the term 'sustainable interiors' can be misleading because it describes only part of the picture. claiming that a project or renovation is green, sustainable or eco-friendly, may seem like a wonderful thing to boast but it alone doesn't define a space. an interior space also needs to have functionality, beauty, comfort, and good space planning ~ as all good design requires. the vast majority of projects claiming to be green aren't 100% eco-friendly, especialy since they're often found within existing non-green architecture. but integrating green design techniques and knowing where to go to help boost the eco-friendly factor in interiors projects is the key stone to making a shift from wasteful to wonderful in interior design. that's why i just adore finding people like rachel winokur & her firm eTTa designs.

This blog chronicles my entire kitchen renovation from start to finish. Greentea Design has provided me with their kitchen cabinets, and I'm taking care of the rest.

If you'd like to be brought up to date, check out my kitchen remodel blog for an archive of previous posts. I’ve described my cabinets in detail, so now I thought I’d start in on all the fun purchases that goes along with a kitchen renovation. These next few posts I will cover things like the appliances, sink, faucet, countertop, backsplash and lighting.

I thought I’d start with lighting, one of my favourite items to dress up a space. I have always been drawn to lamps and pendant lights, so when I was planning the lighting for the kitchen, I wanted to make it a focal point. But once I decided on making lighting a feature, I started to panic a bit. There aren’t many decent lighting stores in this city, but I did check out a few. I started looking online as well but got a bit concerned about some of the shipping prices. One online store was quoting 20% of the purchase for shipping and other related costs. This renovation is going to have me in debt as it is, and my house needs a TON of other work, so I have a really hard time spending my hard earned money on high shipping costs. So I really wanted to try and find items locally.

Since my kitchen will be long and narrow, I will need a long and narrow dining table to be placed down the center of it (I have no dining room). I made a pretty simple decision to hang pendants over it. My first thought was a Nelson bubble lamp. I’ve always wanted one. But I really like the look of the saucer lamp, and I think that one would work better over a round table. I started looking locally and found something at a large lighting store called Multi Luminaire:


I liked the industrial look of it and it was similar to ones I had considered ordering online. They had 2 sizes, one for $80 and one for $120, and I figured I would get maybe 3 to hang in a row over the table. But then....

More of this post HERE

The NYT just published an article about the rise of super star color plum. Yup, plum.
Evidently, it's being touted as the "new black". Here's my take on the concept- black will never be replaced. Colors will come and go in trends, but we'll always have our staples like black, white, brown, neutrals.

In any case, it's refreshing to see variations of violet being embraced in the marketplace. In the past, it's been one of the least-used colors for marketing because it's so hard to pin down. Sandwiched in between red and blue, violet can swing in two radically different directions. Blue violets have similar characteristics to blue- calm, dependable, trustworthy, rational, cool. Red violets, on the other hand, tend to adopt those traits more like its companion red- active, strong, passionate, hot.
Violet has often been used to represent the mystical or spiritual. It's often seen as artistic, eccentric, or quirky, even romantic. Deep violets can be regal and majestic. So now, marketers are tapping into those associations to bring you everything from credit cards, internet service, and water.
Plum TV is a a channel available in resort communities like Aspen, the Hamptons, and Martha's Vineyard.

What fascinates me is the reinforcement of the color with the name. All these companies seem to feel they must attach the word "plum" to their products in order to get across their meaning. I think alot of that comes from the ambivalence of the color's attributes. Plum can range anywhere on the spectrum of violets, and perhaps without the term "plum", could be misconstrued as having different characteristics from those marketers hoped to convey.
In the article, a marketer reinforces this issue:

“When we were looking at the color of the plastic (during the planning stages), we wanted something classy and sophisticated, and the choice was a shade we called 'burgundy.' " But the company did not want to call it burgundy when marketing it, he added, for fear of confusion with wine brands.

