Topo Azul, handmade designde patterns - is an organic approach to the art of painted wallpaper. A style that plays with lo-fi but in the end is revealed as a high quality product with a fresh and contemporary sensibility. This handmade pattern was created from the concept of freedom of lines. Heterogeneous forms are unified by using the same color. it reminds of the beauty that exists in the chaos and the randomness.

Artist Ana Montiel has designed TOPO AZUL as well as our other wallpaper collections. Since her early beginnings, she was fascinated while drawing different shapes (vs. patterns) and forms, not knowing that her fixation at the time would evolve into beautiful patterns for Pattern Tales®.

Contributed by George Evans

• Artist: a signed piece is generally worth more than unsigned painting or piece of furniture.
• Maker: can be attributed when it?s a known form and the construction and materials are in sync.
• Period Piece: generally (a piece made in the period i.e. Queen Anne) is worth considerably more than a piece in the Queen Anne style, or a reproduction.
• Form: small occasional pieces are more desirable than oversized/out of proportion pieces.
• Pieces of Regal style are more desirable than ?grandmotherly? pieces. One does not want a room to be predictable. It has to be fun and you should be able to visualize yourself living in it.
• Function: for instance make sure an antique chair is sturdy and can be used or it should be restricted to a piece of ?Decorative Art or Sculpture?

Designer Peter Marino , Photography by Michael Moran
Courtesy Architectural Digest

Photo credit: Scott Frances. Courtesy of Architectural Digest.

Photo credit: Architectural Digest

Contributed by George Evans, Co-Founder of Bond & Bowery.
Read all of George's posts here.

Sorry, I've been away from this blog. The biggest thing coming up is Modern Economy's (first ever) Online Sale starting Wednesday, October 8, 2008 at 9:00 AM (PST).

After getting many requests to bring this sale to cities everywhere, I figured the best thing is just to put practically the entire sale online to give everyone a taste of what our sales are like. As usual, everything will be up to 80% off. Although this is a sample sale, much of our merchandise is first quality overstock. And just like our regular city-based sales, it's only for a limited time. Originally, I had planned for it to be 24-hour sale, but I've extended it another day. This sale is now only 48-hours long. So arrive early to our website for the best selection!

And join our mailing list, too. Individuals on our list will get special privileges and will also be entered in a drawing to win $200 in merchandise.

Here are some of the products you'll find at the sale:

Tablecloth, napkins, dishtowels from Simrin

Adorable and stylish vases from Joana Mendicino.

Eco-friendly hemp and linen pillows by Balanced Design.

If you're looking for me this week, I'm guest blogging the whole week on design*sponge--and writing more posts there than I have in the past three months combined I might add!

Also, I've gotten some inquiries on this: if you're wondering where to buy Craft Inc. because it's apparently sold out at Chronicle Books and Amazon, here are some other retailers that currently still have them in stock (for now): Reform School and Fred Flare.

I also don't know when they are expecting to receive more books but I'm sure it will be soon!

Alright ready. I know, I know. I always seem to be on semi-permanent hiatus from my blog. Well I got ton of things on my mind, namely getting my website updated. I believe, as of today, the index page is still announcing the NSS in May 2008. Nice. I should point out that on page 90 of Craft Inc, I wrote that you should "Update your site frequently with news or new products." And clearly, I am leading by example. I also tell people to always have their business cards on them, yet I am always writing my contact information on the backsides of other people's business cards when I meet them. I'm awesome like that.

Ironically, next week you'll find me on as a guest blogger on design*sponge. Obviously, have the time and energy to blog, just not on my own blog.

As for the above cookbook, "The Abundant Table: Recipes from the Bishop's Ranch Kitchen", which I illustrated, is finally out. So far I've made the pancakes (hey, I'm starting off easy) and they are delicious! I can't wait to try out the rest of their healthy recipes. And I have to say that Laura Crookston Deleot, the graphic designer, did a wonderful job! Such a pleasure working with her. Here are a couple of images from the book:

(the inside cover)

(introductory section)

I'm a sucker for wire mesh. So I'm trying to find a right place for these pieces in my home to justify their purchase. (I'm sure I'll figure something out.) But first, I would also like to check them out in the store to see if they look and feel just as good in person. The chair is the De la tour chair from Urban Outfitters and the table is the Link side table from CB2. I'm glad they're finally opening a store in San Francisco this summer.

I never thought I would say this, but thanks to designers like Susie Mendive of SUM I am actually ecstatic wallpaper has made such a solid comeback. This is gen-u-ine excitement. My parents coated our home with wallpaper in the early 80’s, and it wasn’t pretty. It was so bad I remember as a little girl trying to peel it off to hint to my parents that they needed to do something with the walls. Now, times are different and I want to paper my walls myself!

