I am particularly fond of viewing photos of Design Public products in action…like folks swinging on a Fatboy Headdemock, or modeling with their Vitra Nelson Clock, or dressing up their OFFI My Pet Lamp. In this case, the “action shot du jour” is of four legged friend Mr. Buddy scratching his little heart out on a Marmalade pet care Sweet Lounge Cat Bed and sitting on a Hepper Wave Pet Bed. Obviously, Mr. Buddy’s owner, Anthony, has done a might fine job of pampering his purry pal.

Name: Anthony and Mr. Buddy (the cat)

Where do you live? Seattle, WA

What do you do? Director of Development

DP Purchase/s: Marmalade pet care Sweet Lounge Pet Bed, Hepper Wave Pet Bed, Hepper Nest Pet Bed, Weegee Floor Lamp.

What’s your favorite DP product and why? All the cat goodies. Mr. Buddy (our cat) can’t live without them! All the items in pet stores are bland.

How would you describe your design style? Retro modern

Sites/blogs you visit daily: velonews.com, yahoo.com, nytimes.com

What was the best advice anyone ever gave you? Don’t shave your legs with goosebumps (I’m a cyclist and yes we shave our legs!)

Tell us about your home, office, workspace, or favorite nook and cranny. New modern dwelling built by elemental architecture (elementalarchitecture.com)

What’s your favorite color or material? White

If you were a crayon, what color would you be? Silver

If you could redo any space, past or present, what would it be? The “Biblioteca Nacional” in Buenos Aries. Great buuilding that needs a little love

Any favorite design ideas? Old spaces revamped with an acute design sense for interiors

Any design pet peeves? “Euro” Modern, overstuffed couches and “knick-knacks.”

Do you collect anything? Tell us of your treasures….Any prized possessions? Not really a collector, but I own lots of fancy race bikes that I’d die (or get fat) with out.

Favorite member of the A-Team: Their black and red van.

Movies you can watch over and over: Anything that DOES NOT include Tom Hanks and/or Julia Roberts.

Four places you would rather be right now: In Phuket, Thailand at Twin Palms resort; Winthrop Washington hiking in the woods; Italy watching the “Giro D’Italia” bike race; Stumptown coffee shop with my wife.

Thanks Anthony and Mr. Buddy!

Your turn! We can’t wait to see your photo of your friend sitting on your Orange22 Botanist Bench, or an incredible spread set our on your Blu Dot Strut Table. Join our “Design Public Peepsâ€� Flickr group and upload a photo showing how you use your Design Public purchases.

From Janet:

Spotted in the NY Times: this simple glass fixture by Roost from Williamsburg shop Moon River Chattel is equally suited for modern or traditional interiors ($165 at Moon River Chattel; call 718-388-1121). The Roost Glass Cylinder Lamp is also available online at Velocity Art and Design for $130, both as a hanging pendant and as a table lamp.

I'm not sure how many of you read World of Interiors, but the May issue has a great but brief article on the bathrooms of the Duke and Duchess of Windsor at their Bois de Boulogne home. Photos of both bathrooms as well as the rooms' contents were included in the Sotheby's auction catalogue from 1997. But beyond what was included in the catalogue, I knew little about these rooms.

In the article, writer Hugo Vickers (who has written a book on the famous couple) touches briefly on the Duke's bathroom, which was elegant but rather plain (Vickers writes that the Duke, who preferred showers to baths, had a "Psycho" like shower in his bathroom). But fortunately for us, Vickers focuses on the Duchess' charming bathroom.

I learned that Dmitri Bouchene, a Russian painter and set designer, painted the ceiling of the bathroom to give it a tent-like effect. If you look closely in one of the photos, you will see an oculus painted in the ceiling which reveals a cloudy blue sky beyond the tent. Bouchene also painted garlands of flowers on the walls, and even painted scenes on the walls of the loo (see the photo below of the figure who is blind-folded, giving the Duchess her privacy!). I was always curious about the gilt-framed small paintings that were hung around the bathtub. According to Vickers, these paintings are actually New Year's cards that Bouchene sent to the Windsors every year. Lucky for Vickers that he successfully bid on many of these cards at the 1997 auction.

