Back in January 2006, we wrote a post entitled Eight Questions to Ask Before Hiring an Interior Designer. The eight questions were part of an article in Home magazine and we linked to the magazine.

We like to link to an article and highlight several questions in our post, rather
than list all the questions. That way people go to the linked site and we both benefit from the traffic. One of our frustrations looking back at some of our posts is that not all articles are archived. If you click on the link above, you land on the magazine’s website, but it’s the June 2008 issue and the “Eight Questions…are gone!

It’s been awhile, so, because of inflation, we’ve come up with our own eleven questions:

1. Do I like the designer? Can I spend a lot of time with him/her? Good communication is a must. Working with an interior designer involves some give and take. You will share ideas, and the designer will contribute insights and advice based on his or her talents, knowledge and experience. Depending on the scope of the project, you could be working with your designer a couple of weeks to many, many months.

2. Do I get that he/she is trying to understand me by asking a lot of questions? The key to success is really getting to know you in the early stages and how you and your family use your home and your interests.

3. Does the scale of my project really warrant an interior designer? Even if you think you could accomplish the redesign, do you have the time and inclination? You need to be realistic about how much money you are willing to spend. Include in this estimate the cost of all raw materials, new furniture, labor for installations, and possibly a designer.

4. How do you charge for your time? Designers may charge by the hour, which can be anywhere from $35 to $300, and these costs can quickly mount up. Others may offer a free first consultation, and then quote you a flat fee on the basis of your discussions. Some may charge for the first meeting in advance and then a fee for the whole project based on the estimated hours. Some may bill you for hours used each month. Some may bill each month a level amount. Some may get a designer discount and pass some or all the savings on to you. Whatever the basis on which your interior decorator is paid, make sure you both agree on the budget.

5. Can we accomplish the redesign and stay within my budget?

6. I can’t decide if I like the design. Do I still have to pay for it? “Yes! When you decide to hire an interior design firm, you have decided to trust the design recommendations of that firm.�

7. Are you available for conversation about changes and fine tuning? A good designer knowing you may present you with several options and give you the choice of one or the other. ASID recommends: “Minimize changes to your plan. Each part of the design will affect the whole. Changes or special requests can require any number of adjustments that will add time and expenses to your project.

8. My friend doesn’t like your ideas. Why shouldn’t I listen to her/him? If you have to ask this question you should probably have hired your friend.

9. Can I go to the local Design Center? With or without you? Of course, just let them know that you are working with a designer and his/her name.

10. What if a piece of furniture comes damaged? The furniture store should inspect the furniture when it arrives. The designer should also inspect the furniture before it goes to the client. If something is missed or it breaks when it is used, the designer and the furniture store will work together with the vendor to resolve any problem.

11. How long does it take to receive things, once they are ordered? Here’s a guideline (though individual vendors may vary):
Upholstered Furniture: 10-16 weeks depending on vendor.
Casegoods – Chests, bookcases, tables, hutches, etc.: 8-12 weeks depending on vendor.
Window Treatments: 6-8 weeks depending on size of job
Accessories, Lamps, Art Prints, Silk Flowers/Plants: 4-6 weeks or less.
Rugs: If machine made, 2-4 weeks. If hand knotted, 3-4 months
Wallpaper/Fabrics: 3-5 days.

Several websites contributed to this list of questions and their answers:

Apartment Therapy LA Good Questions: Hiring an Interior Designer
ASID Working with a Designer
Nancy Werneken Interior Design Frequently Asked Questions
Lynle Ellis Designs Before You Hire an Interior Designer
NWSID Why Hire an Interior Designer?
CCIDC Frequently Asked Questions About Certified Interior Designers
Directory M articles Interior Decorator

Bev & Mike
Landfair Furniture + Design Gallery

I mean, I know that it's still around. In fact, the store here in Atlanta is really quite charming. Even though the Country French look is not really my thing, I can't help but be bitten by the Provençal bug every time I venture into the shop. But let's travel back in time to the 1980s. Fess up- how many of you used to carry Pierre Deux bags? Or had a desk full of Pierre Deux accessories? And what about those cheery little vide poches and trays that were ALL the rage twenty years ago?

