The Bath. A time to relax and rejuvenate. There is nothing quite as soothing. It is small wonder that this time tested ritual has become a focus of beautiful design. I was reminded of how important a bathtub can be when enjoying the latest issue of Elle Decor and seeing this brilliant example of a "bathing room":

Elle Decor, September 2008, Photo by Grey Crawford

What struck me about this space was not just the beautiful tub (Waterworks Candide tub), but the very beautiful and witty tub filler dreamed up by the home owners/designers Fisher Weisman. A stream of water flows down from a shell encrusted "chandelier" reminiscent of the unique creations of Tony Duquette. Question....just where does one turn it on? No matter...this is my idea of luxury.

Another master of the bath is Axel Vervoordt. Bringing that European sensibility, he never fails to bring a certain sophistication and fresh simplicity to this kind of space. Here he has placed a nineteenth century zinc tub in a bedroom. Heaven.

Another of my favorite bath spaces was created by Vicente Wolf. I think that combining different styles and periods will always make a space more interesting, and Mr. Wolf accomplishes this with great style. His Baccarat sconces and English eighteenth century mirror are the perfect foil for the blue glass walls and contemporary concrete tub.

Another designer who never disappoints is Michael Smith. This example of his authentic style takes me to another time.... one where things were slower. And isn't that what one would want when trying to unwind in the tub? Look at the details: the basket of magazines, reading glasses on the stool, the fresh towels, slippers at the side of the tub. And of course Rover waiting patiently. Perfection. (All bath fittings and fixtures designed by Smith for Kohler).

House and Garden, December 2000, Photo by Melanie Acevedo

This bathroom was created by Juan Pablo Molyneux for jewelry designer John Landrum Bryant. The bath here is adorned by Bryant's signature tiger heads on the tub face as well as the filler (Custom created by Bryant). The fantasy comes through, but in a way that is not overstated. Very "chic" I think!

Veranda, January-February 2005, Photo by Hickey-Robertson

This bathroom has all of the elements necessary for a long relaxing soak. Designers, art dealers and home owners Cynthia Cage McClain and Robert McClain thought of everything: candles, reading material, a little wine, flowers. Mix these with such personal, beautiful art and photography, and one feels like this is really home.

House and Garden, October 2005, Photo by Francois Halard

Milan based designer Roberto Peregalli created this amazing Master Bath for Claudio and Maria Luti of the famous family firm Kartell, most well known today for the production of the Philippe Starck Ghost Chair. I love the Robust-patterned marble flooring with the striped Venetian stucco walls. The dramatic Carrara marble tub surround contrasts so wonderfully with the Kartell Eros chair here.

Veranda, September-October 2006, Photo by Alec Hemmer

This bathroom just says "California" to me. Designed by Napa Valley designer Barbara Colvin this space is beautifully done. I love the French Doors off the garden and the stone floors. The simple elegance and connection to the outdoors creates such a wonderful spa-like atmosphere.

House Beautiful, July 2006, Photo by Karyn R. Millet

One of designers I am following lately is Ken Fulk. This California designer created such a pleasing space here using the Vintage Bath form Kohler, the owner's leaded glass pendant, and the Greek Key trimmed Roman Shade. Victorian side chair from Swallowtail. Very pretty!

Southern Accents, September October 2008, Photo by Pieter Estersohn

I love this bath with it's Loius XIV mirror and antique Swedish chandelier. Designed by Amelia Handegan for a couple in Charleston, it has a very European flavor. The pale gray-blue and white palette with the pewter and gold metal colors seems to be something I am drawn to time and again.

Southern Accents, July-August 2008, Photo by Roger Davies

Phoebe Howard decorated this beautiful bathroom for a vacation house in Ponte Verde Beach, Florida. A custom mosaic floor and hand-painted mural are what make this bathroom unique. So very pretty. The tub in this room seems to show up quite often in bathrooms that catch my eye. It's classic style works in so many places. Like in this all white bathroom:

House Beautiful, November 2006. Photo by Pieter Estersohn

Sally Markham created this vision in white for a couple in Connecticut. White glass mosaic tile line the walls and the floor creating quite an ethereal effect. One could float away to dreamland here. The heart shaped chair becomes an exclamation point against this white palette. Lovely.

