So I learned about this design duo Nickey Kehoe (Todd Nickey & Amy Kehoe) from Domino magazine's "Domino 10". I love that they describe their approach to interior design as avoiding "design diva energy"! I can understand that. While I can appreciate that type of diva energy and design style, it's not exactly something I'd want in my house. I'm sure their portfolio doesn't show their current projects, so I hope they add more images of their warm minimalist style.

"Theatrical color can distract from flaws. Confederate Red draws the eye from the unassuming laminate cabinets in this rental kitchen."

I have a loft-like space (a large living/bedroom above the garage) near the Chesapeake Bay. The room has high vaulted ceilings (about 10 feet, though of course the peak is higher), lots of windows, and board and batten extending to 7 feet on the walls. The space has windows on all sides, so gets plenty of light. There is a desk/bookcase unit that divides the space into living and sleeping areas. The furnishings are going to be low and modern.

The space, under construction

In terms of color, I was thinking of a soft grey/blue for the 7ft board & batten section of the walls (something along the lines of Boothbay Gray from Benjamin Moore) and a deeper color above that extending up across the ceiling (perhaps Benjamin Moore's Hale Navy). The color would extend throughout the space (only the bathroom will be different). I will also need an accent color for the central bookcase/desk and the trim.

Alternatively, if we decide not to paint the ceiling, perhaps the Hale Navy for the central bookcase/desk. I would love some more color options for the walls, trim, and central architectural component.

Is this a workable scheme? Or would a dark ceiling feel too oppressive? Do you have any color suggestions? -Sarah

image source

image source

For a nautical theme that isn't too cheesy, she could pair blue gray walls with crisp white trim and cheery red accents.

image source

From Sarah:

Coping with mountains of kids’ toys and paraphernalia can be a challenge. These scenes from Swedish houses, via photographer Mari Eriksson (via Cookie), show how the Scandis have perfected the art of simplicity. White walls and wood floors provide the backdrop for a few colorful items; art supplies and other essentials are stowed in white cupboards; and we love the use of a skipping rope to hang art.

  

I really enjoyed checking out this house by Greico Designers/Builders. I get a lot of submissions with magazine-ready photos, but these non-professional photos are endearing because they are much more realistic. I like the “what you see is what you get” or “celebrities without makeup” approach.

http://www.greicohomes.com

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The editors considered all items in the "art of making" which include architecture, interior décor, home furnishings and gadgets.

Back in January 2006, we wrote a post entitled Eight Questions to Ask Before Hiring an Interior Designer. The eight questions were part of an article in Home magazine and we linked to the magazine.

We like to link to an article and highlight several questions in our post, rather
than list all the questions. That way people go to the linked site and we both benefit from the traffic. One of our frustrations looking back at some of our posts is that not all articles are archived. If you click on the link above, you land on the magazine’s website, but it’s the June 2008 issue and the “Eight Questions…are gone!

It’s been awhile, so, because of inflation, we’ve come up with our own eleven questions:

1. Do I like the designer? Can I spend a lot of time with him/her? Good communication is a must. Working with an interior designer involves some give and take. You will share ideas, and the designer will contribute insights and advice based on his or her talents, knowledge and experience. Depending on the scope of the project, you could be working with your designer a couple of weeks to many, many months.

2. Do I get that he/she is trying to understand me by asking a lot of questions? The key to success is really getting to know you in the early stages and how you and your family use your home and your interests.

3. Does the scale of my project really warrant an interior designer? Even if you think you could accomplish the redesign, do you have the time and inclination? You need to be realistic about how much money you are willing to spend. Include in this estimate the cost of all raw materials, new furniture, labor for installations, and possibly a designer.

4. How do you charge for your time? Designers may charge by the hour, which can be anywhere from $35 to $300, and these costs can quickly mount up. Others may offer a free first consultation, and then quote you a flat fee on the basis of your discussions. Some may charge for the first meeting in advance and then a fee for the whole project based on the estimated hours. Some may bill you for hours used each month. Some may bill each month a level amount. Some may get a designer discount and pass some or all the savings on to you. Whatever the basis on which your interior decorator is paid, make sure you both agree on the budget.

5. Can we accomplish the redesign and stay within my budget?

6. I can’t decide if I like the design. Do I still have to pay for it? “Yes! When you decide to hire an interior design firm, you have decided to trust the design recommendations of that firm.�

7. Are you available for conversation about changes and fine tuning? A good designer knowing you may present you with several options and give you the choice of one or the other. ASID recommends: “Minimize changes to your plan. Each part of the design will affect the whole. Changes or special requests can require any number of adjustments that will add time and expenses to your project.