My very first handbag as a child was one of those Bermuda bags. You know, the ones with the wooden handles and the changeable fabric covers. But in the 6th grade I traded up to a small Pierre Deux handbag. It really was the cutest thing- pink and green and French all over. I also had a Pierre Deux overnight bag which I still have today. No, I don't carry it around but rather use it as storage.

What I must confess, though, is that I still love Pierre Deux's vide poches. In fact, I have some that are over twenty years old! I use my large ones to store empty perfume bottles. The medium sized ones come in handy for holding cocktail napkins or coasters. And the mini ones are great repositories for everyday detritus. Now, truth be told I don't display my Pierre Deux trays because they don't really go with my master design plan. But don't you think they are a nice alternative to plastic storage trays and bins?



The once famous Pierre Deux vide poches. The trays from the 1980s were usually covered in a very Country French print. And many of them had two separate fabrics for the top and bottom. The corner ties meant that you could change which side was the inside or outside.

These are the types of prints that were most popular back then:


"Avignonet" in Blue


"Bonis" in yellow and blue


"Indianaire" fabric in blue and yellow



Desks in Atlanta were considered to be bare unless there were a few Pierre Deux accessories. The pencil cups and frames were especially popular.


I remember many an iron chandelier with shades like these. As my parents were into early American, we stuck to the Pierre Deux desk and drawer accessories.


No rush seat was complete without one of these cushions. Considered de rigueur for kitchen and breakfast tables.


The Petite Voyage bag in Black Bonis. My 6th grade handbag was the same shape and size but the fabric was pink and green. What can I say? I was preppy.

Windsor Smith is a designer whose career is on fire. In addition to her interior design work, she just debuted a fabric collection, a furniture collection, and a rug line as well (whew!). I recently had the opportunity to speak with Windsor and it was quite a treat. Her personality is as warm and sparkling as her interiors.

To borrow the tagline from the National Enquirer, "Inquiring minds want to know", and that's the way I feel about design. So I decided to get Windsor's thoughts on anything and everything design related.


On Her New Fabric Line:
Windsor's new fabric line for Kravet has received rave reviews, and it's not hard to see why. The fabrics that caught my eye were her bold and graphic prints. But don't think that these are "in your face" prints. Windsor likes the snap and pop of strong pattern, but she chose to render them in soft colors like celadon and clove. And she wisely chose to use no more than two colors per print. The result? Prints that are classic and easy to live with. (Fabric available through Kravet showrooms and through her website.)

"Insignia" in Seafoam


"Continuum" in Chestnut

On Mixing Prints...With Style:
One question that I am asked often is how best to mix prints. I'll be the first to tell you that I'm not completely comfortable with doing this myself. Fortunately, Windsor shared some tips. First, mixing florals can be difficult, so you might want to stick with just one. Also, stripes, especially tone on tone, can work with a variety of prints. And if you're mixing multi-color prints, proceed with caution! Windsor advises using no more than two. Interestingly enough, Windsor gives the green light to mixing vintage fabrics, saying "anything goes". Her rationale? Vintage textiles become found objects and art and should be displayed almost like a collection. In her mind, Lynn von Kersting's work is a great example of this kind of mix.

See how well this gray and white striped fabric works with the pink and white paisley print? Windsor obviously practices what she preaches!


And look at the smashing combo of the green tonal stripes with the punchy pink print.

On White... and Blue:
It seems that every designer has one color which they add to every room. For Albert Hadley, it's red. For many others, it's black. For Windsor? White! As she says "the absence of color makes other colors sing!" That said, she also admits that she has a weakness for blue.


Blue and white in an East Coast Traditional home à la Windsor Smith.

On the Stars of her Collection:
So unless you've been hiding under a rock, you know that Windsor recently introduced her new furniture collection. And just what are her picks for the stand out pieces?


Brittany Secretary. Works as a TV cabinet, desk, or in bathrooms to hold makeup and towels.


Slim Chaise. Looks especially good nestled at the foot of a bed.