House and Garden, July 2005, Photo by William Abranowicz

In contrast to the more traditional western aesthetic, this bathroom incorporates a decidedly Eastern influence. The architect William McDonough creates a sanctuary in the style of a Japanese country house. One could sit forever in this custom tub from Concrete Works looking out at the meadow of native grasses on South Carolina coastal island.

House and Garden, July 2005, Photo by Jonn Coolidge

The Master Bath in this Spanish Colonial Revival home takes on the California Craftsman flavor through the artful use of custom tile by Ann Sacks. Designer Jarrett Hedborg created a wonderful, cozy bathtub alcove here. I love the arched window echoed on the interior with the tiled arch. Beautifully done!

Elle Decor, July-August 2005, Photo by William Waldron

This is such a fun loving design for a bathroom by designer Robert Couturier. He combines glass tile and mosaic pebble floors with fresh and vibrant colors. This tub is is the Paris tub by Water Monopoly.

Elle Decor, July 2003, Photo by Dominique Vorillon

Then we have the classic claw foot tub. There is a nostalgia about it that cannot be put aside. This beach house bathroom in Malibu designed by Kerry Joyce is brightened by the sunny yellow-painted tub. I love the mosaic floor with the label identifying it as the "boys" bathroom. The surfboard is a fun touch.

Elle Decor, August-September 2003, Photo by Simon Upton

Another example of the classic claw foot provides quite a contrast to the way it is used above. This elegant New Orleans bathroom was designed by Ann Holden of the two Ann's of New Orleans: Holden and Dupuy. I love the New Orleans feeling here of the rustic painted wood plank floors paired with the silk drapery panels. The claw foot here was found at a salvage shop. The sink and fittings were original to the house. I love the photo reflecting the room through the antique mirror.

This is a round-up of some of my favorite tubs and the spaces they occupy. To get going with your own private sanctuary, you can start by looking at the Waterworks website. Many of the tubs can be found there. And for those on a budget, salvage shops are a great way to go. I hope this room, one of the most often used, can become a place for more than just the everyday chore of getting "ready". I hope it can become a place to relax and spend some down time.

This West African tie-dyed, chevron-patterned, zebra-striped cotton is believed to be from the Ivory Coast and was described by Hali, April 2006, as the most optically dramatic piece displayed several years ago at the San Francisco Tribal and Textile Art Show It reminds me of popular zebra-striped fabrics made today by so many fashionable fabric houses.

Louisiana-based textile collector, Rebecca Vizard, recently posted her 2008 assortment of small Christmas stockings. These are my go-to presents because they are the perfect size for holding gift certificates, large chocolate bars, secret messages for kids, and tiny gifts. Some people hang them on the tree. The stockings are about six to seven inches long and made from fragments of lush antique textiles in both brilliant hues and soft shades. Prices range from $35-$50.

 
for the past few weeks we’ve been exploring the major design hubs in australia. but as with anywhere, there are those incredibly talented artists and designers who are able to make a name for themselves from off the beaten track. today’s final regional roundup: australia covers everywhere in between. and while these features have been focusing on the contemporary design scene, aboriginal art - a history that covers 40,000 years - continues to make it’s mark on australia, and is something i still hope to explore (talk about patterns! . . . luckily, one of the best collections is at the kluge-ruhe aboriginal art collection at my beloved university of virginia, of all places). but that’s the beauty of these roundups - they’re a starting point to discover a place, begin a conversation and in a world that is constantly changing and each can be revisited. it’s been nearly three months since i started on this piece - which features over 40 designers - and it’s still only brushing the surface. so please continue the dialogue in the comments, sharing your new discoveries, favorite aussie designers, inspiration and observations. in case you missed any, you can find all the posts here. and to view this full post (and many more designers) just click here. [an incredible thank you to everyone who participated!!!] -anne

