Elle Decor, September 2008, Photo by Grey Crawford

What struck me about this space was not just the beautiful tub (Waterworks Candide tub), but the very beautiful and witty tub filler dreamed up by the home owners/designers Fisher Weisman. A stream of water flows down from a shell encrusted "chandelier" reminiscent of the unique creations of Tony Duquette. Question....just where does one turn it on? No matter...this is my idea of luxury.

Another of my favorite bath spaces was created by Vicente Wolf. I think that combining different styles and periods will always make a space more interesting, and Mr. Wolf accomplishes this with great style. His Baccarat sconces and English eighteenth century mirror are the perfect foil for the blue glass walls and contemporary concrete tub.

Another designer who never disappoints is Michael Smith. This example of his authentic style takes me to another time.... one where things were slower. And isn't that what one would want when trying to unwind in the tub? Look at the details: the basket of magazines, reading glasses on the stool, the fresh towels, slippers at the side of the tub. And of course Rover waiting patiently. Perfection. (All bath fittings and fixtures designed by Smith for Kohler).

House and Garden, December 2000, Photo by Melanie Acevedo

Veranda, January-February 2005, Photo by Hickey-Robertson

This bathroom has all of the elements necessary for a long relaxing soak. Designers, art dealers and home owners Cynthia Cage McClain and Robert McClain thought of everything: candles, reading material, a little wine, flowers. Mix these with such personal, beautiful art and photography, and one feels like this is really home.

House and Garden, October 2005, Photo by Francois Halard

Milan based designer Roberto Peregalli created this amazing Master Bath for Claudio and Maria Luti of the famous family firm Kartell, most well known today for the production of the Philippe Starck Ghost Chair. I love the Robust-patterned marble flooring with the striped Venetian stucco walls. The dramatic Carrara marble tub surround contrasts so wonderfully with the Kartell Eros chair here.

Veranda, September-October 2006, Photo by Alec Hemmer

This bathroom just says "California" to me. Designed by Napa Valley designer Barbara Colvin this space is beautifully done. I love the French Doors off the garden and the stone floors. The simple elegance and connection to the outdoors creates such a wonderful spa-like atmosphere.

House Beautiful, July 2006, Photo by Karyn R. Millet

One of designers I am following lately is Ken Fulk. This California designer created such a pleasing space here using the Vintage Bath form Kohler, the owner's leaded glass pendant, and the Greek Key trimmed Roman Shade. Victorian side chair from Swallowtail. Very pretty!

Southern Accents, September October 2008, Photo by Pieter Estersohn

I love this bath with it's Loius XIV mirror and antique Swedish chandelier. Designed by Amelia Handegan for a couple in Charleston, it has a very European flavor. The pale gray-blue and white palette with the pewter and gold metal colors seems to be something I am drawn to time and again.

Southern Accents, July-August 2008, Photo by Roger Davies

Phoebe Howard decorated this beautiful bathroom for a vacation house in Ponte Verde Beach, Florida. A custom mosaic floor and hand-painted mural are what make this bathroom unique. So very pretty. The tub in this room seems to show up quite often in bathrooms that catch my eye. It's classic style works in so many places. Like in this all white bathroom:

House Beautiful, November 2006. Photo by Pieter Estersohn

Sally Markham created this vision in white for a couple in Connecticut. White glass mosaic tile line the walls and the floor creating quite an ethereal effect. One could float away to dreamland here. The heart shaped chair becomes an exclamation point against this white palette. Lovely.

House and Garden, July 2005, Photo by William Abranowicz

In contrast to the more traditional western aesthetic, this bathroom incorporates a decidedly Eastern influence. The architect William McDonough creates a sanctuary in the style of a Japanese country house. One could sit forever in this custom tub from Concrete Works looking out at the meadow of native grasses on South Carolina coastal island.

House and Garden, July 2005, Photo by Jonn Coolidge

The Master Bath in this Spanish Colonial Revival home takes on the California Craftsman flavor through the artful use of custom tile by Ann Sacks. Designer Jarrett Hedborg created a wonderful, cozy bathtub alcove here. I love the arched window echoed on the interior with the tiled arch. Beautifully done!

Elle Decor, July-August 2005, Photo by William Waldron

This is such a fun loving design for a bathroom by designer Robert Couturier. He combines glass tile and mosaic pebble floors with fresh and vibrant colors. This tub is is the Paris tub by Water Monopoly.