Entry Round Settee. Looks very "Grand Hotel" to me!

On Her Dream Clients:




(Jane Birkin- in case you're wondering)




Legendary style icon Slim Keith

On Her Current Favorite Design and Architecture Books:


An Affair with a House


Vogue Living: Houses, Gardens, People

On the Details that Make a House a Beautiful Home:

1) Art and found objects that reflect the personality of the homeowner
2) Large bundles of the same type flower in a casual vase
3) Lighting that makes a room come alive day and night
4) Floor plugs




Windsor has some wonderful Found Objects for sale on her website, including this Early Chippendale Table and the Antique French Fireplace Canopy

On the Future:
So what's next for Ms. Smith? Plenty. She's working on some amazing projects including a late 1940's equestrian estate. And, big things are in the works for her website. In addition to her online shop, there will be decorating advice, newsletters, and video. I'd say Windsor is in need of a vacation.

it’s our third week focusing on australia and our latest regional roundup focuses on brisbane, australia’s third most populous city. today’s line up stars tiel seivl-keevers {tsk-tsk}, mel robson, jason grant {inkahoots}, tiffany shafran, and alex tebb. we’ll be back tomorrow with our final australian roundup so be sure to check back, but in the meantime, click here to check out today’s designers (there are many more below the fold). [thanks again to all the fabulous designers! all the roundups can be found here.] -anne

[aussie porcelain above by mel robson. check out her feature below]

Tsk-tsk

1. Where are you from? Where do you live now?
I’m from Australia. I have lived in many different cities here, but I’m currently living in Brisbane, Queensland.

2. Describe your work
Most of my work is illustrative. I create original artworks or limited edition prints for children and grown ups. I’m exploring a range of themes including matryoshka dolls, birds, flora and fauna.
My works are mostly small in scale so I can finish them!

3. How is your work influenced by where you live?
I live in a warmer climate so the outdoor lifestyle does influence my work. I pay attention to the wildlife around me, particularly the birds and I enjoy the colours of where I live. Brisbane is a very light and sunny place.  I’m very close to the ocean and some of Australia’s best beaches, but it is the trees and hills that I feel closest to. I often pick up leaves and pods on walks and take them home to study.

4. Where do you go in Australia when you want to feel inspired?
Melbourne. It is home away from home for me. I lived there on several occasions and it is so full of life. Art, craft, design, good food. But locally I enjoy being in a park near the river, or going to a few suburbs here that have hidden shopping treasures. Also the gallery of modern art has a continual range of exhibitions and displays catered for all ages. It is such an amazing space.

5. How would you describe the Australian design scene?
I think here we are influenced so much by so many different cultures and countries. We then somehow take bits of pieces from that, combine them with our surroundings and it becomes quite unique to anything else. There are so many good Australian designers who have emerged over the last 10 years and I really get a sense that a lot more quality design is about to bloom..

6. If you could go anywhere where would you go?
Today, somewhere a little warmer like Fiji! But I really am keen to go to Japan. The history, design and food really interests me.

Check out more of Tiel’s work here and her blog here.

Mel Robson

1. Where are you from? Where do you live now?
I grew up in a little town called Murwillumbah (which means place of many possums!!), but I now live in Brisbane (right in the middle of the east coast of Australia) and have been based here on and off for the last 15 years or so.

2. Describe your work
I make objects from porcelain. I design and hand make ranges of functional and decorative objects for the home, as well as limited edition and one-off exhibition works. I use a lot of text and imagery on my pieces which I draw from a whole array of sources - old letters, wallpaper, photographs, maps, recipes, sewing patterns, excerpts from old books and magazines etc. I take lots of old things and work them in to new ones.

3. How is your work influenced by where you live?
I’m probably influenced more by the built environment rather than the natural environment - the architecture, the buildings and houses. Brisbane has grown a lot in the last decade and is a real mish mash of old and new. This doesn’t always work so well but there are little pockets where the old and the new sit comfortably, even beautifully, together.  I like this. Its something I try to achieve in my own work – weaving together the past and the present, integrating them.

