My fiancé’s dear friend Nancy moved to Joshua Tree, California, several years ago with her long-time love, sculptor and furniture maker Alma Allen. We visited the couple, in their newly built, nearly finished home, this past Christmas, and I immediately fell in love with their modern, bio-regionally designed, green home, which was built to suit the harsh, gorgeous desert climate. Nancy and Alma built the home together over the course of a couple years, with minimal outside help. Here, Nancy tells us about the trials, tribulations, and rewards of living, working, and building with your true love, and how their home has inspired their design sensibilities, future project ideas, and new, rural lifestyle.

Elka: Tell me a little about the process of designing your home.

Nancy: Alma had always wanted to build his own house and thought about the design for years. Joshua Tree provided a perfect climate to incorporate a large courtyard, which had always interested him. The protected outdoor area provides shelter from the wind and creates an area for plants that would be devoured by the local wildlife outside the walls. The design of the house continues to be a work in progress. The layout was changed from the original drawings in many ways while we actually built and we continue to explore possibilities.

E: What were your biggest challenges?
N: Living in a Streamline trailer for two and a half years as we built. The trailer is the polar opposite of the passive solar construction of our house. The trailer is hot when it?s hot and cold when it?s cold. Dealing with the Building Department and local water and power companies for new construction was also challenging. Building codes do not encourage or even allow some aspects of green building. Although you have to pick your battles, we learned to not take no for an answer from the power and water companies, who often give false information.

E: Now that your house is nearly finished, what are you especially pleased with?

N: We are especially pleased with the passive-solar construction of the house. With the large south facing windows (which face directly to Joshua Tree National Park) and more minimal east/west exposure, as well as the thick cement floors with radiant floor heating/cooling and a geo-thermal loop, the house stays cool in the summer and warm in the winter. We?re also delighted with the homemade solar water heater which heats 250 gallons up to 140 degrees in the day and is currently maintaining a temperature of 115 overnight. (If we run the heating all night the temperature does go down as the tank is drained.)

E: Why Joshua Tree?

N: We had a shop for a few years in Los Angeles but grew tired of the daily commute and paying rent for Alma’s studio in downtown LA, our apartment in Silverlake, and our retail space in Venice. Alma and I are both originally from Utah and love the red rock desert. We considered moving to Southern Utah outside of Zion?s National Park, but Las Vegas would be the closest big city and we like our beer and wine. In Joshua Tree we are now only two hours away from Los Angeles, so we can easily have continuity with our work in LA, such as studio visits with Alma?s collectors.

E: What sort of interior features did you consider from both an aesthetic and practical point of view?

N: The fir tongue and groove ceiling. More work in some ways and less in others because it doesn’t require drywall and paint. Once it?s installed it?s done. It also breathes. Due to our very steep driveway, we were required to put in fire sprinklers, which have proven to be very practical for hanging lights!

E: Can you describe your interior design style?
N: Chunky minimal

E: What are your favorite objects in the house?
N: Alma’s sculpture. Fritz & Clara [the dogs]!

E: How about favorite furniture?
N: Alma’s furniture made from salvaged wood! I also love some of the vintage George Nelson cabinets.

E: What’s the hardest part about living here? The most rewarding?
N: The hardest part about living in Joshua Tree is the lack of good food. We miss abundant farmer?s markets and great restaurants, especially sushi…although we have more time and motivation to cook and recently I made my own kimchi! The most rewarding parts are the open spaces, wildlife sightings and the night skies. A giant tortoise tried to walk into our living room this week.

E: What are your needs, business-wise, for this space?
N: The space is comprised of two buildings separated by a large courtyard. The south area is living space and the north building is the wood workshop and sculpture gallery/office. Alma is also building a separate building with a steel frame for stone carving, which will house our solar panels as well as allow for cranes to move heavy materials. Separating the workspace from the living space will hopefully allow us to take advantage of increased tax incentives for solar-powered businesses.

E: What are your future building and renovation plans?
N: We?re going to build an outdoor shower using the solar water heater and the stone carving building.

E: Any advice to folks looking to build or renovate together?
N: Don?t do it… kidding! My advice would be to enjoy the endeavors that go wrong or not as planned as an unexpected opportunity for wabi-sabi - the beauty of imperfection and/or incompleteness. The epoxy that didn?t polish out of the cracks in the cement, the giant tub of permanent black dye that exploded… some of the things that caused tears while in the process turn out to be quite charming in the end.

Master merchandiser, shop owner extraordinaire, new mom and my dear friend and former neighbor Suzannah Fischer (or is it Fisher now? She actually married a guy with the same last name, minus the “c”) has started a blog for her store, O’Suzannah Goods, called o’suz news. It’s a great blog for perusing the coolest gifties and accessories - Suz has an enviable eye for finding the freshest products. I owe most of my grad school credit card debt to Suzannah.

