From Julie:

Machado and Silvetti Associates is a Boston firm that specializes in museums (Getty Villa renovation, Bowdoin College Museum of Art, Provincetown Art Association and Museum) and urban projects; the founding partners are both from Argentina and both teach at the Harvard Graduate School of Design. They designed this cottage in Wellfleet, MA, on outer Cape Cod, which looks like the perfect studio for a pair of architects (note the drafting tables).

Isn't it amazing how people who were once celebrities can fade into obscurity? The same thing can be said for celebrity decorators, especially William Pahlmann. Okay, so perhaps he's not an obscure designer, but he does not have the name recognition of Dorothy Draper or Elsie de Wolfe. If this were 1950, we would all be talking about Pahlmann. After all, he was one of the most famous decorators of the 1940s through the 1960s.

Pahlmann, who was educated at Parsons in the late 1920s, first gained notoriety after designing a mirrored bed for the first Mrs. William Paley (this according to Legendary Decorators of the Twentieth Century by Mark Hampton). Getting her seal of approval was the impetus he needed to go onward and upward, eventually landing him the job of head of the decorating and antiques department at Lord and Taylor. Pahlmann became known for his model rooms for the department store- rooms which garnered attention by the press and brought flocks of customers to the store. After a brief hiatus during World War II (serving in the Air Force), Pahlmann returned to New York where he set up his own decorating firm. He even had his own syndicated newspaper column titled "A Matter of Taste".

Pahlmann's interiors after WWII are quite evocative of the post-war era. While Pahlmann was quite capable of designing in the traditional style, much of his work celebrates mid-century modernism. Pahlmann was a champion of modern materials, including rubber flooring and rayon and other synthetic fabrics. The exotic also played a role in his interiors. Artifacts and objects of various cultures and countries mixed freely, lending his rooms a sort of well-traveled look. And let's not overlook Pahlmann's love of color. There was nothing primary about his chosen color schemes. In fact, in his book The Pahlmann Book of Interior Design, he wrote about various color combinations that he had used thus far in his career. These included cerulean, lime, magenta pink and white as well as deep sage, ripe persimmon and French blue.

Pahlmann was so well-regarded in the design world that when a young Albert Hadley first ventured to New York seeking a job as a designer, he sought out a meeting with his design idol. Hadley describes Pahlmann as "a man of great charm with a flamboyant personality and certainly he was not shy about anything."* Pahlmann encouraged Hadley to enroll at Parsons School of Design, just as he had.

While many of Pahlmann's room may seem a bit dated today, don't you think it's worth revisiting the career of this late, great decorator?

(Pahlmann's work is featured in the upcoming Acanthus Press release New York Interior Design, 1935-1985. Another "lost" designer whose work I greatly admire is George Stacey. I'll be writing about him soon!)



A great example of Pahlmann's fearless use of color. This bedroom's colors were inspired by a vineyard.


The mod floor in this living room was rubber! The mix is a bit unexpected: modern furniture with a Victorian sofa and Spanish altar candlesticks mixed with French candle sconces.


This was Pahlmann's own living room. I love the gunmetal gray walls and the robin's egg blue leather chair. According to Mark Hampton, the cabinet is actually a snakeskin Victrola.


I couldn't resist this image of an Empire-style tented room. Pahlmann admired Napoleon and Malmaison- might this have influenced the design scheme of this room?


Pahlmann designed this living room for Mrs. Walter Hoving in 1948. In my opinion, this room is one of Pahlmann's more elegant designs. Much of his later work seemed to be more casual, much in keeping with the times.

(*Hadley quote from Albert Hadley: The Story of America's Preeminent Interior Designer)

Celia
Priya Sebastian is an awesome artist and illustrator who works mainly in charcoal and pastel.
Whenever I see her work I feel 'black' is the most beautiful colour. Congregation Self-Portrait
The most striking feature in most of her illustrations are the 'eyes' of her characters, they seem to express so many different emotions!Yama
She uses colours also beautifully just to give that extra punch.* Sigh*
Cats
Woman
I am still under the spell of the amazing works by these two extremely talented artists. Hope you enjoyed their work as much as I did showcasing them.:-)

(images of Kalyani's work from Jellicle Cat and Priya's from The Plum Tree)

P.S. A special thanks to Masala Chai, who introduced me to Kalyani's work.

Posted by Bluelines

A few people we think you will like.

You may or may not know Bluelines has some pretty creative and helpful friends in the blogosphere.

The Bride's Guide has charming and original ideas for brides-to-be.

While Dinner Tonight can save you from buying that frozen pizza with fresh and simple (we swear) dinner ideas every day. Yes, every day.

Finally, Did you think that Martha Stewart making Cherry Mojitos with the Google guys would happen on an average Wednesday? You can read about that and many more adventures on The Martha Blog.