Of course, we're all familiar with the Cecil Beaton painting of the Duchess, hung on the mirrored wall above the bathtub. And those purple towels? They're by Porthault and are monogrammed with Wallis' cypher "WW" (Wallis Windsor) as well as the royal ducal coronet. I remember seeing the towels, or at least the bath mat, in the auction catalogue; I wonder who the lucky bidder was?

But I think that the most amusing anecdote from the article was Vickers' reminiscence about his shock upon seeing that Wallis' toilet had a plastic seat! And Wallis evidently was not alone- Vickers claims that Diana Vreeland had one too. Quelle horreur!







(All images from World of Interiors, May 2008; photographer Fritz von der Schulenburg)

Isn't it amazing how people who were once celebrities can fade into obscurity? The same thing can be said for celebrity decorators, especially William Pahlmann. Okay, so perhaps he's not an obscure designer, but he does not have the name recognition of Dorothy Draper or Elsie de Wolfe. If this were 1950, we would all be talking about Pahlmann. After all, he was one of the most famous decorators of the 1940s through the 1960s.

Pahlmann, who was educated at Parsons in the late 1920s, first gained notoriety after designing a mirrored bed for the first Mrs. William Paley (this according to Legendary Decorators of the Twentieth Century by Mark Hampton). Getting her seal of approval was the impetus he needed to go onward and upward, eventually landing him the job of head of the decorating and antiques department at Lord and Taylor. Pahlmann became known for his model rooms for the department store- rooms which garnered attention by the press and brought flocks of customers to the store. After a brief hiatus during World War II (serving in the Air Force), Pahlmann returned to New York where he set up his own decorating firm. He even had his own syndicated newspaper column titled "A Matter of Taste".

Pahlmann's interiors after WWII are quite evocative of the post-war era. While Pahlmann was quite capable of designing in the traditional style, much of his work celebrates mid-century modernism. Pahlmann was a champion of modern materials, including rubber flooring and rayon and other synthetic fabrics. The exotic also played a role in his interiors. Artifacts and objects of various cultures and countries mixed freely, lending his rooms a sort of well-traveled look. And let's not overlook Pahlmann's love of color. There was nothing primary about his chosen color schemes. In fact, in his book The Pahlmann Book of Interior Design, he wrote about various color combinations that he had used thus far in his career. These included cerulean, lime, magenta pink and white as well as deep sage, ripe persimmon and French blue.

Pahlmann was so well-regarded in the design world that when a young Albert Hadley first ventured to New York seeking a job as a designer, he sought out a meeting with his design idol. Hadley describes Pahlmann as "a man of great charm with a flamboyant personality and certainly he was not shy about anything."* Pahlmann encouraged Hadley to enroll at Parsons School of Design, just as he had.

While many of Pahlmann's room may seem a bit dated today, don't you think it's worth revisiting the career of this late, great decorator?

(Pahlmann's work is featured in the upcoming Acanthus Press release New York Interior Design, 1935-1985. Another "lost" designer whose work I greatly admire is George Stacey. I'll be writing about him soon!)



A great example of Pahlmann's fearless use of color. This bedroom's colors were inspired by a vineyard.


The mod floor in this living room was rubber! The mix is a bit unexpected: modern furniture with a Victorian sofa and Spanish altar candlesticks mixed with French candle sconces.


This was Pahlmann's own living room. I love the gunmetal gray walls and the robin's egg blue leather chair. According to Mark Hampton, the cabinet is actually a snakeskin Victrola.


I couldn't resist this image of an Empire-style tented room. Pahlmann admired Napoleon and Malmaison- might this have influenced the design scheme of this room?


Pahlmann designed this living room for Mrs. Walter Hoving in 1948. In my opinion, this room is one of Pahlmann's more elegant designs. Much of his later work seemed to be more casual, much in keeping with the times.