The Cape Cod Modern House Trust as seen on Modern House Notes. I spent hours this week catching up on Tom and Gina’s blog, after seeing a story in The NYTimes about the Alice Ball House I was sure was written by Tom (we linked over to this post back in January). Turns out it was written by someone who clearly had appreciated his research on the subject. Anyway, I recommend catching up with all of Tom and Gina’s posts, as the buildings they find are phenomenal, but in particular I want to help spread the word about The Cape Cod Modern House Trust. Here is a little more information from their website:

In the late 1930s, on the isolated ‘back shore’ of Wellfleet, a group of self-taught, architecture enthusiasts began building experimental structures based on the early Modern buildings they had seen in Europe. Through mutual friends they invited some of the founders of European Modernism to buy land, build summer homes and settle. Like their local hosts, the recently emigrated Europeans admired the traditional Cape Cod ‘salt boxes’. These ancient houses were simple, functional, owner-built and designed for long winters. The Modernist summer houses were inversions of these, oriented to capture views and breezes, perching lightly on the land. In the three decades that followed, these architects built homes for themselves, their friends and the community of internationally influential artists, writers, and thinkers that took root nearby. Though humble in budget, materials and environmental impact, the Outer Cape’s Modern houses manage to be manifestos of their designers’ philosophy and way of living, close to nature, immersed in art and seeking community. The work of these architects and their clients spread around the world. These houses are the physical remnants of this unique convergence.

The Trust is trying to raise money to save and maintain some of these modern treasures…

… and in conjunction with the Truro Castle Hill Center for the Arts, has organized a Modern House Tour on August 24. I’m going to try to attend. Truro is probably the most beautiful spot on the Cape. The picture above is from the Truro Castle Hill Center for the Arts Home Page. As a chair-obsessed freak, I had to share it! The chairs themselves honor this group of artists.

The Tunnel House, as seen on Home Rejuvenation. Check out the post where they found it over at Designverb - the pictures are pretty mind-blowing!

Get your office looking sharp by checking out “Office Eye Candy” from Emma’s Design Blog.

•Jack Phillip’s Bug House photo courtesy of Florence Phillips via modern house notes

• Castle Hill chairs from CastleHill.org

•Tunnel House pictures from flickr member Brother O’Hara via Designverb via Home Rejuvenation.

• Office picture via Emma’s Design Blog

I have a loft-like space (a large living/bedroom above the garage) near the Chesapeake Bay. The room has high vaulted ceilings (about 10 feet, though of course the peak is higher), lots of windows, and board and batten extending to 7 feet on the walls. The space has windows on all sides, so gets plenty of light. There is a desk/bookcase unit that divides the space into living and sleeping areas. The furnishings are going to be low and modern.

The space, under construction

In terms of color, I was thinking of a soft grey/blue for the 7ft board & batten section of the walls (something along the lines of Boothbay Gray from Benjamin Moore) and a deeper color above that extending up across the ceiling (perhaps Benjamin Moore's Hale Navy). The color would extend throughout the space (only the bathroom will be different). I will also need an accent color for the central bookcase/desk and the trim.

Alternatively, if we decide not to paint the ceiling, perhaps the Hale Navy for the central bookcase/desk. I would love some more color options for the walls, trim, and central architectural component.

Is this a workable scheme? Or would a dark ceiling feel too oppressive? Do you have any color suggestions? -Sarah

image source

image source

For a nautical theme that isn't too cheesy, she could pair blue gray walls with crisp white trim and cheery red accents.

image source

i've never done one of their assignments, but have been fantasizing about joining in. if you do one, please let me know ~ maybe it'll be just the inspiration i need to finally take part.

{from the "make an encouraging banner" assignment}

{from the "photograph the sun" assignment}

{from the "recreate an object from someone's past" assignment}

{from the "fix something" assignment}

Back in January 2006, we wrote a post entitled Eight Questions to Ask Before Hiring an Interior Designer. The eight questions were part of an article in Home magazine and we linked to the magazine.

We like to link to an article and highlight several questions in our post, rather
than list all the questions. That way people go to the linked site and we both benefit from the traffic. One of our frustrations looking back at some of our posts is that not all articles are archived. If you click on the link above, you land on the magazine’s website, but it’s the June 2008 issue and the “Eight Questions…are gone!

It’s been awhile, so, because of inflation, we’ve come up with our own eleven questions:

1. Do I like the designer? Can I spend a lot of time with him/her? Good communication is a must. Working with an interior designer involves some give and take. You will share ideas, and the designer will contribute insights and advice based on his or her talents, knowledge and experience. Depending on the scope of the project, you could be working with your designer a couple of weeks to many, many months.

2. Do I get that he/she is trying to understand me by asking a lot of questions? The key to success is really getting to know you in the early stages and how you and your family use your home and your interests.

3. Does the scale of my project really warrant an interior designer? Even if you think you could accomplish the redesign, do you have the time and inclination? You need to be realistic about how much money you are willing to spend. Include in this estimate the cost of all raw materials, new furniture, labor for installations, and possibly a designer.