Wallpaper actually gets me all riled up so I apologize in advice for my lengthy list of questions with Susie Mendive. Enjoy!

I know a bit about your background…a graphic designer with a graduate degree from North Carolina then to LA then to NY as art director with stila cosmetics…but I think there are some holes, especially in how you transitioned from branding cosmetics to designing modern wallpaper. Tell us more! How did SUM come together?

It happened very organically. I very much wanted to design and produce my own product and call all the shots. It just made sense at that point in my career. There is a lot of hard work involved and it can be consuming but I like taking it one step at the time.

Tell us about the name, SUM. How did you come up with this?

My husband and I were in Tokyo and it just hit me, Su is from Susie and M from Mendive but more than that it was the idea of a total home concept…SUM of all parts. A total approach to design and living.

The female silhouettes of your Floral Femme Fatale prints are an amazing graphic. They have a significant presence let alone bring movement, style, femininity, character and a sense of a couture-ness to a room. I would guess that your time with stila cosmetics may have carried over into the inspiration for these designs, is this right or was it something else?

Yes, that’s right. The silhouettes are something I started with at stila. They have a very universal quality and allow you to project your own thoughts on to them. I am always more intrigued by what is left out of an image or illustration.

Many of the modern wallpapers we see are meant to be an explosive replacement for traditional wall art which I find very refreshing and exciting, but also a bit of a challenge! I love the colors and graphics of the Vespertine Wallpaper in Twilight but am not sure I could pull it off in my space (maybe the black option would be better for me). What tips do you have for creating a harmonizing space when using bold/graphic wallpapers?

It isn’t as difficult as it might seem. I think Vespertine Twilight would be great in a powder room, kids room or a small kitchen. It uses bold colors but you can paper a single wall if you are unsure and pick an accent color from the pattern for rest of the room. Items like lampshades or rugs will help unify the scheme and wood and chrome or bronze elements will add a little luxe to the mix. I try to stay away from a too done, matchy matchy look or it seems like a set rather than a lived in space.

Was it a challenge to create a line of wallpapers that are made in the USA, constructed of recyclable paper and hand screen printed with water-based, non varsol inks? I can’t begin to image how long your screen printing stations must be!

Too long for a Manhattan Apartment! I actually use a company out in California who share the same values as I do about the environment. They have been hand screening wallpaper for over 20 years and converted to water based inks about 5 years ago. We try our best to maintain the highest quality product and still be kind to mother nature.

I always appreciate getting a glimpse into a designer’s work space and adore the photos of your loft on hgtv. Any difficulties to living/working in the same space?

I don’t actually live in that apartment anymore but still do the live/work thing. For me work and life are not separate. Living is by design. I have an enormous bedroom now (with a door this time!) and carved out two spaces with a beautiful, white modular folding screen. I then built in a storage/desk unit and of course wallpapered the space in Underwater Bamboo Pink. The whole color scheme came from the wallpaper so its silver and soft pink. It got a little too girly so I peppered it with earthy accents of walnut wood. The whole space feels very glamorous but warm and grounded…what’s more inspiring than that.

If you could paper someone’s walls, whose would you choose and which design might you use?

Frida Khalo
Diane von Furstenberg
Bjork
an Obama White House

…all custom designs of course!

I crave an opportunity to experiment with wallpaper, but I also fear it because: 1.) Of the expansive range of possibilities 2.) It is wallpaper and I don’t trust myself to be able to successfully apply it to my walls. But, I want to try so badly! What do you suggest for someone who is venturing into this arena for the first time…especially if the possibilities are as customizable as your wallpapers?

I think all the options available actually make it easier to find something that will work with your existing decor or serve as a jumping off point for a revamp. I understand the fear of installing yourself, many of my clients feel similarly. Wallpaper is really not that hard to put up and there are so many DIY sites out there with step by step instructions… in the end there is very little guesswork. I hung my very first Femme Fatale strike offs so I could learn how to do it and see how the paper performed, not the easiest, but definitely not hard. Having said that, if you are still hesitant, hire a painter or wallpaper installer. Many professional painters have experience hanging papers and the necessary tools in their arsenal. The most important thing is to be bold and experiment! Most of my clients are like you, saw it in a magazine and wanted to try it for themselves. All of them have been thrilled with the results. And remember nothing in this life is permanent!

How do you get out of a creative rut? What most inspires you?

Travel, travel, travel. It is the single most inspiring thing I can do. Floral Femme came together after a trip to Shanghai, Animalia after spending time in Holland. Places seep into me and become creative output.