8. My friend doesn’t like your ideas. Why shouldn’t I listen to her/him? If you have to ask this question you should probably have hired your friend.

9. Can I go to the local Design Center? With or without you? Of course, just let them know that you are working with a designer and his/her name.

10. What if a piece of furniture comes damaged? The furniture store should inspect the furniture when it arrives. The designer should also inspect the furniture before it goes to the client. If something is missed or it breaks when it is used, the designer and the furniture store will work together with the vendor to resolve any problem.

11. How long does it take to receive things, once they are ordered? Here’s a guideline (though individual vendors may vary):
Upholstered Furniture: 10-16 weeks depending on vendor.
Casegoods – Chests, bookcases, tables, hutches, etc.: 8-12 weeks depending on vendor.
Window Treatments: 6-8 weeks depending on size of job
Accessories, Lamps, Art Prints, Silk Flowers/Plants: 4-6 weeks or less.
Rugs: If machine made, 2-4 weeks. If hand knotted, 3-4 months
Wallpaper/Fabrics: 3-5 days.

Several websites contributed to this list of questions and their answers:

Apartment Therapy LA Good Questions: Hiring an Interior Designer
ASID Working with a Designer
Nancy Werneken Interior Design Frequently Asked Questions
Lynle Ellis Designs Before You Hire an Interior Designer
NWSID Why Hire an Interior Designer?
CCIDC Frequently Asked Questions About Certified Interior Designers
Directory M articles Interior Decorator

Bev & Mike
Landfair Furniture + Design Gallery

Visiting Jennifer and Justin Leonard’s garden in Portland yesterday, it occurred to me that this renovated garden is so inviting partly because it offers so many delightful places to sit.

I really went gaga over legendary magazine editor Mary Jane Pool's apartment that was featured in the March Domino. I thought it was such a beautiful mix of graceful antiques, 20th century pieces, and gorgeous fabrics and wallpaper. So, while I was reading Tiffany Taste(aka Table Settings of the Rich and Famous) the other day, I came across a chapter on Ms. Pool and her style of entertaining.

According to the book, Ms. Pool has a fondness for all things Venetian (this is confirmed by the Domino article, which notes that Pool has a decent sized collection of 18th and 19th c. painted Venetian antiques). For a summer lunch, Ms. Pool would likely start with a salad of shredded celery, mushrooms, Gruyère, white truffles, and a vinaigrette of olive oil and balsamic vinegar. The main course might be a pasta gratinée of green tagliarini, béchamel, prosciutto, and tomato. For dessert? Chocolate twigs or truffles, grapes, or strawberries accompanied by mandarin orange tea. Oh, and no wine- "nothing dangerous"- with lunch, only San Pellegrino. After all, when you're an editor of a magazine, you have to stay on your toes!

What I enjoyed most were the photos of Pool's Sutton Place apartment circa 1986. Author John Loring wrote that Pool "knows as much as anyone about the domestic pleasures that make life sweet." I wholeheartedly agree.


What a sumptuous mix of yellow satin curtains, yellow walls, and red satin(?) chairs. In fact, those chairs appear to be the same ones that were featured in Pool's Olympic Tower apartment, although at that time they were covered in orange cotton pique. The mirror is 18th c. Venetian. And notice the pedestal table, which Pool still owns today (see image of Pool at top). According to Tiffany Taste, the base is in the shape of a neoclassic Italian urn.


Another Venetian piece- this time an 18th c. painted commode. The tea service is Royal Berlin, and the silver Tiffany basket is filled with chocolate twigs.


Tiffany's classic "Chrysanthemum" flatware and "Nymphalidae" dessert plates adorn the table. Strawberries are nestled in a Tiffany sterling basket.

(Image at top of Pool- photographer Annie Schlechter)

Or should I make that Hutton Wilkinson style? In the June/July issue of C magazine, there is a neat little article about the way Hutton Wilkinson and his wife Ruth entertain at their home "Dawnridge" (you know, Tony Duquette's former home). On the table above, set for a luncheon, Wilkinson chose an emerald green tablecloth for the table, which is adorned with Chinese figures and pagodas from Duquette's collection. I just love the ballroom chairs with their malachite-patterned chair pads. And continuing with the malachite theme are the plates by D.L. & Co.

