My fiancé’s dear friend Nancy moved to Joshua Tree, California, several years ago with her long-time love, sculptor and furniture maker Alma Allen. We visited the couple, in their newly built, nearly finished home, this past Christmas, and I immediately fell in love with their modern, bio-regionally designed, green home, which was built to suit the harsh, gorgeous desert climate. Nancy and Alma built the home together over the course of a couple years, with minimal outside help. Here, Nancy tells us about the trials, tribulations, and rewards of living, working, and building with your true love, and how their home has inspired their design sensibilities, future project ideas, and new, rural lifestyle.

Elka: Tell me a little about the process of designing your home.

Nancy: Alma had always wanted to build his own house and thought about the design for years. Joshua Tree provided a perfect climate to incorporate a large courtyard, which had always interested him. The protected outdoor area provides shelter from the wind and creates an area for plants that would be devoured by the local wildlife outside the walls. The design of the house continues to be a work in progress. The layout was changed from the original drawings in many ways while we actually built and we continue to explore possibilities.

E: What were your biggest challenges?
N: Living in a Streamline trailer for two and a half years as we built. The trailer is the polar opposite of the passive solar construction of our house. The trailer is hot when it?s hot and cold when it?s cold. Dealing with the Building Department and local water and power companies for new construction was also challenging. Building codes do not encourage or even allow some aspects of green building. Although you have to pick your battles, we learned to not take no for an answer from the power and water companies, who often give false information.

E: Now that your house is nearly finished, what are you especially pleased with?

N: We are especially pleased with the passive-solar construction of the house. With the large south facing windows (which face directly to Joshua Tree National Park) and more minimal east/west exposure, as well as the thick cement floors with radiant floor heating/cooling and a geo-thermal loop, the house stays cool in the summer and warm in the winter. We?re also delighted with the homemade solar water heater which heats 250 gallons up to 140 degrees in the day and is currently maintaining a temperature of 115 overnight. (If we run the heating all night the temperature does go down as the tank is drained.)

E: Why Joshua Tree?

N: We had a shop for a few years in Los Angeles but grew tired of the daily commute and paying rent for Alma’s studio in downtown LA, our apartment in Silverlake, and our retail space in Venice. Alma and I are both originally from Utah and love the red rock desert. We considered moving to Southern Utah outside of Zion?s National Park, but Las Vegas would be the closest big city and we like our beer and wine. In Joshua Tree we are now only two hours away from Los Angeles, so we can easily have continuity with our work in LA, such as studio visits with Alma?s collectors.

E: What sort of interior features did you consider from both an aesthetic and practical point of view?

N: The fir tongue and groove ceiling. More work in some ways and less in others because it doesn’t require drywall and paint. Once it?s installed it?s done. It also breathes. Due to our very steep driveway, we were required to put in fire sprinklers, which have proven to be very practical for hanging lights!

E: Can you describe your interior design style?
N: Chunky minimal

E: What are your favorite objects in the house?
N: Alma’s sculpture. Fritz & Clara [the dogs]!

E: How about favorite furniture?
N: Alma’s furniture made from salvaged wood! I also love some of the vintage George Nelson cabinets.

E: What’s the hardest part about living here? The most rewarding?
N: The hardest part about living in Joshua Tree is the lack of good food. We miss abundant farmer?s markets and great restaurants, especially sushi…although we have more time and motivation to cook and recently I made my own kimchi! The most rewarding parts are the open spaces, wildlife sightings and the night skies. A giant tortoise tried to walk into our living room this week.

E: What are your needs, business-wise, for this space?
N: The space is comprised of two buildings separated by a large courtyard. The south area is living space and the north building is the wood workshop and sculpture gallery/office. Alma is also building a separate building with a steel frame for stone carving, which will house our solar panels as well as allow for cranes to move heavy materials. Separating the workspace from the living space will hopefully allow us to take advantage of increased tax incentives for solar-powered businesses.

E: What are your future building and renovation plans?
N: We?re going to build an outdoor shower using the solar water heater and the stone carving building.