What is next for SUM?

More wallpapers! I have one in the design stages that looks like painted canvas on the wall and another that is very male. I don’t see a lot out there for the boys so I thought it the perfect thing to design. SUM is now available in Utrecht, the Netherlands at Springers Wonen, in Malmo, Sweden at Tapetorama and we are looking to expand further in Europe and of course stateside. We are also moving into Fabrics and are looking to add other designers under our moniker… more parts to SUM total.

Thanks, Susie!

View all of Susie Mendive’s SUM wallpaper collection on DP.

Photograph: Alain Levitt
Makeup: Melissa Silver

From Sarah:

When it comes to storage, wire baskets are both aesthetically pleasing and fabulously multi-functional. Here is a selection of some of our favorite wire baskets, perfect for stowing logs, toys, or laundry.

Below: Handmade Wire Korbo Bucket from Canoe for $200. Handmade in Sweden from acid-proof steel, this durable, woven wire basket is rust proof.

Below: Steel Wire Basket from Global Industries, $36.

Below: Rustic Red Rim Metal Wire Basket; $79 from Wisteria.

Below: French Wire Basket produced in France by a family firm; £48 at the French House.

Below: Chrome Wire Storage Basket  from Storables, $9.95.

you’ve got to love a city whose motto is “keep austin weird.” full of flavor (i’m talking amazing tex mex), color and character, austin is a city that seriously has it all. it also has one of the best vintage/design scenes full of incredible shops like uncommon objects and room service vintage - and these places keep popping up all over the roundup for austin inspiration (check out the d*s austin guide here for more great shopping). so without further ado, today’s talented roundup: joel mozersky (the designer behind the real world: austin house!), d’ette cole {etta industry}, melissa gable {one creative girl}, jennifer braham {brink design} and jaime jo fisher {jewelry}. in case you missed it don’t forget to check out the regional roundup: austin- part 1, and stay tuned next week for our third and final installment! [thanks, designers!] -anne

CLICK HERE for the full post or just click “read more” below.

One.Eleven.Design

1. Where are you from? Where do you live now?
I grew up in San Antonio, Texas, but Austin has been my home for 22 years.

2. Describe your work.
I design residential and commercial spaces, such as restaurants, bars, retail stores, and hair salons. I also designed tour busses for the Dixie Chicks and the house for “The Real World-Austin.” I would describe my work as modern interpretations of classic design influences and eras. I’m much more interested with the history of decoration, and the relevance it has today, than what is happening “right now.” I think overtly contemporary design tends to look dated quickly and takes itself too seriously. I like my spaces to have a wink- a sense of humor and, most importantly, a soul.

3. How is your work influenced by where you live?
Austin has become very cosmopolitan in the past 10 years, but what is great about it’s growth is pretension is frowned upon. Austinites see right through it. It is an exciting place to be creatively- how can you move design forward, but maintain a foothold on what makes our city unique?

4. Where do you go in Austin when you want to feel inspired?
Uncommon Objects, Mercury Design Studio, Uptown Modern, and Room Service Vintage- I always find something I love at these stores, and they inspire my work tremendously.

5. How would you describe the Austin design scene?
We have an incredible creative community- architects, interior designers, artists, and craftsmen- who are a pretty tightly knit group. We also have clients who understand what makes a city great and unique is its culture of small businesses, and who support local talent.

6. If you could go anywhere where would you go?
There are so many places I haven’t been, but I would love to go to Thailand.

Click here for more of Joel’s work.

Etta Industry

1.  Where are you from? Where do you live now?
[From] Houston, Texas. [Now]  Austin ~ deep in the heart of Texas.

2.   Describe your work.
Working as an art director/designer/artist in a variety of mediums and arenas, my work combines a never ending love of color, a strong design sense, an eclectic aesthetic with a driving spirit of curiosity and wonder.

3.  How is your work influenced by where you live?
I think Texas is a really interesting combination of bold frontier independence, rich
cultural influences of Mexico and a vast landscape.  This region of Texas seems a
creative wellspring because Austin is an overgrown college town that embraces/
encourages diversity and individuality.

4.  Where do you go in Austin when you want to feel inspired?
Outside, it’s lovely here, sometimes kinda hot, but a lovely heat.

5.  How would you describe the Austin design scene?
I think it’s in its ‘tween’ stage, it’s just starting to stretch and grow and come into it’s own identity.

6.  If you could go anywhere where would you go?
Excluding time travel, if we’re talking places that I’ve never experienced, I’d like to see, eat and smell Cinque Terre.  If we’re talking favorite places, hands down that’d be Uzes, France.