4. How do you charge for your time? Designers may charge by the hour, which can be anywhere from $35 to $300, and these costs can quickly mount up. Others may offer a free first consultation, and then quote you a flat fee on the basis of your discussions. Some may charge for the first meeting in advance and then a fee for the whole project based on the estimated hours. Some may bill you for hours used each month. Some may bill each month a level amount. Some may get a designer discount and pass some or all the savings on to you. Whatever the basis on which your interior decorator is paid, make sure you both agree on the budget.

5. Can we accomplish the redesign and stay within my budget?

6. I can’t decide if I like the design. Do I still have to pay for it? “Yes! When you decide to hire an interior design firm, you have decided to trust the design recommendations of that firm.�

7. Are you available for conversation about changes and fine tuning? A good designer knowing you may present you with several options and give you the choice of one or the other. ASID recommends: “Minimize changes to your plan. Each part of the design will affect the whole. Changes or special requests can require any number of adjustments that will add time and expenses to your project.

8. My friend doesn’t like your ideas. Why shouldn’t I listen to her/him? If you have to ask this question you should probably have hired your friend.

9. Can I go to the local Design Center? With or without you? Of course, just let them know that you are working with a designer and his/her name.

10. What if a piece of furniture comes damaged? The furniture store should inspect the furniture when it arrives. The designer should also inspect the furniture before it goes to the client. If something is missed or it breaks when it is used, the designer and the furniture store will work together with the vendor to resolve any problem.

11. How long does it take to receive things, once they are ordered? Here’s a guideline (though individual vendors may vary):
Upholstered Furniture: 10-16 weeks depending on vendor.
Casegoods – Chests, bookcases, tables, hutches, etc.: 8-12 weeks depending on vendor.
Window Treatments: 6-8 weeks depending on size of job
Accessories, Lamps, Art Prints, Silk Flowers/Plants: 4-6 weeks or less.
Rugs: If machine made, 2-4 weeks. If hand knotted, 3-4 months
Wallpaper/Fabrics: 3-5 days.

Several websites contributed to this list of questions and their answers:

Apartment Therapy LA Good Questions: Hiring an Interior Designer
ASID Working with a Designer
Nancy Werneken Interior Design Frequently Asked Questions
Lynle Ellis Designs Before You Hire an Interior Designer
NWSID Why Hire an Interior Designer?
CCIDC Frequently Asked Questions About Certified Interior Designers
Directory M articles Interior Decorator

Bev & Mike
Landfair Furniture + Design Gallery

I'm not sure how many of you read World of Interiors, but the May issue has a great but brief article on the bathrooms of the Duke and Duchess of Windsor at their Bois de Boulogne home. Photos of both bathrooms as well as the rooms' contents were included in the Sotheby's auction catalogue from 1997. But beyond what was included in the catalogue, I knew little about these rooms.

In the article, writer Hugo Vickers (who has written a book on the famous couple) touches briefly on the Duke's bathroom, which was elegant but rather plain (Vickers writes that the Duke, who preferred showers to baths, had a "Psycho" like shower in his bathroom). But fortunately for us, Vickers focuses on the Duchess' charming bathroom.

I learned that Dmitri Bouchene, a Russian painter and set designer, painted the ceiling of the bathroom to give it a tent-like effect. If you look closely in one of the photos, you will see an oculus painted in the ceiling which reveals a cloudy blue sky beyond the tent. Bouchene also painted garlands of flowers on the walls, and even painted scenes on the walls of the loo (see the photo below of the figure who is blind-folded, giving the Duchess her privacy!). I was always curious about the gilt-framed small paintings that were hung around the bathtub. According to Vickers, these paintings are actually New Year's cards that Bouchene sent to the Windsors every year. Lucky for Vickers that he successfully bid on many of these cards at the 1997 auction.

Of course, we're all familiar with the Cecil Beaton painting of the Duchess, hung on the mirrored wall above the bathtub. And those purple towels? They're by Porthault and are monogrammed with Wallis' cypher "WW" (Wallis Windsor) as well as the royal ducal coronet. I remember seeing the towels, or at least the bath mat, in the auction catalogue; I wonder who the lucky bidder was?

But I think that the most amusing anecdote from the article was Vickers' reminiscence about his shock upon seeing that Wallis' toilet had a plastic seat! And Wallis evidently was not alone- Vickers claims that Diana Vreeland had one too. Quelle horreur!







(All images from World of Interiors, May 2008; photographer Fritz von der Schulenburg)

Isn't it amazing how people who were once celebrities can fade into obscurity? The same thing can be said for celebrity decorators, especially William Pahlmann. Okay, so perhaps he's not an obscure designer, but he does not have the name recognition of Dorothy Draper or Elsie de Wolfe. If this were 1950, we would all be talking about Pahlmann. After all, he was one of the most famous decorators of the 1940s through the 1960s.

Pahlmann, who was educated at Parsons in the late 1920s, first gained notoriety after designing a mirrored bed for the first Mrs. William Paley (this according to Legendary Decorators of the Twentieth Century