E: Any advice to folks looking to build or renovate together?
N: Don?t do it… kidding! My advice would be to enjoy the endeavors that go wrong or not as planned as an unexpected opportunity for wabi-sabi - the beauty of imperfection and/or incompleteness. The epoxy that didn?t polish out of the cracks in the cement, the giant tub of permanent black dye that exploded… some of the things that caused tears while in the process turn out to be quite charming in the end.

Maria Beatrice and Leonardo Ferragamo’s Villa Le Rose

Oh how I want to be Margaret Russell, the Editor of ELLE DECOR. In addition to her unparalleled editorial skills, she must have about 8,000 cocktail dresses that look fabulous on her. In the foreward to my new favorite book, So Chic: Glamorous Lives, Stylish Spaces, she defines what makes a space chic:

But what exactly is chic? Webster’s defines the word as “cleverly stylish; smart; a woman who adapts fashion to her own personality.” When it comes to interiors, chic is that and far more. A chic space can be razzle-dazzle glamorous or quietly unpretentious, seriously sophisticated or unapologetically bohemian. The unifying thread is indisutabley confidence, no doubt boosted by splashes of joie de vivre and flair.

Jaouad Kadiri’s Moroccan Country House

Kenneth Jay Lane’s Stanford White Designed Park Avenue Townhouse

This is a really good way to describe ELLE DECOR. They offer a wide range of styles in their spreads unlike any other magazine, from over-the-top opulence of say, Kenneth Jay Lane, to the lived-in rustic look of Ralph Lauren; from the eclectic vibe of Anh Duong to the elegant Grey Gardens-esque decay of John Derian; from the vintage but modernly crisp Thomas O’Brien to the exotic shapes and textures used by Jaouad Kadiri. This book culls the best examples from the magazine’s archives, and the range of styles is remarkable. The common thread is that they are all, undoubtedly chic due to the designers’ individual styles, whether they be influenced by the Ottoman empire, mid-century modern, vintage, Hollywood Regency, Morocco, the eclectic mix, et. al.

Ranjana & Naeem Khan’s SoHo Loft

For example, I took note of the different wallcoverings in the book. There were crisp white walls, classic murals, antique Chinese wallpapers, grasscloths, ethnic tiles, genius artwork arrangements, mirrors, bold stripes and luxurious printed fabrics.

Muriel Brandolini’s Upper East Side Townhouse

Tamara Mellon’s London Flat (O.K., I want to be her the most; she has every Jimmy Choo shoe in her closet!)

Sheila Bridges’ Harlem Apartment

Thomas O’Brien’s Wall of Inspiration

Delphine and Reed Krakoff’s Southampton Home

Anh Duong’s West Village Loft

Sarah Jessica Parker’s Hamptons Home

John Derian’s Lower East Side Pad

It was impossible to pick favorite photos from this book, but I thought these were some great examples. Here are the photo credits, in order, from the elite group that shoots for ELLE DECOR:

• Pieter Estersohn

• Henry Bourne

• Pieter Estersohn

• Simon Upton

• Pieter Estersohn

• Simon Upton

• William Waldron

• William Waldron

• Reed Krakoff

• Simon Upton

• William Waldron

• William Waldron

We couldn't find what we were looking for anywhere. We considered remodeling our tiny first home with a second story. We looked at an empty lot in our old beautiful neighborhood.

And then.....I took a different route to get some forgotten homework to my daughter's school by the dreaded due date ( I know....how will they learn...but sometimes you just do this kind of thing). And there she was. "FOR SALE BY OWNER" It was a sign. (Really... a sign). With my brakes screeching, I stopped and took down the number, raced to the school to drop off the homework, and got to work where I immediately called the number. Yes, it was for sale. Yes, it was well within our budget. Yes, I could see it on my lunch break. I arrived promptly at noon. I saw the inside. It was love. The possibilities crystallized in my mind, I phoned Mr. K and he saw it that evening. The rest is history.