Click here for more of D’Ette’s work.

One Creative Girl

1. Where are you from? Where do you live now?
I grew up in a big, old house in Columbus, New Jersey - surrounded by trees and fields and dairy farms, a mile from the “world famous” Columbus Farmer’s Market (and flea market). After graduating from Moore College of Art and Design in Philadelphia, Pennsylvania, I moved to Austin looking to be “wowed” by a new city (and I was).

2. Describe your work
A colorful, quirky, mish-mash of vintage images, found objects and stuff I like, dissected and arranged One Creative Girl style.

3. How is your work influenced by where you live?
Austin is a very colorful and off-beat place with lots of art and design and plenty of places to hike and swim and stay grounded  - it’s a pretty great place to live and play, dream and create.

4. Where do you go in Austin when you want to feel inspired?
I love to roam my favorite shop -  Uncommon Objects - it is cram packed with vintage goodness and always gives my brain a good jump start. In addition to that, a long creekside hike to connect with my froggy friends also works.

5. How would you describe the Austin design scene?
Encouraging and supportive - i have lots of friends who find Austin to be a great place for a creative lifestyle. There are yearly studio tours in several different neighborhoods and it always amazes me when i see just how many artists are here creating fabulous stuff!

6. If you could go anywhere where would you go?
I would love to live and create in Mexico. It is such a colorful and dynamic culture, I think it would be a perfect environment for me. Whenever I visit, it is so hard to leave. I have been searching for a way to live between Austin and Mexico for a while now and am sure it won’t be long before I find it!

Click for Melissa’s website, blog and etsy shop.

Brink Creative

1. Where are you from? Where do you live now?
Until age 13: Pennsylvania. Ages 13-18 Los Angeles. Age 21: Santa Fe. Ages 13-30: The Bay Area: Santa Clara, San Francisco, Berkeley. I live in Austin now. South Austin.

2. Describe your work.
A product of intuition and channeling my clients. Assemblage of everything I absorb. Reflections of when, where, why…either the solution, posing the question, regardless, always a combination of as many emotions evocable. Japanese : retro : contemporary : interactive 2d : hand made pixels…lush, love : life : contemporary : familiar : redefined : color that shifts energy. As much as possible by hand and then the fascinating life the artwork takes on as it’s digitized and moves throughout it’s many applications.

I stay open to the discoveries in “mistakes”.

I still measure equidistant areas from left to right and top to bottom when treating typography…respecting my traditional design education, but hand made patterns may have a loop or twirly thing out of whack. Don’t stop the press! Instead, magnify and celebrate. Keeping craft alive. Attention to detail and allowing the process to allow the product to develop. Pushing and pulling these poles while staying committed to the task. Inspirational design that serves it’s function, has a strong foundation and expansive possibilities.

3. How is your work influenced by where you live? 4. Where do you go in Austin when you want to feel inspired? 5. How would you describe the Austin design scene?
Austin is a city in flux…more so than most. Just when I’ve seen the major transformations in the town in just a year and the resulting dichotomies are tense: Fluidity and resistance; sloooow and fast paced; limited with a whole world of possibilities…hence a culture that attracts and continually stimulates artists of many a genre. Here’s a way in which allowing the ever evolving process to flow while keeping a standard and integrity. The work comes from the constant combination of this tension. It’s exciting, sometimes painful, but always rewarding in an amazing end design, lesson and developed relationship with all the players involved (me, the client, printers, writer, programmers, sign vendors…all the people it takes to get the job done well).

In Austin, we’ve had a poor rap about our art/design scene and I feel that’s quickly changing. I push push push to help set a higher standard. Many push to keep the original Texan/Mexican spirit alive. That combined with an influx of people from everywhere is dynamic and keeps me designing around the clock. I lived in San Francisco and LA…I love both places, but I feel as though the gold (for me) has been found. Here, there are new discoveries abound!

A city undefined, although I hear many trying. The subjectivity of it all spurs interesting conversation and certainly influences my work as I push push push myself to levels beyond what I thought possible. I think I do the same to my clients. Much to some of their dismay…it’s never easy giving birth!

Physically, my word is influenced by found materials and I do my best sketching at my favorite restaurant. Now I prefer to go alone…hmm, I can’t believe I just admitted that. To feel inspired, I go to beautiful stores (preferably second-hand), my full flat files, my growing library and I hang out with my brilliant artist friends.