What's your take on the trend? Do you think these companies need the word "plum" to drive home the point of using this color for their product or service? What do you think of when you see the color?

 
for the past few weeks we’ve been exploring the major design hubs in australia. but as with anywhere, there are those incredibly talented artists and designers who are able to make a name for themselves from off the beaten track. today’s final regional roundup: australia covers everywhere in between. and while these features have been focusing on the contemporary design scene, aboriginal art - a history that covers 40,000 years - continues to make it’s mark on australia, and is something i still hope to explore (talk about patterns! . . . luckily, one of the best collections is at the kluge-ruhe aboriginal art collection at my beloved university of virginia, of all places). but that’s the beauty of these roundups - they’re a starting point to discover a place, begin a conversation and in a world that is constantly changing and each can be revisited. it’s been nearly three months since i started on this piece - which features over 40 designers - and it’s still only brushing the surface. so please continue the dialogue in the comments, sharing your new discoveries, favorite aussie designers, inspiration and observations. in case you missed any, you can find all the posts here. and to view this full post (and many more designers) just click here. [an incredible thank you to everyone who participated!!!] -anne

[aboriginal painting by roslyn ann kemp, above]

Magic Jelly

1. Where are you from? Where do you live now? 
Born & bred right here in Adelaide, South Australia.

2. Describe your work 
Most important to me is to communicate & connect.  I’ve just started a project called The Paper Chase, trading art for paper, it’s all about collaboration & communication.  I try to make my work as accessible as possible.  I like to use low-tech equipment (Gocco for instance) & commonplace materials, & to lavish care & attention on the forgotten, overlooked & discarded.  I tend to work on a small scale, firstly, because I’m a finicky fuss-budget obsessed with detail, but also because I want my work to be intimate & personal rather than to shout at you from across the room.  I hope a little bit of wit & levity creeps in there somewhere too.

3. How is your work influenced by where you live?
I often trawl the local secondhand markets for bits & pieces to use in my work, & take lots of photos, particularly of signage & architecture.  In fact, I’m combining my interest in architecture & ephemera at the moment by building a house out of paper, loosely based on a lovely row of late-Victorian terrace houses on the seafront near where I live.

4. Where do you go in Australia when you want to feel inspired? 
Anywhere that’s out of the house!  Every spring I start feeling restless & want to take a trip to Sydney.

5. How would you describe the Australian design scene? 
I really can’t say as I don’t feel that I’m a part of it - I’m a total hermit!  It’s a small market, that’s for sure - especially in Adelaide - & I tend to sell more internationally & do more commissions for overseas clients.  I think the Australian scene is growing though.

6. If you could go anywhere where would you go? 
I’m planning a visit to the US in a few months’ time to take a road trip along the West Coast.  Now, if you have a time machine handy, where I’d really like to go is back to the mid-20th century so I can go wild amassing huge quantities of ephemera & toys, & taking lots of photos.

Click here for more work by Karena and visit the Magic Jelly Etsy shop here.

Bison Home

1. Where are you from? Where do you live now?
I am From Grenfell NSW (population 2000 ). My family came on the Sirius…the first Fleet of White Settlers/Convicts who came to Australia in 1788. I currently live in Canberra and my studio is in a rural location (Pialligo) surrounded by plant nurseries and vineyards.

2. Describe your work
My work…best described as a ceramics designer. I am drawn to simple, classic forms and I produce a large range (140 profiles and 30 colours) of dinnerware and decorator pieces. I’m a former archaeologist and ancient historian who became tired of excavating broken pots in Syria … so I taught myself how to make them instead! We create forms which reflect the relationship between beauty…and practicality. I am fortunate to have a wonderful team of craftspeople who support me in crafting our Fine Australian Stoneware Collections.

3. How is your work influenced by where you live?
As a person who was training to be an academic… I was captivated by the evolution of design in Classical History…and the amazingly poignant social contexts behind ceramic vessels. To unearth a piece of pottery…over 2000 years old with a fingerprint in it sends chills up your spine. I also went to School in Malmo Sweden and the colours and subtlety of Scandinavian seasons and design…obviously filter through my palette and shapes.

4. Where do you go in Australia when you want to feel inspired?
I absolutely love The Great Ocean Road in Victoria. Crusing along the stark coastline in a car or just spending time at our family Beachhouse near Portsea. Simple, unpretentious…and better still…uncomplicated.