(*Hadley quote from Albert Hadley: The Story of America's Preeminent Interior Designer)

Visiting Jennifer and Justin Leonard’s garden in Portland yesterday, it occurred to me that this renovated garden is so inviting partly because it offers so many delightful places to sit.

Have you ever noticed how Chinese ancestral portraits seem to grace many stylish interiors? Once I spotted them in one interior, it seemed that I started to see them everywhere. Of course, the paintings found in the interiors below were used strictly for decorative purposes, and I can certainly see why. There is something very dignified and regal about these portraits, and they also seem to add a little touch of Eastern exoticism to their surroundings. But what we shouldn't forget is that the purpose of these paintings was anything but decorative.

Ancestral portraits were long an important part of a Chinese culture which revered and worshipped family ancestry. From what I've read, it seems that these paintings were commissioned by family members not just out of respect for their forebears, but also out of fear. A disgruntled ancestor might be tempted to become a ghost and make life difficult for the living. In order to prevent this from happening, and to elicit good will and fortune, the portraits were worshipped by family members either in their homes or at family temples. Ceremonies, which at times included offerings to the ancestors as well as kowtowing, were often performed before these portraits.

So with this in mind, here are a few of the interiors that I have found which display these ancestral portraits. In a way, it seems that even today these portraits still command respect and awe, much as they did centuries ago.

(If any of you are experts on Asian art and wish to add to this, please do so by commenting- I would love to learn more about these portraits.)



Frances Elkins used them in a few of her projects, including one of her most famous: the library of Mr. and Mrs. Kersey Coates Reed. I think the portrait looks smashing against the Hermes goatskin paneled wall.


Jean-Michel Frank tried his hand at stage design in this set from "Les Fleurs des pois". The Chinese portrait rather dominates the set.


Yves Saint Laurent was obviously a fan.


Here are a pair of Chinese ancestral portraits in a contemporary setting- the living room of Liz and Steve Weinstein, decorated by Miles Redd (photo from Elle Decor; photographer Simon Upton)

Image at top: A pair of ancestor portraits, c. 1700-1800. From the collection of the Victoria and Albert

...to establish an elegant alternative for urban dwellers. Made up of 23 luxurious town homes and flats, the development has the familiar feeling of tradition with modern-day conveniences.

(The) magazine called on renowned Atlanta interior designer Dan Carithers to oversee the home's interiors. A walk through the home is a visual feast of design finery, with everything from floors to ceiling provided by vendors like Stone Age Designs and Hickory Chair. Carithers' own furniture line by Sherrill Furniture is on display throughout the home

• Fabric, fabric, fabric: Carithers uses repetition of fabrics on linens, upholstery and walls.
• Seats for all sizes: Little ones like luxury, too. Throughout the home, child-size chairs were sprinkled among traditionally sized pieces.
• Button-tuft this: Carithers' use of button-tufted pieces gives the home an instant dose of comfort and glamour.

Trish Beaudet - Owner and Designer of Finishing Touches Interiors by Design, Inc.

D. Paul DeRouen - Bachelor of Architecture from the University of Louisiana at Lafayette. Profession: Architectural Designer

Matt Locke - Bachelor's degree in history from Princeton. Current Job: Designer

Michael Stribling - Interior design major from Wade College. Current Job: Interior Designer/Business Owner

Jennifer Bertrand - Bachelor of Arts in education with an emphasis in ceramics; master's degree in teaching and leadership from University of Kansas. Current Job: Interior Decorator/Owner of Bertrand Designs

Tracee Dore - Bachelor of Arts in interior design from the University of Kentucky. Current Job: Residential and Commercial Interior Designer and Builder/Renovator, Tracee Dore and Company

Jerome Scottie Miller - Master of Science in civil engineering from North Carolina A&T State University. Current Job: Regional Property Manager at Charlotte/Mecklenburg County Schools.