And what will the guests eat and drink at this elegant luncheon in a rather exotic setting? Hibiscus lemonade, Fattoush salad, and fromage blanc with berries and honey for dessert. I don't know if the guests will get the chance to have a piece of the "coral" cake, seen below- it's too pretty to cut!

Finally, the satiated guests will get to take home a very stylish party favor- a D.L. & Co. Duquette candle. My luncheons and dinners tend not to end with favors, but I just might change my mind!


A cake too pretty to eat! Cake by Cake Divas in Los Angeles


I'm smitten with these malachite plates D.L. & Co.


The Duquette candle by D.L. & Co.

(Image at top and of cake from C Magazine; Peter Wintersteller photographer)

...to establish an elegant alternative for urban dwellers. Made up of 23 luxurious town homes and flats, the development has the familiar feeling of tradition with modern-day conveniences.

(The) magazine called on renowned Atlanta interior designer Dan Carithers to oversee the home's interiors. A walk through the home is a visual feast of design finery, with everything from floors to ceiling provided by vendors like Stone Age Designs and Hickory Chair. Carithers' own furniture line by Sherrill Furniture is on display throughout the home

• Fabric, fabric, fabric: Carithers uses repetition of fabrics on linens, upholstery and walls.
• Seats for all sizes: Little ones like luxury, too. Throughout the home, child-size chairs were sprinkled among traditionally sized pieces.
• Button-tuft this: Carithers' use of button-tufted pieces gives the home an instant dose of comfort and glamour.

1. invest in the best
Instead of filling a room quickly with things you can afford, enjoy the process and slowly add pieces you absolutely love.
2. borrow your own clothes
If you love the hue of a blouse (or anything smooth-textured), bring it to a paint store to be scanned and reproduced.
3. lighten up
Reflective, sparkly fabrics and wallpapers draw light into any space.
4. work with what you've got
Play up a room's assets. If it has high ceilings, put up really tall curtains. If it's a dark box, don't try to alter it—painting it bright white will only make it seem dingy; instead, go for cozy.
5. lights!
Even in small rooms, aim for at least three light sources—ideally a floor lamp and matching table lamps—to banish gloomy corners.
6. go antique-chic
Invest in one fabulous antique per room, to set the tone for the entire space.
7. think outside the welcome mat
Don't neglect your entryway! Think of it as an appetizer for what comes next. It should reflect your home's overall style but also contain something special, so guests want to see more.
8. collect more
Collect something that speaks to you. No matter what it is, there's impact in numbers.
9. skirt the issue
Skirted tables in offices or entryways can hide all manner of ills: shoes, kids' backpacks, mail—even filing cabinets.
10. beyond wallpaper
Upholstering, rather than papering, walls yields a layer of softness and luxury for about the same price.

it’s our third week focusing on australia and our latest regional roundup focuses on brisbane, australia’s third most populous city. today’s line up stars tiel seivl-keevers {tsk-tsk}, mel robson, jason grant {inkahoots}, tiffany shafran, and alex tebb. we’ll be back tomorrow with our final australian roundup so be sure to check back, but in the meantime, click here to check out today’s designers (there are many more below the fold). [thanks again to all the fabulous designers! all the roundups can be found here.] -anne

[aussie porcelain above by mel robson. check out her feature below]

Tsk-tsk

1. Where are you from? Where do you live now?
I’m from Australia. I have lived in many different cities here, but I’m currently living in Brisbane, Queensland.

2. Describe your work
Most of my work is illustrative. I create original artworks or limited edition prints for children and grown ups. I’m exploring a range of themes including matryoshka dolls, birds, flora and fauna.
My works are mostly small in scale so I can finish them!

3. How is your work influenced by where you live?
I live in a warmer climate so the outdoor lifestyle does influence my work. I pay attention to the wildlife around me, particularly the birds and I enjoy the colours of where I live. Brisbane is a very light and sunny place.  I’m very close to the ocean and some of Australia’s best beaches, but it is the trees and hills that I feel closest to. I often pick up leaves and pods on walks and take them home to study.

4. Where do you go in Australia when you want to feel inspired?
Melbourne. It is home away from home for me. I lived there on several occasions and it is so full of life. Art, craft, design, good food. But locally I enjoy being in a park near the river, or going to a few suburbs here that have hidden shopping treasures. Also the gallery of modern art has a continual range of exhibitions and displays catered for all ages. It is such an amazing space.

5. How would you describe the Australian design scene?
I think here we are influenced so much by so many different cultures and countries. We then somehow take bits of pieces from that, combine them with our surroundings and it becomes quite unique to anything else. There are so many good Australian designers who have emerged over the last 10 years and I really get a sense that a lot more quality design is about to bloom..