4. Where do you go in Australia when you want to feel inspired?
I find that I get most of my best ideas while I’m walking. I like to go hiking, so our national parks are pretty inspiring for me. There is nothing like wandering along deserted trails for clearing the mind and making space for new ideas. At the moment though I walk mostly around my local area, which is an old area of Brisbane filled with charming houses and shops full of character (and characters)!

5. How would you describe the Australian design scene?
I think Australian designers have a good sense of humour and often approach design with a sense of playfulness and wit. We are good at sarcasm and laughing at ourselves and I think this is often reflected in the work of our artists, craftspeople and designers.

6. If you could go anywhere where would you go?
Hmmmmm…..where wouldn’t I go?! I’d like to spend more time in Europe, particularly the Scandinavian countries.

More of Mel’s work here, and her website (under construction) here.

Inkahoots

1. Where are you from? Where do you live now?
I was born in New Zealand and now live in sunny Brisbane, Australia.

2. Describe your work
I’m part of design group Inkahoots that includes Robyn McDonald, Ben Mangan, Joel Booy and Kate Booy. Rather than privilege market agendas of commodification, the studio promotes visual communication as an important tool of cultural critique and transformation. The work is visually adventurous with a strong typographic focus, and aims to be daring and searching, not for the sake of newness, but to give expression to a changing society.

3. How is your work influenced by where you live?
For a long time Brisbane was a politically oppressive and culturally conservative place you needed to escape. So it bred a resilient underground oppositional culture that continues to influence the city. The rainforests, bush, and beaches around Brisbane are incredible. And the scale and pace of the city makes it both a great place for work and play, and for playful work.

4. Where do you go in Australia when you want to feel inspired?
I’m not so comfortable with the idea of chasing inspiration.

5. How would you describe the Australian design scene?
If it were a super hero it would be one of those characters with random control over their super-human powers.

6. If you could go anywhere where would you go?
Satori.

Click here for more by Inkahoots.

it’s rare that wayne pate at good shape design puts out a print that i don’t like. and this new eco-inspired reforestation now print (printed on 100% recycled paper with 10% of the proceeds going to the Trees For The Future Foundation) is a new favorite. combine that with this pink urns print and i’m ready to go. click here to check out wayne’s collection and shop online (the urns print is $30 and the reforestation now print is $35). to order the reforestation print (which will be in the shop soon) just shoot wayne an email right here.

ps: sorry, i’m all about the extra links today. i saw this cool photoproject mentioned on d.sharp journal via the lovely joanna goddard’s new blog on glamour.com. it’s all about what people look like before they go to bed. i was more interested in to see what people’s bedrooms look like of course. some of them have lovely colors- i love the green bedding towards the end and the green wall with stencils mid-way through. click here to check it out.

Posted by Bluelines

We dropped in (not physically, of course) to ask her if her creative process translated to bricks and mortar.

5 Questions for Jessie Randall, Designer, Loeffler Randall

1. So, is picking out plumbing hardware as challenging as churning out a collection?
Picking out plumbing hardware is the worst. We spent our Christmas vacation buried in plumbing fixture catalogues (Davis & Warshow, McMaster). My husband picked out all kinds of fancy fixtures, but my most favorite are the industrial toilet and urinal we put in the boys’ bathroom. They are so simple and functional. They look better than any of the other stuff, in my opinion. The renovation was a massive project. We have a lot on our plate with the house, the twins and the company. So juggling it all was the hardest part, but it was fun.

2. What one thing do you have to have in your home (even amidst contractors)?
As much natural light as possible.

3. What are you most excited about when the house is complete?
The boys’ room is my most favorite part of the house. I put in a lighted diorama in their room that was modeled off of the one in my friend Bronagh's children’s store in Williamsburg, Sweet William. I also love the color of the walls in the boys’ room, Pensive Sky, a pale grey blue-green that is so calming and relaxing.

4. Taking away anything from the renovation that will infuse your upcoming collections?
I don’t tend to use lots of pattern and print in my collections, but in my house I put up several patterned wallpapers (Osborne & Little, Second Hand Rose, Walnut Wallpaper). I love them and they give so much character to the house. It’s gotten me hooked on prints, so I may incorporate more in my collections.