5. How would you describe the Australian design scene?
Australia is changing rapidly in terms of global visibility and credibility. I always find it ironic though that within our own country people find it hard to conceptualize that viable design and manufacture can occur outside of Sydney and Melbourne. People look somewhat bemused when you tell them your studio is in Canberra (Our capital is better known for the Greenhouse gasses which come out of the Parliament Buildings!) That being said I see numerous whimsical and elegant works from talented artists/designers emerging…particularly working with textiles.

6. If you could go anywhere where would you go? If I could travel anywhere and spend time it would be south America…Belize in particular. The fusion of Jungle (with panthers) Mayan Pyramids and Amish/Mennonite settlers….sounds so disparate you’d have to get inspiration!

Click here for more from Bison Home.

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What do you do when you have combined living spaces that flow together? Do you paint them all the same color? How do you visually separate the spaces? Or do you want to make them more cohesive? We've got a great example of this quandary, submitted by reader Mary Beth.
Okay, here's my take on the matter. First question-why do the areas need to be the same? Who says they have to be the same colors? I say, each space has it's own purpose, and deserves its own color. Of course, there are architectural restrictions to work around. For instance, you shouldn't try to break a wall into multiple areas of color without natural breaks in the wall, such as columns, cabinets, or other elements. So, the structure and layout of the space does determine where colors are placed...to a certain extent.

So, where do we go from there?

First, you need to figure out what kind of lighting the space gets. Is it bright and sunny, or shady and cool? What design goals are you hoping to achieve with the spaces? Is the living room supposed to be relaxing, or energizing? Should it be spacious and airy, or cozy and intimate? These are all issues to consider before launching into color selection. That being said, since we don't have all those answers for this dilemma, let's play around with color:
Here's a soft sage green living room, paired with a neutral warm mocha color (you'd need to check how it worked with the detail work in the tiles, as I can't quite tell what color they are)
Alternatively, here's a cool gray blue, paired with the same mocha kitchen color.
Just to get daring here, pushing towards cleaner, brighter colors could further liven up the space. Here, I simply bumped up the saturation level of the green and added a cheerful blue wall for the kitchen.

You may wonder where I pulled the bright blue suggestion. When you are really stuck trying to figure out a good color for a space, try inverting the colors to find the compliments. If you have a photo editing program, you can do it digitally. Otherwise, grab a handy-dandy color wheel, and travel across the wheel for the color opposite your color in question. (Ie with a red couch, we'd be looking at blues and greens) Here, for example, are the inverse colors of Mary Beth's rug. Voila- a lovely complimentary blue shade.
As a last suggestion, to tie the couch into the decor, a rich burgundy wall would work really nicely-pulling in the living room colors with the reddish undertones in the tile work.

I'd like to hear from readers to weigh in with your suggestions. What colors do you think would work best for Mary Beth's kitchen/living room combo? How would you solve her color dilemma?

Yes, it is early. But if you have kids in your life you no doubt are already looking at Halloween costumes. Last week I was in Star Provisions, the stylish 4,000 square foot marketplace located in Atlanta's Howell Mill corridor, and spotted all sorts of skull confections.


What the store has assembled is really an homage to the traditional Mexican festival, Dia de Muertos, or "Day of the Dead." This celebration is historically held on the first two days of November and honors family members with elaborate private altars, sugar skulls, marigolds, and good fare.

Whether you are planning a Halloween party or something related to Dia de Muertos, Star Provisions has molds for these skulls as well as the actual sweets for sale. Prices range from $2.50 to $35.
The Atlanta History Center will host a Day of the Dead program in collaboration with the Instituto de Mexico and the Mexican Consulate, on Sunday, November 2 from noon to 5 p.m. Highlights will include storytelling, authentic Mexican food and music, and altars.

Star Provisions is located at 1198 Howell Mill Road, and is open Monday through Saturday from 10 a.m. until 10 p.m. (404) 365-0410. Carolyne Roehm designed the girlie Halloween with silver pumpkins shown at top.