Helen Amy Murray’s surface reliefs on everything from chairs to headboards to walls are just unbelievably gorgeous. The detail is just as amazing as the overall effect.

http://www.helenamymurray.com

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I've been eyeing this Marimekko wall hanging at CB2 for sometime and I haven't quite pressed the order button yet. Of course, I love the primary colors.

Then I saw Joy's post on Maija Louekari, so I had to check to see if this piece was made by her. And indeed, it was. Damn that girl is talented!

I've recently become enamored with a designer whose work is no longer featured on the pages of shelter magazines. I read or hear very little about him these days, which probably adds to the mystique. I'm sure many of you are familiar with this designer, although to me his work is quite new. (Back in his heyday in the 1980s and 90s, I was preoccupied with homework and school activities, preventing me from focusing too terribly much on the design world.) Of course, the fact that he died almost 13 years ago is part of the reason why this designer's work is no longer at the forefront of our design consciousness, and it's really a shame because this designer- Richard Lowell Neas- created rooms that were stylish, sophisticated, beautiful, elegant, and timeless.

I first became familiar with Neas' name when I found out that he was responsible for Brunschwig & Fils' "Bibliothèque" wallpaper- one of my all-time favorite wallpaper designs. As Neas was an accomplished muralist and trompe l'oeil artist, it's no surprise that he would design such a charming print. Then I learned that Neas gradually made his way into a career as a decorator. And what decorating he did!

I've tried to collect a few images of his work, and in some ways it surprises me that I'm so taken with these very traditional rooms. While I am a traditionalist at heart, I do like to mix in some modern pieces- it's a bit like a design checks and balances system. I think that what has drawn me to his work is the fact that Neas created rooms that were completely livable. His New York projects seem to capture the spark that is so evocative of that city: urbane, sophisticated, and cosmopolitan. Yet there's nothing cold or stiff about these rooms. Neas imbued his projects with a softness and warmth that was so inviting. Perhaps it was the collection of unique and striking furniture and objets. Or maybe it was the mix of prints and patterns that was so pleasing to the eye. I actually believe it was a combination of all of the above.

I think Neas described the success of his rooms perfectly when he quoted his friend Annette de la Renta, "some of the most wonderful rooms are ones that seem as though all the objects were inherited from relatives with different styles and tastes- yet everything fits together magically." And this, to me, is the magic formula- and one that makes Neas' work so appealing.


An image of Neas' tiny Manhattan apartment. Note the trompe l'oeil swagged curtain at the top of the mirror. I just love this room.




Two photos of a Manhattan apartment that Neas designed around 1990.




I believe this dining room and bedroom were part of Neas' home in Charente, France. Neas certainly created environments that were appropriate for their surroundings.


A close-up shot of the "Bibliothèque" wallpaper.


Nina Campbell used "Bibliothèque" in her home.

Image at top: Richard Lowell Neas with a chicken at his home in France. (This image and those of his French home courtesy of House Beautiful, 2001. Images of the Manhattan project from HG, September 1990.)

Neas/de la Renta quote from the New York Times, "Home Design; Objects of Much Affection" by Carol Vogel, October 21, 1984.

From Janet:

Forget stocking up on reams of paper for your child’s creative urges: consider this simple Chalkboard Table instead. The Offi Woody Chalkboard Table is $299 at Design Public.

From Julie:

Houseguests, anyone? We love this idea, spotted on Apartment Therapy: Artisan Shepherd’s Huts. Paulus Smith has been a specialist joiner for over 25 years, working on listed and historic buildings. He now spends his time creating meticulously crafted shepherd’s huts from his medieval barn workshop in Sussex; wheels are cast from molten iron using original patterns, floors are solid oak, and all fittings such as door handles and window fastenings are high-quality reproductions. Can be used as garden retreat, spare room, studio, or office. Prices start at about £11,000; go to Artisan Shepherd’s Huts for more information.

From Julie:

For the uninitiated, Piet Hein Eek is a Dutch designer celebrated for his use of scrap materials in creating compellingly naive, yet somehow refined and sophisticated, furniture. The prolific designer has added children’s pieces such as bunkbeds, high chairs, and wardrobes to his repertoire:

It was hot in Marrakech.  Oh, very hot.  So she escaped to that town on the Moroccan coast, Essaouira, her favorite Summertime (and anytime) haunt. 

Now she was no longer a Spring chicken (sadly, so sadly).  And so she had stayed in quite a few guest houses and hotels in her time.  Some luxurious with down pillows and beautiful bath products and some......well, not much better than sleeping on the floor of the bus station (oh dear). 

But had she ever stayed anywhere - anywhere at all -  like Dar Beida?  No never.  It was organic and Moroccan and African and modern and high/lo all at the same time.  This was the sort of place that you could imagine yourself staying in, well, forever.  This little house on four floors was so lovely, that she promptly began thinking up all her best arguments to get the British owners to sell it to her.  (My, weren't they tired of Morocco yet?  What did they mean, No?)

It was all in the details, you see.  Now she couldn't possibly share them all in one batch.  But here's a few to start..........

A charming place to hang the house keys........Each key with a treasure from nature attached.

Two chairs in the entry where you could sit and gaze at.......

This darling little rustic steer display....The blogging girl was quite fond of cows, and this suited her to a tee.

There was an interior courtyard in the center of Dar Beida and African art placed here and there. (The girl had her very own body masks like the one in this image that she had collected in Tanzania, South Africa, and Kenya.)

Oh yes, please do perch on this little  stool and read from the enormous trove of interior design magazines...........Heaven!

This vintage African chair was covered entirely with tiny beads.  How very amazing. 

The chair was in this charming little bedroom.  The bed was covered with a fine wool vintage haik, worn by Moroccan women once upon a time.  (The girl had several of these horded for her shop.)

Oh the view from the roof terrace......She could smell the sea.  (And the girl had these very same mod chairs for the roof of Peacock Pavilions.  Could it be that Dar Beida had everything she liked?)

The girl sat and talked on the phone while checking her Blackberry.  She told everyone she might be staying in Essaouira for a good, long time...........Could she be a stowaway at Dar Beida?

***********

Dar Beida, Essaouira, rented only in its entirety (which is a good thing because you'll want it all for yourself...)

emma@castlesinthesand.com

mobile:  +212/67965386

I may use some of these in my daughter's bedroom redo. The pinks would be just right!

And this little bird seemed like he was posing just for me.

I was able to see alot of things that I will share with you in the next couple of days: historical gardens, restored theater in Monterey, a beautiful new antique shop in Carmel, etc. Check back!

Have a great weekend!

Nichols & Stone, the only sizable furniture manufacturer still operating in the "chair city" of Gardner, is poised to quit making products from scratch.

Nichols & Stone is a premier manufacturer of furniture and the only sizable furniture manufacturer still operating in the "chair city" of Gardner, Massachusetts.