6. If you could go anywhere where would you go?
Today, somewhere a little warmer like Fiji! But I really am keen to go to Japan. The history, design and food really interests me.

Check out more of Tiel’s work here and her blog here.

Mel Robson

1. Where are you from? Where do you live now?
I grew up in a little town called Murwillumbah (which means place of many possums!!), but I now live in Brisbane (right in the middle of the east coast of Australia) and have been based here on and off for the last 15 years or so.

2. Describe your work
I make objects from porcelain. I design and hand make ranges of functional and decorative objects for the home, as well as limited edition and one-off exhibition works. I use a lot of text and imagery on my pieces which I draw from a whole array of sources - old letters, wallpaper, photographs, maps, recipes, sewing patterns, excerpts from old books and magazines etc. I take lots of old things and work them in to new ones.

3. How is your work influenced by where you live?
I’m probably influenced more by the built environment rather than the natural environment - the architecture, the buildings and houses. Brisbane has grown a lot in the last decade and is a real mish mash of old and new. This doesn’t always work so well but there are little pockets where the old and the new sit comfortably, even beautifully, together.  I like this. Its something I try to achieve in my own work – weaving together the past and the present, integrating them.

4. Where do you go in Australia when you want to feel inspired?
I find that I get most of my best ideas while I’m walking. I like to go hiking, so our national parks are pretty inspiring for me. There is nothing like wandering along deserted trails for clearing the mind and making space for new ideas. At the moment though I walk mostly around my local area, which is an old area of Brisbane filled with charming houses and shops full of character (and characters)!

5. How would you describe the Australian design scene?
I think Australian designers have a good sense of humour and often approach design with a sense of playfulness and wit. We are good at sarcasm and laughing at ourselves and I think this is often reflected in the work of our artists, craftspeople and designers.

6. If you could go anywhere where would you go?
Hmmmmm…..where wouldn’t I go?! I’d like to spend more time in Europe, particularly the Scandinavian countries.

More of Mel’s work here, and her website (under construction) here.

Inkahoots

1. Where are you from? Where do you live now?
I was born in New Zealand and now live in sunny Brisbane, Australia.

2. Describe your work
I’m part of design group Inkahoots that includes Robyn McDonald, Ben Mangan, Joel Booy and Kate Booy. Rather than privilege market agendas of commodification, the studio promotes visual communication as an important tool of cultural critique and transformation. The work is visually adventurous with a strong typographic focus, and aims to be daring and searching, not for the sake of newness, but to give expression to a changing society.

3. How is your work influenced by where you live?
For a long time Brisbane was a politically oppressive and culturally conservative place you needed to escape. So it bred a resilient underground oppositional culture that continues to influence the city. The rainforests, bush, and beaches around Brisbane are incredible. And the scale and pace of the city makes it both a great place for work and play, and for playful work.

4. Where do you go in Australia when you want to feel inspired?
I’m not so comfortable with the idea of chasing inspiration.

5. How would you describe the Australian design scene?
If it were a super hero it would be one of those characters with random control over their super-human powers.

6. If you could go anywhere where would you go?
Satori.

Click here for more by Inkahoots.

While on way home from France last month I leafed through the Air France magazine (which was really pretty impressive for an airline magazine!) and stumbled upon these fantastic images of Panton chairs used in conjunction with The Wapping Project. As far as I can tell (feel free to shed more light if you know more than I do), the team associated with The Wapping Project have essentially converted an old hydraulic power station in London into a restaurant and art installation space. I wish I could “hop the pond” as they say and see the place in person.

Nonetheless, how amazing would it be to have the space to house an incredibly long table with rows and rows of Panton chairs? Ahhh, eye candy.

And while the adults are eating, the kids could sit on more Panton chairs (near the old energy converters, of course) and watch cartoons.

Photos courtesy of Air France and The Wapping Project

Posted by Kerstin

During this important year (presidential election and all), I readily admit that I don't rush to the front page of the New York Times or the Washington Post each morning.

More than likely, I am flipping through party pictures on style.com or my new favorite: a weekly blog feature on New York magazine hilariously dissecting the latest "Top Chef" victim.

See the latest cooked turkey, Spike, below.

I plan to return each Thursday (the day after the Bravo show airs) to read through the silly commentary. After that, I will look through this and last season's archives.

It's frivolous. I am not learning a thing. But a girl needs to ease into the weekend.