Helen Amy Murray’s surface reliefs on everything from chairs to headboards to walls are just unbelievably gorgeous. The detail is just as amazing as the overall effect.

http://www.helenamymurray.com

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i’m a sucker for a zig zag line (i’m always lusting after a full-sized version of this rug) and these new towels at williams sonoma home are calling me. i really love the persimmon/pumpkin combination (very fall) but the blues are perfectly summery as well. click here to check them out ($36 each).

ps: penelope green at the nytimes wrote a great article/at home with piece with faythe levine of handmade nation. it’s always inspiring to read about people like faythe in big mainstream news. click here to check it out.

From Julie:

Perhaps the ultimate children’s sanctuary; from Danish impresario Nina Tolstrup of Studio Mama, a London-based architecture and design studio. Via Mopu42.

It seems that when you are a celebrity you know everything, or at least media shows that you know everything and you can do anything easily. For example recently actor Brad Pitt has signed on as the designer of a luxury eco-friendly hotel with Zabeel Properties, that will be built Dubai. The project, which aims to be an “environmentally sustainable” 800-room luxury property, will include Pitt as a designer working with GRAFT. “Whilst acting is my career, architecture is my passion” said Brad in a statement. Now I know that an architect has to study hard for about 6 or 7 years in college, to be able to create something, and  I really hope Brad isn’t the lead architect on this thing. It’ll probably collapse whilst they’re working on it. Finally I think that the company that started this project got Brad Pitt involved in this project for a big boost of publicity and not really for his designer services. What do you think ? Via Telegraph and People.

Post from: Interior Design, Home & House Design, Furniture

1. invest in the best
Instead of filling a room quickly with things you can afford, enjoy the process and slowly add pieces you absolutely love.
2. borrow your own clothes
If you love the hue of a blouse (or anything smooth-textured), bring it to a paint store to be scanned and reproduced.
3. lighten up
Reflective, sparkly fabrics and wallpapers draw light into any space.
4. work with what you've got
Play up a room's assets. If it has high ceilings, put up really tall curtains. If it's a dark box, don't try to alter it—painting it bright white will only make it seem dingy; instead, go for cozy.
5. lights!
Even in small rooms, aim for at least three light sources—ideally a floor lamp and matching table lamps—to banish gloomy corners.
6. go antique-chic
Invest in one fabulous antique per room, to set the tone for the entire space.
7. think outside the welcome mat
Don't neglect your entryway! Think of it as an appetizer for what comes next. It should reflect your home's overall style but also contain something special, so guests want to see more.
8. collect more
Collect something that speaks to you. No matter what it is, there's impact in numbers.
9. skirt the issue
Skirted tables in offices or entryways can hide all manner of ills: shoes, kids' backpacks, mail—even filing cabinets.
10. beyond wallpaper
Upholstering, rather than papering, walls yields a layer of softness and luxury for about the same price.

Alan Campbell

Domino, August 2008

Alan Campbell fabrics in the Parish Hadley famous 1970's peacock blue room.

Domino, August 2008

It's as simple as soap and water. It's all you need for most outdoor furniture. You may want to ...pick up a power washer.

• Acrylic Cushions
• Resin Furniture - Resin furniture is easy to clean. Spray off dirt and grime and let dry. If there are scuff marks, use a gentle abrasive to remove. To remove mildew, follow the instructions above.
• Wicker -You can use a hose or pressure washer.
• Wrought Iron, Steel Frames & Aluminum -Use mild soap and water to clean.
• Fabric
• Umbrellas
• Wooden Furniture

The only maintenance we recommend for your teak furniture is occasional cleaning. This should be done with a mild soap (such as gentle hand cleaning soap) and warm water to preserve its natural elements.

Chat tables are new this year, says Jan Booth of Patioworld in Fresno. These tabletops are higher than coffee tables but lower than dining tables. "It's high enough that you can put a cup there, but it's not like sitting at a dining table," she says.

Mesh on metal or wood pieces: Patio pieces that have mesh-type material over metal or wood frames also are popular.

"You can lay a towel on it or go without a towel, and you can lie on it. You don't stick to (the mesh), and it's very comfortable. You don't lie there and get sweat on your back and tush."

She wondered....about the inner lives of people.
If their insides matched their outsides....
If they were happy. 
Or if they were depressed.

She wondered....if he and she, and yes, they, in the corner,
                  if they had moments of [indescribable] joy, for no reason.
Or if they had regrets, big regrets...about which, they could do nothing.

She wondered....if they -- each one of them -- felt understood.
                                     And if they felt loved.  Enough.