6. If you could go anywhere where would you go?

If I could anywhere: 1. I’d go back to my mom’s garden. A penny for every beetle I picked off the green beans. I’d make $3 a day sometimes! 2. In a hammock during the fall at dusk. My lifestyle doesn’t allow much sleep. 3. Camping with my significant other with nothing but a t-shirt, jeans, my toothbrush, water and my dogs.

Click here for more of Jennifer’s work.

Jaime Jo Fisher

1. Where are you from? Where do you live now?
I grew up in a small town in southern Illinois just east of St. Louis.  I currently live with my husband, Chris Campbell and our dog and cat, Brinkley and Tula in Austin, Texas. I work full time in my home studio making jewelry that I sell thru my website, galleries and a few juried art festivals.

2. Describe your work.
I make jewelry and sculptural boxes with sterling silver, mineral stones and a wide array of found, vintage or repurposed materials.  These commonly overlooked and typically discarded materials can be a piece of broken windshield glass, a fragment of plastic from a doll shoe, a found pebble or shell, or even a tiny stuffed pillow sewn from the plastic of a thrifted rain poncho. Many people who see my work for the first time assume the stones are all resin, enamel or beach glass and seem pleasantly surprised when I tell them it’s plastic from a bundle of rubber grapes or the sculptural box they see actually houses and displays a wearable ring.

3. How is your work influenced by where you live?
I have been living in Austin for over 2.5 years. Living in this progressive city directly influences my work.  Austin is about nostalgia, the DIY approach and green living including recycling and conservation. This is evident in the design, fashion and craft of local artists.  This idea is very much in keeping with my work as well.

4. Where do you go in Austin when you want to feel inspired?
Austin has a plethora of great thrift stores, from the high-end vintage stores to the more hardcore, not for the faint of heart, to scavenge about digging for potential new goods to incorporate in my work.  I am always looking on the ground, in thrift stores & flea markets as well as online. I enjoy finding things that will seem slightly bizarre when used in my jewelry, some of the more unexpected being bristles from a toothbrush and dryer lint from my lint trap. There is also a really great bead store in Austin, called Bead It, where I get some amazing vintage plastic and glass pieces that appear in my work as well.

5. How would you describe the Austin design scene?
I am part of an organization made up of an amazing group of women that live and work in Austin called Handmade Austin Women. The weekend show is a fun filled family event that offers some exquisitely designed and handmade items including paintings, pottery, jewelry, handmade clothing, hats & bags as well as some 2d & 3d collage work.   Another event on the art scene is the East Austin Studio Tour. My husband, who is a potter, and I turn our garage into a temporary gallery space for a weekend during the tour to show our work along with over 200 other studios that reside in East Austin.

When feeling uninspired or less than motivated, you may find me at any number of art galleries in Austin, at a friends studio to chat up their current work, at Book People or Domy flipping thru their amazing book collections, taking a Bikram Yoga class at Yogagroove, window shopping at a local vintage shop or digging around at a local thrift store.

6. If you could go anywhere where would you go?
If I could go anywhere my heart desired I would plan a road trip with my husband, with a tiny “fixer upper� trailer in tow, and discovery the sites one city at a time.

Click here for more of Jaime’s work.

While I’m lovin’ the name of this “HUG bowl,” I’m not actually sold on the design. According to their website, “DESU DESIGN strives to make innovative products that blur the boundary between art and design.” This bottomless “bowl” simply holds items in place by surrounding them, rather than cupping them. Do you like the way the DESU designers are thinking outside the box …err, bowl? I think for $118, I’d want my bowl to have a bottom. –Erica P.

One of my favorite shopping destinations for original and fun gifts is the MoMA Store. From tsotchkes for just a few dollars, to super-pricey furniture, they have a huge selection of well-designed items. I spotted this great multi-purpose wall clock (it’s also a mirror and a hook) in the sale section for under $100. While $100 may seem like a lot for a clock, when you consider you’re getting three uses in one, the price is much easier to handle. –Erica P.

Margot Madison Creative Stationery, a lovely little store in the O’Bryonville neighborhood of Cincinnati, has a product called Mommy Executive that I really like, even though I’m not a mom. It’s a simple idea, but nice: beautifully printed, personalized stationery so moms can have the “official letterhead they deserve.” Store proprietor Margot Madison herself is a mom, so I’m thinking she knows what she’s talking about. For $42.50, moms can get a set of 25 personalized cards printed on heavy cardstock in their choice of designs and colors, “perfect for jotting down your number for playground playdates or teacher notes.” (I have a feeling non-moms might like them, too — just a hunch.) If those aren’t for you, Margot Madison offers an array of customized special event cards, wedding invitations and birth announcements — including an Etsy store filled with customizable holiday card ideas. –Mary T.