thank you for this. At first I thought it was a Chelsea Lately sketch, but it really is Sarah Palin’s office

Home Rejuvenation’s posts blow my mind all the time. I’m giddy over the The Next Generation House by Sou Fujimoto Architects.

I’m just nuts about Mrs. Blandings. I don’t know how I missed this charming Kansas City-based blogger’s writing for so long.

I don’t know how it took me ten days to find fellow, the new online design magazine from decor fellow blogger James Saavedra. Thanks to Habitually Chic for the tipoff.

Check out the list of the most inspiring design books of all time from O At Home magazine. I’m such a dork; I circled the ones I already have, which added up to ten. I was really excited to see Luis Barragan, Robert Venturi and Denise Scott Brown and J.B. Jackson included on the list, but was disappointed that landscape architecture was not represented more.

Bummer! The Farnsworth House, in spite of the plinth it sits on above the ground, is majorly flooded. To make a donation towards repairs, click here. (via AT: Chicago).

Design Bloggers in Print! The New York Times did a huge feature on design bloggers yesterday, and included some of my favorites, like Jennifer Dwyer from The Peak of Chic. Congratulations! Hey, you know what’s weird? Wordpress has the word “bloggers” underlined right now like it’s not a word. It has Wordpress underlined as well. What’s up with that?

• photo from Room Service via Elements of Style

• photo by Leah Hennen at More Ways to Waste Time

• photo from The Anchorage Daily News (Landov) via The New York Times, via Patricia Gray Interior Design

• photo by (I think) Sou Fujimoto Architects, via Home Rejuvenation

• image from Mrs. Blandings

• image from fellow by James Saavedra

• image from amazon.com

• image from landmarks.org

Valentino has always been one of my favorite designers. To me, he is one of only a few designers who creates pretty clothing. And no, pretty is not a dirty word. Oh sure there are those fashion mavens who prefer clothing that is esoteric, architectural, conceptual, and the like. And yes, sometimes that clothing can be interesting to look at. But at the end of the day, don't women want to look beautiful and feminine?

I always felt that Valentino put his clients first; he seemed to intuitively understand how to make them look their best. His color palette was sure to make a woman look vibrant and alive: that sizzling Valentino red; pinks and corals; ice blue; black. There were dressmaker details- rosettes, pleats, and embroidery- that took a dress from being merely a dress to an exquisite piece of art. And never was the female figure obscured by extraneous bits and pieces.

I was excited to get a sneak peek at the new Rizzoli publication Valentino: Themes and Variations by Pamela Golbin (Rizzoli; publication date September 9, 2008). The designer, who took his final runway bow earlier this year, is certainly deserving of this lavish treatment of his work and his career. First, the photos are stunning- but with those beautiful dresses and ensembles, how could they not be? The book has minimal text, which is entirely appropriate as the clothing speaks for itself. (For those of you who are not entirely familiar with Valentino, there is an interesting biography provided.) I also thought the designer's work was organized in a very clever way, with pieces being featured in chapters entitled "Themes" (Ornamentation; Technique) and "Variations" (Line; Volume).

What struck me is how many of his designs from the 1950s and 60s look so current, proving that classic, feminine design never goes out of style. I also loved the vintage photos and advertisements which showed Valentino's designs through the years. How fun to see the progression from the swinging 60s to the exotic vibe of the 1970s, the exuberance of the 1980s (I don't care what anyone says- it was a great era for fashion!) to the minimalist 90s.

So why should we devotees of interior design discuss a fashion designer? Because, we have much to learn from the likes of Valentino. At the end of the day, it's about details, craftsmanship, and timeless design. Had Valentino's career been marked by tricks and trends, I don't think he would have survived in the fickle world of fashion for as long as he did. As Valentino said: "I think a couturier must establish his style and stick to it. The mistake of many couturiers is that they try to change their line with every collection. I change a little each time, but never too much, so as not to lose my identity." Perhaps this sentiment might apply to interior design too?

(Just to prove that Valentino's style is not limited to his couture creations, I'll post some images from his London home tomorrow.)

Now, for the important part.... the clothes!


Behind the scenes preparation for Valentino's last collection, January 2008 Paris.


Satin evening gowns with a delft print from Valentino's Fall/Winter 1968 collection. (Photographer was Henry Clarke)


Left: Giraffe print ensemble from Spring/Summer 1966; at right Fall/Winter 1967.


This dress, "Fiesta", was from Valentino's 1959 collection. I'd jump at the chance to wear this dress today- minus the gloves, though.


This orange silk jacket and trousers were designed in 1969. It still looks rather glamorous almost forty years later.


Look at the amazing detail and workmanship of this dress' bodice. Woven silk voile and iridescent sequins in a polychrome marble mosaic motif (Fall/Winter 1990)


You see, the love of coral has been around for a long time. This silk serge gown with handpainted coral motif is from the Spring/Summer 1968 collection. (Photographer Ruven Afanador)


OK, so the dresses and the hair circa 1968 look a tad dated. But that interior certainly doesn't. I also think Marisa Berenson looks fantastic in this photo. (Photographer Henry Clarke)


An ad campaign from Fall/Winter 2007. While Valentino's clothes certainly don't need any help from the model's surroundings, it certainly enhances the dress, don't you think?


A young Valentino in his salon at 54 Via Gregoriana, Rome . This photo makes me want a studio just like this... perhaps the Peak of Chic salon of blog writing?


Valentino surrounded by his models in the courtyard of the Palazzo Mignanelli (where Valentino's fashion house resides), c. 2000. Note the models are dressed in his signature shade of Valentino red.

(All images from Valentino: Themes and Variations by Pamela Golbin. Rizzoli publisher.)