5. What do you think will be the most often used room of your house?
Who knows? We’ll have to see once we move in. I am guessing it will be one particular area because with two flights of stairs and twins, I am probably going to want to stay put.

my parents just arrived from virginia beach so i’m off to indulge in some family fun and away-from-the-computer time. i hope you all have a fantastic weekend and i’ll see you on monday! until then, i wanted to leave you with a fantastic before & after from conn and john in hawaii (you might remember their gorgeous island sneak peek from june). conn and john found this old stainless steel medicine/dental tool cabinet years ago at the 26th street flea market in nyc. after picking it up for $35 it was stripped of its pale hospital green finish and kept a plain stainless steel. but as conn says “[when] we moved to maui the elements took over and my inspiration was to turn it into a rothko painting”. as luck would have it all three paints conn needed were on sale (2 for $4) so he sanded it down with steel wool, applied three coats of each color and voila! a $10 makeover. thanks to conn and john for sharing!

• anne’s regional roundup: brisbane and additional australian links and artists
• diy wednesdays: homegrown honey video
• new sneak peeks: spruce austin, jill malek, and uhuru design
• before & after: summer’s chair
• must see of the week: patterns from allan the gallant
• paper genius: zoe bradley’s paper sculptures at kate’s paperie
• furniture: new upholstered chairs at chairloom
• misc: new artwork (key prints) from dallas shaw, calling cards from avie designs, faux bois wingchair, zig zag towels, sculptural white lamps, new prints from good shape design
• new ceramics: ceramics from mudpuppy, ceramics from lisa bengtsson

Normally fall is my favorite time of year. Recently in New York, the weather was fantastic — every day was sunny and 75 degrees. Then the sun disappeared and the wind picked up, and the next morning I woke up to rain. It looks like the rain isn’t going to let up anytime soon, so with rain on the brain I began looking for something to lift my mood. I found it in this Unikko Mini Crook Umbrella. These great prints are sure to brighten all sorts of gray days. –Erica P.

A few months ago I picked up a used book at My Sister’s Closet in Chamblee. I wanted to share it with you and never got around to scanning. Lately I was reminded of it because Carolyn Roehm’s A Passion for Blue and White was showing up all over the blogs. It’s on sale at amazon for $37.80. However, while I’m sure that’s a gorgeous book, I am loving the Stephanie Hoppen book I picked up for $5 (it’s at around $17 at amazon right now). It’s called Blue and White Living and though it was published ten years ago, it’s amazing how current it is, though I suppose blue and white is a classic that never goes out of style. Hoppen picked up on wallpaper prints, exotic Mexican and Moroccan touches, great bookcase arranging and even the ikat that’s so hot right now. Here are a few images from Hoppen’s book:

book cover images from amazon.com

all other images from Stephanie Hoppen’s Blue and White Living.

I am absolutely in love with the beautiful blockprint motifs and the rich colours. If you love a specific print, you can also shop by print...wow, now that is awesome:-)

Do check out Saffron Marigold to bring in that Indian luxury & elegance into your homes...

(images from Saffron Marigold.com)

I was so excited to open the October issue of House Beautiful and see an article on "Happy Prints". Because you see, this is totally me. As I'm writing this post I'm sitting in my bedroom, and it's depressing me terribly. The walls are coated in wallpaper primer which make them look cold and sterile. I am counting the days until my wallpaper- yes, a print- arrives so that my bedroom can be transformed into a room that makes me feel chic and happy. In the meantime, I have to get up and run into another room to look at color and my other prints for a temporary lift.

I adore prints that have pep and spunk. I love prints that make you stand up and take notice. Of course I do believe in the old adage to beware of too much of a good thing. In fact, my love of prints has forced me to be a ruthless editor. I've got so many that I would love to use but... not enough space and too little time.