Elle Decor, July 2003, Photo by Dominique Vorillon

Then we have the classic claw foot tub. There is a nostalgia about it that cannot be put aside. This beach house bathroom in Malibu designed by Kerry Joyce is brightened by the sunny yellow-painted tub. I love the mosaic floor with the label identifying it as the "boys" bathroom. The surfboard is a fun touch.

Elle Decor, August-September 2003, Photo by Simon Upton

Another example of the classic claw foot provides quite a contrast to the way it is used above. This elegant New Orleans bathroom was designed by Ann Holden of the two Ann's of New Orleans: Holden and Dupuy. I love the New Orleans feeling here of the rustic painted wood plank floors paired with the silk drapery panels. The claw foot here was found at a salvage shop. The sink and fittings were original to the house. I love the photo reflecting the room through the antique mirror.

This is a round-up of some of my favorite tubs and the spaces they occupy. To get going with your own private sanctuary, you can start by looking at the Waterworks website. Many of the tubs can be found there. And for those on a budget, salvage shops are a great way to go. I hope this room, one of the most often used, can become a place for more than just the everyday chore of getting "ready". I hope it can become a place to relax and spend some down time.

Oh yes, of course, she loved Marrakech.  After all, this blog wasn't called My Essaouira was it?  But there really was something about this coastal town that made her want to sell everything and become a gypsy.  And Essaouira's multitude charms seemed to be thrown into high relief when staying at the beauteous Dar Beida.

Now she had given you a glimpse of Dar Beida's loveliness before.  But that was by no means all........There was more, you see.  Much more. 

Now that's really quite a fantastical chair -- very Ethnic Nautical, don't you think? (ahem, what do you mean that's not a genre?).  oooh, and with that curtain!

And somehow the chair paired with this preppy striped blanket (Habitat) and leather and raffia Tuareg carpet was just right.  And look at that beamed roof!

Dar Beida was a house for readers or perusers or simply flippers of pages.  The bookshelves were well stocked and the design magazines were abundant (including all those delicious, expensive mags from the UK) ..........Why ever leave? 

One of the bedrooms had a mezzanine all its own.  How very fun.  Did she mention that the owners had designed the fab felt rugs themselves? Sigh, these over-industrious creative types.....

A darling little salon with white leather poufs, African art, and one of the house's grotto like fireplaces........

Eeek, she could barely stand the fabulousness of this room, which was really an inner courtyard.   The swing (!),  the amazing signage, the fanciful candelabra, and that mod coffee table.  Really, living in a place like this could take ten years off of you, don't you think?

oh, all the quirky little details...........like these vintage toys displayed over a generous CD collection.

Real Saarinen, real Jacobsen, real Panton..........thrown together in the very most casual manner.  And don't even get her started on the oversized Tunisian birdcage found in the souk somehow (?!) .

And to the other side.........the cuisine, where one could cook, or in the blogging girl's case, pretend to cook..........

The blogging girl loved this.....oh, don't get all fidgety -- no animals were harmed for this montage:  they were all found in the Sahara desert.

Well.......she was off to sit on the terrace, under the ahem, Ethnic Nautical gazebo (that the owners had built themselves in a fit of over-achievement:))

Dar Beida, Essaouira, rented in its entirety

emma@castlesinthesand.com

mobile:  +212/67965386

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PS  Check out this (at the very bottom of the post) to see a vintage Moroccan wedding blanket displayed in situ in Allegra's home of  Beading Stars.

"Theatrical color can distract from flaws. Confederate Red draws the eye from the unassuming laminate cabinets in this rental kitchen."

Windsor Smith is a designer whose career is on fire. In addition to her interior design work, she just debuted a fabric collection, a furniture collection, and a rug line as well (whew!). I recently had the opportunity to speak with Windsor and it was quite a treat. Her personality is as warm and sparkling as her interiors.

To borrow the tagline from the National Enquirer, "Inquiring minds want to know", and that's the way I feel about design. So I decided to get Windsor's thoughts on anything and everything design related.


On Her New Fabric Line:
Windsor's new fabric line for Kravet has received rave reviews, and it's not hard to see why. The fabrics that caught my eye were her bold and graphic prints. But don't think that these are "in your face" prints. Windsor likes the snap and pop of strong pattern, but she chose to render them in soft colors like celadon and clove. And she wisely chose to use no more than two colors per print. The result? Prints that are classic and easy to live with. (Fabric available through Kravet showrooms and through her website.)