[aboriginal painting by roslyn ann kemp, above]

Magic Jelly

1. Where are you from? Where do you live now? 
Born & bred right here in Adelaide, South Australia.

2. Describe your work 
Most important to me is to communicate & connect.  I’ve just started a project called The Paper Chase, trading art for paper, it’s all about collaboration & communication.  I try to make my work as accessible as possible.  I like to use low-tech equipment (Gocco for instance) & commonplace materials, & to lavish care & attention on the forgotten, overlooked & discarded.  I tend to work on a small scale, firstly, because I’m a finicky fuss-budget obsessed with detail, but also because I want my work to be intimate & personal rather than to shout at you from across the room.  I hope a little bit of wit & levity creeps in there somewhere too.

3. How is your work influenced by where you live?
I often trawl the local secondhand markets for bits & pieces to use in my work, & take lots of photos, particularly of signage & architecture.  In fact, I’m combining my interest in architecture & ephemera at the moment by building a house out of paper, loosely based on a lovely row of late-Victorian terrace houses on the seafront near where I live.

4. Where do you go in Australia when you want to feel inspired? 
Anywhere that’s out of the house!  Every spring I start feeling restless & want to take a trip to Sydney.

5. How would you describe the Australian design scene? 
I really can’t say as I don’t feel that I’m a part of it - I’m a total hermit!  It’s a small market, that’s for sure - especially in Adelaide - & I tend to sell more internationally & do more commissions for overseas clients.  I think the Australian scene is growing though.

6. If you could go anywhere where would you go? 
I’m planning a visit to the US in a few months’ time to take a road trip along the West Coast.  Now, if you have a time machine handy, where I’d really like to go is back to the mid-20th century so I can go wild amassing huge quantities of ephemera & toys, & taking lots of photos.

Click here for more work by Karena and visit the Magic Jelly Etsy shop here.

Bison Home

1. Where are you from? Where do you live now?
I am From Grenfell NSW (population 2000 ). My family came on the Sirius…the first Fleet of White Settlers/Convicts who came to Australia in 1788. I currently live in Canberra and my studio is in a rural location (Pialligo) surrounded by plant nurseries and vineyards.

2. Describe your work
My work…best described as a ceramics designer. I am drawn to simple, classic forms and I produce a large range (140 profiles and 30 colours) of dinnerware and decorator pieces. I’m a former archaeologist and ancient historian who became tired of excavating broken pots in Syria … so I taught myself how to make them instead! We create forms which reflect the relationship between beauty…and practicality. I am fortunate to have a wonderful team of craftspeople who support me in crafting our Fine Australian Stoneware Collections.

3. How is your work influenced by where you live?
As a person who was training to be an academic… I was captivated by the evolution of design in Classical History…and the amazingly poignant social contexts behind ceramic vessels. To unearth a piece of pottery…over 2000 years old with a fingerprint in it sends chills up your spine. I also went to School in Malmo Sweden and the colours and subtlety of Scandinavian seasons and design…obviously filter through my palette and shapes.

4. Where do you go in Australia when you want to feel inspired?
I absolutely love The Great Ocean Road in Victoria. Crusing along the stark coastline in a car or just spending time at our family Beachhouse near Portsea. Simple, unpretentious…and better still…uncomplicated.

5. How would you describe the Australian design scene?
Australia is changing rapidly in terms of global visibility and credibility. I always find it ironic though that within our own country people find it hard to conceptualize that viable design and manufacture can occur outside of Sydney and Melbourne. People look somewhat bemused when you tell them your studio is in Canberra (Our capital is better known for the Greenhouse gasses which come out of the Parliament Buildings!) That being said I see numerous whimsical and elegant works from talented artists/designers emerging…particularly working with textiles.

6. If you could go anywhere where would you go? If I could travel anywhere and spend time it would be south America…Belize in particular. The fusion of Jungle (with panthers) Mayan Pyramids and Amish/Mennonite settlers….sounds so disparate you’d have to get inspiration!

Click here for more from Bison Home.

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