The way I work with happy prints is by toning them down a bit with the use of sophisticated color. Because my other love is color. I absolutely cannot live without it. The irony of it all is that I don't wear color. Occasionally a little pale blue, but mostly blacks and grays. Not only is this practical, but it makes me feel elegant too. But in my home I prefer prints with pizzazz combined with rich color. And when I say rich I don't mean bright, because that's not me either. I'm thinking creamy blues, mossy greens, aubergine, even powdery pink.

Now, I'm not immune to the charms and the quiet elegance of a neutral room. In fact, one of my very favorite Billy Baldwin rooms is one that is rather monochromatic and neutral. But for my own home? It's all about color and prints. Because at the end of the day, that is what makes me happy.


Chinoiserie prints always make me sing, especially those that are not so serious. I have two chairs upholstered in "Ping" (Scalamandre), and they make me very happy.


And all of Sister Parish Designs' prints are upbeat, especially "Chou Chou"


How about Meloire Reverse from Quadrille/Alan Campbell? This might just get your mind off of the economy- at least temporarily!


"Asparagus Plaid" by Brunschwig is such a funny print. While it's not my style, I can definitely see where it might make others smile.


Again, not a print for everybody, but it might be just the thing for a porcelain collector. "Imari Trophy Plate" by Carlton Varney


Prints don't have to bold, colorful, or whimsical to make you happy. I used this Tyler Hall print- "Exeter"- in my old powder room, and it gave the room some flair... which in turn made me happy!

Image at top: A room designed by Albert Hadley- in my mind, the pied piper of the happy, handsome, and understated print. His fabric and wallpaper for Hinson is by far my favorite.

And no, it's not the spatter pattern that is discussed so frequently in episodes of "CSI". It's "Spatter", and it's one of my favorite Hinson prints. Designed by Harry Hinson in 1974, the print was inspired by the spatter motif found often in Colonial ceramicware (this according to a 2001 New York Times article). The article also mentioned that it's a print that counts Albert Hadley and Jeffrey Bilhuber amongst its fans. I've also read that Billy Baldwin used it in his Nantucket home, but I can't find a photo.

So, just where can you use a print like "Spatter"? Well, Harry Hinson used it in his East Hampton home (shown above), and I was thrilled to see it in another Hamptons house designed by Tom Scheerer (and featured in the August '08 issue of House Beautiful). But I do think you can use it in a city home too. How about in a powder room? Or a kitchen? Just think of "Spatter" as a modern take on early Americana.

And speaking of Americana, I was curious about Hinson's supposed inspiration for this print. Just what was spatter and how was it used during Colonial times? Well, one of the prime examples is spatterware. According to a ceramic curator at Winterthur, spatterware was originally manufactured in England where it was known as spongeware. As spongeware was not particularly popular in England, most of it was shipped to the American colonies where it became known as spatterware. And it was here in America where spatterware became extremely popular, especially amongst the Pennsylvania Germans. Sponge and spatter painting was also used on furniture, walls, and floors during this era.

So although I can't corroborate whether Hinson was actually inspired by spatterware or not, it's something to ponder. If you would like to learn more about spatterware, you should visit Winterthur. Henry Francis du Pont was a major collector of it, and there is a magnificent display of his collection in Spatterware Hall at Winterthur. Or you can read more about his collection here in an interview with du Pont's daughter, the lucky recipient of some of her father's collection.


(Many thanks to everyone at Winterthur for assisting me in my research of spatterware.)



Two images of Scheerer's fabulous wallpaper selection for an East Hampton cottage (image from House Beautiful, Aug 08; Simon Upton photographer).


A Spatterware platter, c. 1825-1855, Staffordshire England. Does this not look modern to you? Bequest of Henry Francis du Pont; image courtesy of Winterthur.


Spatterware pitcher, c. 1825-1855, Staffordshire England. Bequest of Henry Francis du Pont. Image courtesy of Winterthur.


Four examples of Spatterware jugs, c. 1825-1855, Staffordshire England. Bequest of Henry Francis du Pont. Photo courtesy of Winterthur.

Image at top: "Spatter" in blue and white on the walls and curtains of Harry Hinson's East Hampton dining room.