"Insignia" in Seafoam


"Continuum" in Chestnut

On Mixing Prints...With Style:
One question that I am asked often is how best to mix prints. I'll be the first to tell you that I'm not completely comfortable with doing this myself. Fortunately, Windsor shared some tips. First, mixing florals can be difficult, so you might want to stick with just one. Also, stripes, especially tone on tone, can work with a variety of prints. And if you're mixing multi-color prints, proceed with caution! Windsor advises using no more than two. Interestingly enough, Windsor gives the green light to mixing vintage fabrics, saying "anything goes". Her rationale? Vintage textiles become found objects and art and should be displayed almost like a collection. In her mind, Lynn von Kersting's work is a great example of this kind of mix.

See how well this gray and white striped fabric works with the pink and white paisley print? Windsor obviously practices what she preaches!


And look at the smashing combo of the green tonal stripes with the punchy pink print.

On White... and Blue:
It seems that every designer has one color which they add to every room. For Albert Hadley, it's red. For many others, it's black. For Windsor? White! As she says "the absence of color makes other colors sing!" That said, she also admits that she has a weakness for blue.


Blue and white in an East Coast Traditional home à la Windsor Smith.

On the Stars of her Collection:
So unless you've been hiding under a rock, you know that Windsor recently introduced her new furniture collection. And just what are her picks for the stand out pieces?


Brittany Secretary. Works as a TV cabinet, desk, or in bathrooms to hold makeup and towels.


Slim Chaise. Looks especially good nestled at the foot of a bed.


Entry Round Settee. Looks very "Grand Hotel" to me!

On Her Dream Clients:




(Jane Birkin- in case you're wondering)




Legendary style icon Slim Keith

On Her Current Favorite Design and Architecture Books:


An Affair with a House


Vogue Living: Houses, Gardens, People

On the Details that Make a House a Beautiful Home:

1) Art and found objects that reflect the personality of the homeowner
2) Large bundles of the same type flower in a casual vase
3) Lighting that makes a room come alive day and night
4) Floor plugs




Windsor has some wonderful Found Objects for sale on her website, including this Early Chippendale Table and the Antique French Fireplace Canopy

On the Future:
So what's next for Ms. Smith? Plenty. She's working on some amazing projects including a late 1940's equestrian estate. And, big things are in the works for her website. In addition to her online shop, there will be decorating advice, newsletters, and video. I'd say Windsor is in need of a vacation.

Oh, to be in New York right now attending the House Proud exhibit at Cooper-Hewitt. Hopefully I'll get the chance. But in the meantime, I did find some images on the web.

The exhibit celebrates the impressive collection of nineteenth century watercolor interiors assembled by Eugene V. and Clare E. Thaw- one of the largest of its kind in the States. The rendered interiors include rooms at Carlton House, Buckingham Palace, and Schloss Fischbach (the paintings put my small collection of anonymous watercolor interiors to shame!) On display through January 25, 2009, the show is sure to be of interest to you collectors or those interested in design history.

(For additional reading, you may want to consider House Proud, the companion book to the show. I've got my copy on order. Thank you too to a few readers and Paul Pincus for alerting me to the exhibit.)


The Dressing Room of King Ludwig I at the Munich Residenz; Franz Xaver Nachtmann, Germany, 1836.


The Japanese Salon, Villa Hügel; Rudolf von Alt, Austria, 1855.


The Chinese Room in the Royal Palace, Berlin; Eduard Gaertner, Germany, 1850.


The Blue Room, Schloss Fischbach; Carl Friedrich Wilhelm Klose, Germany, 1846.

Image at top: The Circular Dining Room at Carlton House; Charles Wild, England, 1819.

it’s rare that wayne pate at good shape design puts out a print that i don’t like. and this new eco-inspired reforestation now print (printed on 100% recycled paper with 10% of the proceeds going to the Trees For The Future Foundation) is a new favorite. combine that with this pink urns print and i’m ready to go. click here to check out wayne’s collection and shop online (the urns print is $30 and the reforestation now print is $35). to order the reforestation print (which will be in the shop soon) just shoot wayne an email right here.

ps: sorry, i’m all about the extra links today. i saw this cool photoproject mentioned on d.sharp journal via the lovely joanna goddard’s new blog on glamour.com. it’s all about what people look like before they go to bed. i was more interested in to see what people’s bedrooms look like of course. some of them have lovely colors- i love the green bedding towards the end and the green wall with stencils mid-way through. click here to check it out.

I was so excited to open the October issue of House Beautiful and see an article on "Happy Prints". Because you see, this is totally me. As I'm writing this post I'm sitting in my bedroom, and it's depressing me terribly. The walls are coated in wallpaper primer which make them look cold and sterile. I am counting the days until my wallpaper- yes, a print- arrives so that my bedroom can be transformed into a room that makes me feel chic and happy. In the meantime, I have to get up and run into another room to look at color and my other prints for a temporary lift.