Mikey Verdugo - High school diploma from Hialeah High School. Current Job: Police Officer

Maria Beatrice and Leonardo Ferragamo’s Villa Le Rose

Oh how I want to be Margaret Russell, the Editor of ELLE DECOR. In addition to her unparalleled editorial skills, she must have about 8,000 cocktail dresses that look fabulous on her. In the foreward to my new favorite book, So Chic: Glamorous Lives, Stylish Spaces, she defines what makes a space chic:

But what exactly is chic? Webster’s defines the word as “cleverly stylish; smart; a woman who adapts fashion to her own personality.” When it comes to interiors, chic is that and far more. A chic space can be razzle-dazzle glamorous or quietly unpretentious, seriously sophisticated or unapologetically bohemian. The unifying thread is indisutabley confidence, no doubt boosted by splashes of joie de vivre and flair.

Jaouad Kadiri’s Moroccan Country House

Kenneth Jay Lane’s Stanford White Designed Park Avenue Townhouse

This is a really good way to describe ELLE DECOR. They offer a wide range of styles in their spreads unlike any other magazine, from over-the-top opulence of say, Kenneth Jay Lane, to the lived-in rustic look of Ralph Lauren; from the eclectic vibe of Anh Duong to the elegant Grey Gardens-esque decay of John Derian; from the vintage but modernly crisp Thomas O’Brien to the exotic shapes and textures used by Jaouad Kadiri. This book culls the best examples from the magazine’s archives, and the range of styles is remarkable. The common thread is that they are all, undoubtedly chic due to the designers’ individual styles, whether they be influenced by the Ottoman empire, mid-century modern, vintage, Hollywood Regency, Morocco, the eclectic mix, et. al.

Ranjana & Naeem Khan’s SoHo Loft

For example, I took note of the different wallcoverings in the book. There were crisp white walls, classic murals, antique Chinese wallpapers, grasscloths, ethnic tiles, genius artwork arrangements, mirrors, bold stripes and luxurious printed fabrics.

Muriel Brandolini’s Upper East Side Townhouse

Tamara Mellon’s London Flat (O.K., I want to be her the most; she has every Jimmy Choo shoe in her closet!)

Sheila Bridges’ Harlem Apartment

Thomas O’Brien’s Wall of Inspiration

Delphine and Reed Krakoff’s Southampton Home

Anh Duong’s West Village Loft

Sarah Jessica Parker’s Hamptons Home

John Derian’s Lower East Side Pad

It was impossible to pick favorite photos from this book, but I thought these were some great examples. Here are the photo credits, in order, from the elite group that shoots for ELLE DECOR:

• Pieter Estersohn

• Henry Bourne

• Pieter Estersohn

• Simon Upton

• Pieter Estersohn

• Simon Upton

• William Waldron

• William Waldron

• Reed Krakoff

• Simon Upton

• William Waldron

• William Waldron

Main Dining Room, Hospitality Design, May/June 2008, Photo by Mathjis Wessing

Ella Dining Room and Bar is at the top of my list of restaurants in Sacramento. So I was not surprised, but very pleased to see it in the latest Hospitality Design magazine as the winner of their "Hospitality Debut" Award.

Bar and Lounge

The interiors are a great indicator of what you can expect from the superb menu: unpretentious, but extremely well done California dishes with a creativity that doesn't get so out there, you are scratching your head in confusion. It is all about the food, not the "foam". The farmhouse family style tables encourage mingling. The creative use of lighting, the sophisticated color palette of soft greys and beige's, the natural olive branches all converge to give one the relaxed, and comfortable atmosphere to enjoy wonderful food and company.

Owner, Randall Selland and his wife Nancy Zimmer, have been creating top notch food for many years in their original exhibition restaurant, The Kitchen. This is their latest baby....and it is growing into the hottest dining spot in the valley.

The architects are Sacramento natives: Darryl Chinn Architects. The interiors were done by UXUS, Amsterdam.

Private Dining Room

Just another reason to visit "Sactown". Come, sit and enjoy!