We have been hard at work ever since creating the treasure we knew was here. You have seen the progress on the inside: the new kitchen, powder bath, family room and basement. We are still doing alot of fine tuning inside. But we have turned our sights to the outside. We want to get the plants in for the rainy season.

So this is our front yard. We have been digging....well by "we" I mean Mr. K......trenches for the new irrigation system. Have I told you all how very handy Mr. K is? Well, he used to be a landscaper during college. So we will soon be the proud owners of a new lawn after amending our hard-pan clay soil.

We took out three trees: one a diseased pear tree that blocked our path to the house, another, a type of oak that holds its dead leaves for a good 3-4 months out of the year after Fall, and the third was a large Persimmon tree. We did love the Persimmon tree, but it's roots were tearing up the porch, and the fruit would ripen to jam and plummet down onto our unsuspecting cars where in the Indian Summer heat would harden onto the paint jobs like glue. The neighbors were rejoicing, I kid you not. So.... this is the first time I could actually photograph the front of the house so you all could see it! We are replacing the Oak with an Elm like the rest on the street, and the Pear with a Dogwood a little closer to the house.

This is the right part of the front yard showing our planting beds and our front gate, which I love. There is a Gardenia on the right, and Flowering Quince to the left of the gate behind the Japanese maple. We put in Boxwoods at the back of the beds with ferns and hostas in front (very shady). In spring we add Coleus and Impatiens. Does it look like we are digging for gold?

This is a view of the new stair well leading to the basement. Having these French Doors at basement level completely changed the space from a "basement" to very nice living space. We now have a "view" of sorts. I am going to cover the wall with weeping fig and add some potted plants at the bottom of the well. The steps and pathways will be blue stone in an irregular rectangle pattern. We will have vertical plantings along the fence...something flowering I hope!

Just another view of the side showing how high the house is here. A garden along a skinny shady path like this will take some thought. Suggestions are always welcome!!!!!!!!!!

When we started to do the grading for the back yard drainage, we thought we really had struck gold! An undiscovered emperor's tomb perhaps, or ancient Indian burial site? And even though most people would find it very mundane, perhaps even a tiny bit "icky"....Mr. K and I were fascinated and were showing it off to all of the neighbors:

There was alot of careful craftsmanship put into this. Still stumped?.........It was the old septic tank. Our house was built in 1911, and all of the houses had septic tanks when they were first built. They have all long since been on the main sewer line. We are lucky that no one fell into this cavern during the remodel. It was filled in last week with gravel and dirt. We gave up on the idea of making it into a wine cave for obvious reasons.

On the side of the house, we have a bit of yard where Mr. K built the cutest potting shed and raised planter for vegetables. We were late for planting this year, but put in some herbs and peppers. Next year it's going to be full of tomatoes, zucchini and carrots. We put pea gravel in the paths last week. The lawn is new too. We will be planting the beds on either side in the coming months in time for the rain.

So, as much as I would love to find buried treasure....I think the treasure we make ourselves is perhaps the most satisfying. Thank you to my wonderful Mr. K who works so hard for us. I'll take your beautiful shed and garden over gold and diamonds any day!

Known for his spare interiors as well as his use of humble, natural materials, Jean-Michel Frank is one of those designers who is often credited by contemporary designers as being a major influence, yet he has remained a bit of an enigma. Perhaps this was due to his all-too brief career and life, having committed suicide in 1941. Or maybe it was because some critics labeled Frank a society decorator. Whatever the reason, critical study of Frank's career did not begin in earnest until the 1980s with a monograph written by Leopold Diego Sanchez. Unfortunately, this book is a bit scarce as well as cost-prohibitive. There is, however, a new work on the design legend that is not only quite comprehensive and informative but will probably prove to be yet another authoritative work on Frank.

Jean-Michel Frank: The Strange and Subtle Luxury of the Parisian Haute-Monde in the Art Deco Period (Rizzoli) initially took shape as the doctoral thesis of Pierre-Emmanuel Martin-Vivier, a historian and authority on twentieth-century applied arts. The book provides the reader with a biographical account of both Frank's life as well as an in-depth look at his career as a designer of both spaces and furniture. While Frank's success was certainly guided by his talent, it was also nudged along by Frank's fortuitous friendships with the French and European beau monde, something which is explored in the book.