She wondered.... Do you wonder, too?

 
for the past few weeks we’ve been exploring the major design hubs in australia. but as with anywhere, there are those incredibly talented artists and designers who are able to make a name for themselves from off the beaten track. today’s final regional roundup: australia covers everywhere in between. and while these features have been focusing on the contemporary design scene, aboriginal art - a history that covers 40,000 years - continues to make it’s mark on australia, and is something i still hope to explore (talk about patterns! . . . luckily, one of the best collections is at the kluge-ruhe aboriginal art collection at my beloved university of virginia, of all places). but that’s the beauty of these roundups - they’re a starting point to discover a place, begin a conversation and in a world that is constantly changing and each can be revisited. it’s been nearly three months since i started on this piece - which features over 40 designers - and it’s still only brushing the surface. so please continue the dialogue in the comments, sharing your new discoveries, favorite aussie designers, inspiration and observations. in case you missed any, you can find all the posts here. and to view this full post (and many more designers) just click here. [an incredible thank you to everyone who participated!!!] -anne

[aboriginal painting by roslyn ann kemp, above]

Magic Jelly

1. Where are you from? Where do you live now? 
Born & bred right here in Adelaide, South Australia.

2. Describe your work 
Most important to me is to communicate & connect.  I’ve just started a project called The Paper Chase, trading art for paper, it’s all about collaboration & communication.  I try to make my work as accessible as possible.  I like to use low-tech equipment (Gocco for instance) & commonplace materials, & to lavish care & attention on the forgotten, overlooked & discarded.  I tend to work on a small scale, firstly, because I’m a finicky fuss-budget obsessed with detail, but also because I want my work to be intimate & personal rather than to shout at you from across the room.  I hope a little bit of wit & levity creeps in there somewhere too.

3. How is your work influenced by where you live?
I often trawl the local secondhand markets for bits & pieces to use in my work, & take lots of photos, particularly of signage & architecture.  In fact, I’m combining my interest in architecture & ephemera at the moment by building a house out of paper, loosely based on a lovely row of late-Victorian terrace houses on the seafront near where I live.

4. Where do you go in Australia when you want to feel inspired? 
Anywhere that’s out of the house!  Every spring I start feeling restless & want to take a trip to Sydney.

5. How would you describe the Australian design scene? 
I really can’t say as I don’t feel that I’m a part of it - I’m a total hermit!  It’s a small market, that’s for sure - especially in Adelaide - & I tend to sell more internationally & do more commissions for overseas clients.  I think the Australian scene is growing though.

6. If you could go anywhere where would you go? 
I’m planning a visit to the US in a few months’ time to take a road trip along the West Coast.  Now, if you have a time machine handy, where I’d really like to go is back to the mid-20th century so I can go wild amassing huge quantities of ephemera & toys, & taking lots of photos.

Click here for more work by Karena and visit the Magic Jelly Etsy shop here.

Bison Home

1. Where are you from? Where do you live now?
I am From Grenfell NSW (population 2000 ). My family came on the Sirius…the first Fleet of White Settlers/Convicts who came to Australia in 1788. I currently live in Canberra and my studio is in a rural location (Pialligo) surrounded by plant nurseries and vineyards.

2. Describe your work
My work…best described as a ceramics designer. I am drawn to simple, classic forms and I produce a large range (140 profiles and 30 colours) of dinnerware and decorator pieces. I’m a former archaeologist and ancient historian who became tired of excavating broken pots in Syria … so I taught myself how to make them instead! We create forms which reflect the relationship between beauty…and practicality. I am fortunate to have a wonderful team of craftspeople who support me in crafting our Fine Australian Stoneware Collections.

3. How is your work influenced by where you live?
As a person who was training to be an academic… I was captivated by the evolution of design in Classical History…and the amazingly poignant social contexts behind ceramic vessels. To unearth a piece of pottery…over 2000 years old with a fingerprint in it sends chills up your spine. I also went to School in Malmo Sweden and the colours and subtlety of Scandinavian seasons and design…obviously filter through my palette and shapes.

4. Where do you go in Australia when you want to feel inspired?
I absolutely love The Great Ocean Road in Victoria. Crusing along the stark coastline in a car or just spending time at our family Beachhouse near Portsea. Simple, unpretentious…and better still…uncomplicated.

5. How would you describe the Australian design scene?
Australia is changing rapidly in terms of global visibility and credibility. I always find it ironic though that within our own country people find it hard to conceptualize that viable design and manufacture can occur outside of Sydney and Melbourne. People look somewhat bemused when you tell them your studio is in Canberra (Our capital is better known for the Greenhouse gasses which come out of the Parliament Buildings!) That being said I see numerous whimsical and elegant works from talented artists/designers emerging…particularly working with textiles.

6. If you could go anywhere where would you go? If I could travel anywhere and spend time it would be south America…Belize in particular. The fusion of Jungle (with panthers) Mayan Pyramids and Amish/Mennonite settlers….sounds so disparate you’d have to get inspiration!

Click here for more from Bison Home.

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