I adore prints that have pep and spunk. I love prints that make you stand up and take notice. Of course I do believe in the old adage to beware of too much of a good thing. In fact, my love of prints has forced me to be a ruthless editor. I've got so many that I would love to use but... not enough space and too little time.

The way I work with happy prints is by toning them down a bit with the use of sophisticated color. Because my other love is color. I absolutely cannot live without it. The irony of it all is that I don't wear color. Occasionally a little pale blue, but mostly blacks and grays. Not only is this practical, but it makes me feel elegant too. But in my home I prefer prints with pizzazz combined with rich color. And when I say rich I don't mean bright, because that's not me either. I'm thinking creamy blues, mossy greens, aubergine, even powdery pink.

Now, I'm not immune to the charms and the quiet elegance of a neutral room. In fact, one of my very favorite Billy Baldwin rooms is one that is rather monochromatic and neutral. But for my own home? It's all about color and prints. Because at the end of the day, that is what makes me happy.


Chinoiserie prints always make me sing, especially those that are not so serious. I have two chairs upholstered in "Ping" (Scalamandre), and they make me very happy.


And all of Sister Parish Designs' prints are upbeat, especially "Chou Chou"


How about Meloire Reverse from Quadrille/Alan Campbell? This might just get your mind off of the economy- at least temporarily!


"Asparagus Plaid" by Brunschwig is such a funny print. While it's not my style, I can definitely see where it might make others smile.


Again, not a print for everybody, but it might be just the thing for a porcelain collector. "Imari Trophy Plate" by Carlton Varney


Prints don't have to bold, colorful, or whimsical to make you happy. I used this Tyler Hall print- "Exeter"- in my old powder room, and it gave the room some flair... which in turn made me happy!

Image at top: A room designed by Albert Hadley- in my mind, the pied piper of the happy, handsome, and understated print. His fabric and wallpaper for Hinson is by far my favorite.

One of my favorite sites in London is Spencer House, located in St. James. Built in the mid-eighteenth century for John, first Earl Spencer (yes, those Spencers), the house's first architect was John Vardy, a student of William Kent. It was Vardy who was responsible for the exterior of the home as well as some of the interior rooms, though unfortunately for him, he was later replaced as chief architect by James "Athenian" Stuart, a disciple of Greek architecture. Stuart's influence is seen in the classic Greek detail throughout the interior, making it one of the first examples of neoclassical architecture in England.

Throughout the late eighteenth and nineteenth centuries, subsequent generations of Spencers set about at refreshing and remodeling the interiors of the home, including a remodeling led by Henry Holland. After all, the Spencers were a prominent and highly social family, so Spencer House had to reflect this. Interestingly, the Spencers lived in the home until the late 1800s, at which time they leased the house to the Duke of Marlborough and his wife (Consuelo Vanderbilt) as well as various organizations. During the blitz in WWII, the contents of the home, including the fixtures, were removed and shipped to the Spencer estate Althorp for safe keeping.

Fortunately for us, Spencer House is now restored to its former glory and is open to the public. Of course, the fact that Spencer House is one of the few remaining private palaces in London makes it important. But the other nice thing is that it doesn't seem to be on many tourists' radar, meaning no long lines!

(One tidbit of info that I just gleaned- Georgiana, Duchess of Devonshire, was the daughter of first Earl Spencer and thus lived in the home until her marriage to the Duke of Devonshire. For a great book on Georgiana, you might want to read Georgiana: Duchess of Devonshire by Amanda Foreman. Or, I suppose you can wait for the upcoming movie based on Foreman's book. But the book is really a good read.)


The Palm Room was used by gentlemen after dinner. It was Vardy who was responsible for the design of this room.



The magnificent Great Room. According to Spencer House's website, the coffered ceiling and frieze were inspired by the vaults at the Temple of Concord and Victory in Rome.


The Painted Room (c. 1759-65) was one of the first completely Neoclassical rooms in Europe. Designed by Stuart to celebrate the marriage of the first Earl Spencer and his wife, the room is dominated by images of marriage and festivity, all inspired by ancient Greece and Rome.


Vardy's design for the Ante Room- originally conceived as the Spencers' private dining room- includes a stunning coffered apse. It was Henry Holland who inserted the mahogany double doors under the apse in 1792.


I like to purchase guide books from the sites I visit- just in case I missed something on the tour. I also like to mark the date of my visit on the inside cover. This might become especially helpful when my memory starts to fail me- hopefully not anytime soon!