But Frank certainly developed a style that was all his own, and this is really the heart of this book. Much attention is given to Frank interiors, including his work for Jean-Pierre Guerlain, Andre Meyer, Templeton Crocker, Cole Porter, and of course Charles and Marie-Laure de Noailles. Today, Frank seems to be recognized more for his furniture designs than his interiors, so the text and photographic record of Frank's tables, lamps, and chairs are a major asset of Jean-Michel Frank. Also, Frank's career was characterized by collaborations with other gifted designers and artists, most notably Adolphe Chanaux, Alberto Giacometti, Christian Berard, and Emilio Terry, and this work is given due diligence in the book.

I'll admit that I have not yet finished this book; I'm taking my time reading the text, and I find myself getting lost in the gorgeous black and white photos chronicling Frank's work. But so far, I do feel that I better understand the genius and the style of this sad artist, and for this alone I highly recommend this book.



The Sitting Room in the penthouse of Templeton Crocker, San Francisco, 1929. The walls and ceiling were covered in squares of parchment, while the armchairs were upholstered in white leather. One of the Parsons-style cocktail tables was covered in brown shagreen, while the other was sheathed in patina bronze.


The Music Room in Cole Porter's Paris apartment. Although Armand-Albert Rateau was responsible for the paneling (silver lacquer at that), Frank designed the furniture.


Image at top: A Fire Screen covered in straw marquetry, c. 1924. The cabinet at bottom was covered in parchment, c. 1931.


A set of parchment nesting tables and an X lamp made from terra cotta.

I've recently become enamored with a designer whose work is no longer featured on the pages of shelter magazines. I read or hear very little about him these days, which probably adds to the mystique. I'm sure many of you are familiar with this designer, although to me his work is quite new. (Back in his heyday in the 1980s and 90s, I was preoccupied with homework and school activities, preventing me from focusing too terribly much on the design world.) Of course, the fact that he died almost 13 years ago is part of the reason why this designer's work is no longer at the forefront of our design consciousness, and it's really a shame because this designer- Richard Lowell Neas- created rooms that were stylish, sophisticated, beautiful, elegant, and timeless.

I first became familiar with Neas' name when I found out that he was responsible for Brunschwig & Fils' "Bibliothèque" wallpaper- one of my all-time favorite wallpaper designs. As Neas was an accomplished muralist and trompe l'oeil artist, it's no surprise that he would design such a charming print. Then I learned that Neas gradually made his way into a career as a decorator. And what decorating he did!

I've tried to collect a few images of his work, and in some ways it surprises me that I'm so taken with these very traditional rooms. While I am a traditionalist at heart, I do like to mix in some modern pieces- it's a bit like a design checks and balances system. I think that what has drawn me to his work is the fact that Neas created rooms that were completely livable. His New York projects seem to capture the spark that is so evocative of that city: urbane, sophisticated, and cosmopolitan. Yet there's nothing cold or stiff about these rooms. Neas imbued his projects with a softness and warmth that was so inviting. Perhaps it was the collection of unique and striking furniture and objets. Or maybe it was the mix of prints and patterns that was so pleasing to the eye. I actually believe it was a combination of all of the above.

I think Neas described the success of his rooms perfectly when he quoted his friend Annette de la Renta, "some of the most wonderful rooms are ones that seem as though all the objects were inherited from relatives with different styles and tastes- yet everything fits together magically." And this, to me, is the magic formula- and one that makes Neas' work so appealing.


An image of Neas' tiny Manhattan apartment. Note the trompe l'oeil swagged curtain at the top of the mirror. I just love this room.




Two photos of a Manhattan apartment that Neas designed around 1990.




I believe this dining room and bedroom were part of Neas' home in Charente, France. Neas certainly created environments that were appropriate for their surroundings.


A close-up shot of the "Bibliothèque" wallpaper.