Share your online guilty pleasure -- we won't tell your boss.

It was hot in Marrakech.  Oh, very hot.  So she escaped to that town on the Moroccan coast, Essaouira, her favorite Summertime (and anytime) haunt. 

Now she was no longer a Spring chicken (sadly, so sadly).  And so she had stayed in quite a few guest houses and hotels in her time.  Some luxurious with down pillows and beautiful bath products and some......well, not much better than sleeping on the floor of the bus station (oh dear). 

But had she ever stayed anywhere - anywhere at all -  like Dar Beida?  No never.  It was organic and Moroccan and African and modern and high/lo all at the same time.  This was the sort of place that you could imagine yourself staying in, well, forever.  This little house on four floors was so lovely, that she promptly began thinking up all her best arguments to get the British owners to sell it to her.  (My, weren't they tired of Morocco yet?  What did they mean, No?)

It was all in the details, you see.  Now she couldn't possibly share them all in one batch.  But here's a few to start..........

A charming place to hang the house keys........Each key with a treasure from nature attached.

Two chairs in the entry where you could sit and gaze at.......

This darling little rustic steer display....The blogging girl was quite fond of cows, and this suited her to a tee.

There was an interior courtyard in the center of Dar Beida and African art placed here and there. (The girl had her very own body masks like the one in this image that she had collected in Tanzania, South Africa, and Kenya.)

Oh yes, please do perch on this little  stool and read from the enormous trove of interior design magazines...........Heaven!

This vintage African chair was covered entirely with tiny beads.  How very amazing. 

The chair was in this charming little bedroom.  The bed was covered with a fine wool vintage haik, worn by Moroccan women once upon a time.  (The girl had several of these horded for her shop.)

Oh the view from the roof terrace......She could smell the sea.  (And the girl had these very same mod chairs for the roof of Peacock Pavilions.  Could it be that Dar Beida had everything she liked?)

The girl sat and talked on the phone while checking her Blackberry.  She told everyone she might be staying in Essaouira for a good, long time...........Could she be a stowaway at Dar Beida?

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Dar Beida, Essaouira, rented only in its entirety (which is a good thing because you'll want it all for yourself...)

emma@castlesinthesand.com

mobile:  +212/67965386

Oh yes, of course, she loved Marrakech.  After all, this blog wasn't called My Essaouira was it?  But there really was something about this coastal town that made her want to sell everything and become a gypsy.  And Essaouira's multitude charms seemed to be thrown into high relief when staying at the beauteous Dar Beida.

Now she had given you a glimpse of Dar Beida's loveliness before.  But that was by no means all........There was more, you see.  Much more. 

Now that's really quite a fantastical chair -- very Ethnic Nautical, don't you think? (ahem, what do you mean that's not a genre?).  oooh, and with that curtain!

And somehow the chair paired with this preppy striped blanket (Habitat) and leather and raffia Tuareg carpet was just right.  And look at that beamed roof!

Dar Beida was a house for readers or perusers or simply flippers of pages.  The bookshelves were well stocked and the design magazines were abundant (including all those delicious, expensive mags from the UK) ..........Why ever leave? 

One of the bedrooms had a mezzanine all its own.  How very fun.  Did she mention that the owners had designed the fab felt rugs themselves? Sigh, these over-industrious creative types.....

A darling little salon with white leather poufs, African art, and one of the house's grotto like fireplaces........

Eeek, she could barely stand the fabulousness of this room, which was really an inner courtyard.   The swing (!),  the amazing signage, the fanciful candelabra, and that mod coffee table.  Really, living in a place like this could take ten years off of you, don't you think?

oh, all the quirky little details...........like these vintage toys displayed over a generous CD collection.

Real Saarinen, real Jacobsen, real Panton..........thrown together in the very most casual manner.  And don't even get her started on the oversized Tunisian birdcage found in the souk somehow (?!) .

And to the other side.........the cuisine, where one could cook, or in the blogging girl's case, pretend to cook..........

The blogging girl loved this.....oh, don't get all fidgety -- no animals were harmed for this montage:  they were all found in the Sahara desert.

Well.......she was off to sit on the terrace, under the ahem, Ethnic Nautical gazebo (that the owners had built themselves in a fit of over-achievement:))

Dar Beida, Essaouira, rented in its entirety

emma@castlesinthesand.com

mobile:  +212/67965386

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PS  Check out this (at the very bottom of the post) to see a vintage Moroccan wedding blanket displayed in situ in Allegra's home of